Portable Magic

"Books make people quiet, yet they are so loud.” – Nnedi Okorafor

Tag: censorship

Collection Development Policies

Photo by Sindre Aalberg on Unsplash

As I near the end of ETL503 Resourcing the Collection, I feel the need to consolidate my understanding somewhere – and what better place than my blog?

I have written a blog post on the TL’s role in selecting resources; reflected on Sara Mosle’s post “What should children read?” and the debate about non-fiction vs fiction; mused about the limitations of a digital collection; reviewed online curating tools; discussed budget proposals and who should control the library budget; compiled information on various methods of evaluating the collections and the benefits and challenges of weeding; and considered self-censorship in light of student mental health and wellbeing (because that’s where my thoughts happened to take me at that time).

Photo by Mavis CW on Unsplash

In all of that, though, I find on reflection that I’ve skirted around some of the key points. Namely, why do we need a Collection Development Policy and how can it ‘future proof’ the collection?

Khan and Bhatti (2021) quote several sources in explaining what ‘collection development’ means, which can be synthesised (and simplified) as the plan for acquiring, maintaining and disposing of items in the library collection. A key distinction here is that it is a plan, a process, an outline that provides structure, and that it must be in response to the users’ needs. It is not the ‘how’ so much as the ‘what’ – the how belongs in a Procedures manual for library staff to follow. A Collection Development Policy is a guide, a framework – as a ‘policy’ it supports the decision-making processes of the library staff, both providing some direction and some support.

What’s telling is why this is needed in the first place. As Wade (2005, p. 12) says, “today’s librarian is a new breed that no longer keeps saying ‘quiet’ and is concerned with more than just how to catalogue items under the Dewey Decimal system.” With the increase in complexity of the information literacy sciences comes an increase in responsibility. Teacher Librarians (TL) must contend with various forms of technology – both using it, managing it and supervising it – as well as new and varied sources of information – in terms of quality and access.

Compounding this is the reduction of funding of school libraries, TL positions on staff – and the dearth of  TLs overall (in Tasmania, there are only a couple left!). So the TL must do more, often with less. Less time, less staff, less funding, less collaboration with teachers – because they too are time-poor, over-stretched and, when schools don’t even have a TL, there’s no one for them to collaborate. Many new teachers wouldn’t even know what a TL does because they’ve never worked with one. What a sad thought!

So, what can a TL do? Draft a solid Collection Development Policy to make it clear that they’re not just buying random books and that there’s more involved than just cataloguing, shelving and checking them out. And then shelving again.

Photo by Fallon Michael on Unsplash

A Collection Development policy is part of a larger process that begins with analysing the needs of the school’s users, and extends to budget, selection, acquisition, collection maintenance, evaluation and de-selection (Khan & Bhatti). Collection development, overall, includes planning, consultation, goal-setting, decision-making, promotion and sharing (Khan & Bhatti).

 

‘Planning’ is another way of saying ‘analysing users’ needs’, because that is always going to be the start and end point: the purpose and the outcome. When it comes to the students, so many things need to be considered, including the curriculum; the school context (e.g. socio-economic status; setting – remote/rural, inner urban; religious affiliation etc.); the diverse profiles of the student body (language, citizenship status, age, neurodiversity, interests etc.); the school’s goals and strategic aims; access to technology; and, encompassing it all, the library budget.

Planning must also exist within the purpose of the library. Fleishhacker (2017, p.31) says that TLs should provide resources that motivate students to read. The first standard for the teaching profession is “Know students and how they learn” (Australian Institute for Teaching and School Leadership, 2017); Mathur (2022) says that it is “imperative” that TLs support the variety of teaching and learning styles that exist in a school, and quotes Carrigan in Johnson (2009) in saying that “‘choice’ is the essence of collection development”.

It sounds simple but gets tricky – and this is where people don’t really understand just what a TL does. In providing ‘choice’, in selecting resources that engage, inform, present multiple perspectives and points of view, that represent diversity, educate and entertain, the TL must be aware of their own biases (the better to avoid self-censorship) and use a methodical approach to avoid challenges.

A “tightly written collection development policy that spells out how you approach deciding what goes in the collection (including how gift items are handled) and […] how to handle challenges to materials” will provide support for the TL (Shores, 2018, p. 175-6).

References

Australian Institute for Teaching and School Leadership. Australian professional standards for teachers. (2017). https://www.aitsl.edu.au/standards

Fleishhacker, J. (2017). Collection development. Knowledge Quest45(4), 24–31.

Khan, G., & Bhatti, R. (2021). An argument on collection development and collection management. Library Philosophy and Practice, 1-7. https://primo.csu.edu.au/permalink/61CSU_INST/15aovd3/cdi_scopus_primary_2012013622 

Mathur, P. (2022). Curate, advocate, collaborate: Updating a school library collection to promote sustainability and counter eco-anxiety. Scan, 41(2). https://education.nsw.gov.au/teaching-and-learning/professional-learning/scan/past-issues/vol-41-2022/issue-2-2022

Shores, W. (2018). Collection development in an era of “fake news”. Reference & User Services Quarterly, 57(3). DOI: 10.5860/rusq.57.3.6601

Wade, C. (2005). The school library: phoenix or dodo bird? Educational Horizons, 8(5), 12-14. https://search.informit.org/doi/epdf/10.3316/aeipt.144858

Censorship in the school library

Jacobson’s article on the SLJ Controversial Books Survey 2016 notes that, in America, the vast majority of challenges comes from the parents of school children.

This made me remember something about the American context, which I learned at a book industry expo in Toronto. At a panel on Young Adult books, when discussing style and content between Canada and the U.S., a Canadian author explained that publishers of YA novels are very conscious of and seek the approval of the Bible Belt mothers (this was some years ago, I’m paraphrasing here).

That is, the values of the more conservative Southern states can influence the books that get published, and what’s included in them, because those mothers are more likely to read the YA novels themselves before deciding if they’re ‘suitable’ for their children to read.

I found that very interesting and insightful, and while not all publishers (and not all books) are catering to this demographic, it still speaks to the power of the book-buying public (in this case, predominantly white Christian mothers).

I don’t think we have this ‘issue’ in Australia, and I think things are changing in America, too. But I have found that Australian YA is a lot grittier and more realistic than American YA (having read a fair bit). Jacobson mentions that John Green’s Looking for Alaska is frequently challenged; while I don’t like the book myself (I just think it’s not well written and is overly dramatic), it has the ‘gritty’ content lacking in so many other books. The Color Purple is also frequently challenged in American schools, I remember – especially as it’s so often taught there.

Here, now, I think there’s a new issue emerging: mental health. Social media posts often come with a “content note” or “content warning” or “trigger warning” – people want to talk about serious issues but they’re also more aware of potentially making readers’ mental health issues worse in the process. This could be a new area that prompts self-censorship, perhaps.

Last year I read (and loved) Grabriel Tallent’s novel My Absolute Darling. I gushed about it to my TL and we talked at length about the difficult subject matter that forms a key part of the protagonist’s coming-of-age journey. And it really is awful stuff. But our library – which serves Years 11 & 12 – also caters to the staff, and has no real age limits. Resource selection is carried out carefully but staff recommendations are readily catered for. We wouldn’t put, say, Fifty Shades of Grey on the shelves, but a novel dealing with rape/sexual abuse and coercive control is different.

And yet, I’ll admit I was nervous about this. Particularly when one of our school psychologists emailed me to alert me of the tricky content of this particular book – she knows better than me just what awful situations our students might be experiencing. The rates of anxiety are high at our school – partly due to it being a senior secondary college with many high achievers, and partly due to the high levels of support and openness that are being fostered in Australia now. ‘Wellbeing’ and ‘wellness’ are the new buzz words in education departments.

I’m interested in how much this awareness factors into self-censorship, or whether it’s simply absorbed into the idea of a ‘balanced’ collection: that there are many resources to guide and help etc (for instance, we have a whole section called “Life Guides” for books on sexual identity, mental health, stress and anxiety, wellbeing etc.).

References

Jacobson, L. (2016). Unnatural selection: More librarians are self-censoring. School Library Journal, 62(10), 20-24

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