Tag Archives: reluctant readers

It was the moment I fell in love…

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kaboompics / Pixabay – Falling in love

 

I fell in love for the first time with a boy named James Winthrop Frayne II.  I was 11 years old and madly in love. He was 16 years old, tall and very smart, with red hair, green eyes and a slightly crooked smile. 

PlushDesignStudio / Pixabay – In love with books.

 

Unfortunately for me, James or Jim, as I lovingly referred to him, was a character in my favourite book series “Trixie Belden”. In fact, my love for Jim Frayne was so embedded into my mind that I ended up marrying another lovely redhead (he says honey-blond) who also happened to have James in his name.  And whilst I was falling in love with Jim Frayne…

I fell in love with reading books. 

Now when I say I love books, I say this as an adult who reads on a daily basis. 

I have never spent a day in my life as far as I can remember without reading or food.  In fact reading and eating are interwoven rather closely in my life. I have eaten my way through many books and I have read my way through many meals.  Even now as a mother of three, dinner table conversations are still second place to a book. So for me, books are a need, like food and water. I indulge that need with classics and new authors; old favourites and popular series.  But series fiction holds a dear spot in my heart. As a child, series fiction gave me Jim and Trixie, Harry and Hermoine, Frank and Joe, Nancy and Bess, Laura Ingalls, Anne Shirley, Lucy, Pollyanna, Heidi, George and Timmy, Darryl and Sally. As an adult series fiction brought me Doc Scarpetta, Tempe Brennan, Ayla of no people, Falco, Jamie and Claire plus many others into my life.  Whilst I have loved the classics and other stand alone titles, series fiction brought me the greatest joy.   

{silence} {crickets} {crashing cups of tea and chairs} {my career as a future TL fading into the sunset}

Yes, as an adult who is also a fledgling teacher librarian, I am voicing out loud my deep and ardent affection for serial stories.  Now, once everyone has picked themselves off the floor and righted their tea cups; I will explain my thoughts.

I acknowledge that series fiction, whether for adults or children, has often been regarded as literary rubbish.  Often viewed as the ‘Mills & Boon’ of literature, series fiction is derided for its repetitive structure, predictive plot and lack of character development (Westfahl, 2018).  Some would even argue that its presence on bookshelves is a betrayal of literary values (Westfahl, 2018). But these people are snobs! Books do not always have to be among the lexicons of literature.  Books, especially fiction books, should be able to satisfy cognitive, emotional and the developmental needs of the reader and series fiction definitely addresses the emotional needs of both fledging and proficient readers.

But before I elaborate deeply on how series fiction changed my life; I would like to clarify a few technical issues.  There are three main types of series fiction. Firstly, there is the progressive series; where a longer narrative is broken down into shorter novels and the sequence of titles is important to the reader and storyline (Wooldridge, 2015).  Then there are the successive series, where the plot repeats itself continuously and lastly, the accidental variety where the author reluctantly writes prequels and sequels to comfort the crazies.  

Rowling’s Harry Potter, Marsden’s Tomorrow when the war began, Montgomery’s Anne of Green Gables and Wilder’s Little house books are some examples of progressive series.  These book concatenations had a definite end which saw the characters grow and develop along with the reader.  I was one of those readers that grew up with Ellie and Harry. I devoured John Marsden’s series in a matter of months.  My poor high school teacher librarian was continuously pestered to get the rest of the series once I got hold of the first one. Poor man!  Lucky for him, by the time I discovered Harry, I had a job and a library membership! I was 13 when the first HP book was released and as Harry grew up, so did I.  Harry, Hermoine and Ron were more than just book characters, for me they were friends.  

Successive series examples include the famous Diary of a wimpy kid, Nancy Drew, Hardy Boys, Trixie Belden, Babysitters club, Animorphs, Famous Five, Secret Seven, and Bobbsey Twins.  These series have a foreseeable story patterns with comforting characters and obvious plots (Wooldridge, 2015).  Whilst these books may seem formulaic (they are!), it is their predictability that makes them popular. Series fiction offers children constancy and security in a world full of upheaval (Wooldridge, 2015).  Children develop a sense of trust, an affection with the character and possibly even a relationship with the author (Wooldridge, 2015). So while they themselves grow up through the tumultuous years of puberty, series fiction with its predictability offers an escape, a playdate with an old friend.  

I developed this type of relationship with Enid Blyton after being introduced to the Famous Five. The sheer joy received from reading that series led me to trust her writing style and with it I discovered Secret Seven, 5 find outers and it, Mallory Towers, Twins at St Claire’s, Wishing Chair, Enchanted Tree, Amelia Jane and so many more.  For an awkward immigrant kid with poor social skills, these books allowed me to escape to places where magic and friendship abounded.  My daughter is also a big Blyton fan. Every time she picks up a book authored by Blyton, I know that she will most likely gain the same level of emotional satisfaction that I did and so develop her love of reading.  There is also a great deal of enjoyment to share with her the books of my childhood.

The last main type of series fiction is the accidental variety.  These are books that the author only planned on one, and then somehow their popularity has meant sequels and prequels were soon requested by adoring fans.  George M Martin’s Game of Thrones is such a series, spawning an TV run that lasted several years and ended before the last book has even been published.  Diana Gabaldan’s Outlander series is currently stalled at the near publication of its 9th book and only time will tell if the tenth book will ever eventuate (especially since the first book was published almost 20 years ago!).  Other accidental series include Baum’s Wizard of Oz, Norton’s The Borrowers and P. L. Traver’s Mary Poppins.  Because these series were accidental and not planned, their storylines do not always make sense and can appear a bit jerky at times.  Sometimes they abruptly end if the author or readers lose interest.  

Series fiction has been around for a long time. As much as some literary snobs would hate to admit, there are some current classics that used to be serials.  Dicken’s Pickwick Papers and another seven of his other titles as well as Doyle’s Sherlock Holmes started off as series but then were condensed into a novel several reprints later (McGill-Franzen & Ward, 2018).  Even further back to the folklore stories such as mythical twelve tasks of Hercules; the thousand and one stories of Scherazade and adventures of the Round table are varieties of series fiction.  So to all those literary snobs that believe series fiction are rubbish… well… pffft to you.  

If you think about it from a practical viewpoint it makes sense if you have a recipe that works to use it!  Edward Strathmeyer had such a recipe back in the boom days of series fiction. He planned outlines of books and then organised cheap ghost writers to write the stories, and oh boy… did it work!  The whole Trixie Belden, Nancy Drew and Hardy Boys production is based upon this magical recipe (Westfahl, 2018).  The recipe had some key ingredients. Characters are kept the same age; have the same small town holistic upbringing; go on amazing adventures, travel the world but always come home safely to a loving family.  These books allowed children and teens (mainly aimed at Caucausian middle class Americans) an avenue of escape from their groundhog day lives. As these book characters all suffered from perennial Peter Pan syndrome, they have never lost their appeal even in its trillionth reprint nearly ninety years after the first copy (Finnian, 2013).  I will mention here that whilst racial demographics and family structure has evolved significantly since the first Stratemeyer book was published in 1927, their popularity has not changed.  The plot pattern remains the same but the settings and dilemmas have evolved with the times.  Obviously the recipe still works!

So what is the benefit of series fiction?  Besides emotional satisfaction, series fiction allows the reader to build their literacy skills.  McGill-Franzen & Ward (2018) believes that the predictable plots assist in developing word recognition which in turn boosts vocabulary and reading confidence.  The formulaic story pattern allows the reader to easily identify any explicit reading conventions present. This expanded vocabulary and confidence then allows the reader to successfully use their increased literacy skills in other areas. 

Series fiction makes it simple for readers to identify titles they are willing to read because they identify with the author.  Reluctant readers are more likely to pick a book they are familiar with by the same author; than a title by a new author. They are also more likely to try other titles by that author because of the relationship that was previously established.  A great example is John Flanagan, author of the fabulous Ranger’s apprentice series.  Teens who enjoy that series often move onto the Royal Ranger series as well as Brotherband because they trust the author. The same can be said for Rick Riordan and the plethora of books he has published.  

The impact of series fiction is clear.  Children and teens who read more books end up being more adults who read.  Remember, committed adult readers were hooked onto reading as children by series fiction (McGill-Franzen & Ward, 2018).  And whilst reading of insightful novels that provokes critical thinking complements a wide reading program, it cannot replace it.  Pushing the classics onto children and teens before they are ready is unlikely to work. But offering them an opportunity to connect with an author or a series they can engage with may put them onto the pathway towards literature.  After all, children do age out of one series and into another (McGill-Franzen & Ward, 2018). They grow from Blyton’s Magic Faraway tree to Rodda’s Rowan of Rin, to Rowling’s Harry Potter to Marsden’s Tomorrow when the war began to Davis’ Falco, Cornwall’s Scarpetta and Reichs’ Bones and Hume’s Arthur and Merlin series and eventually they reach the classics. Why do I know that?  Cos I did just that.  

I fell in love with reading as a child.  I have stayed in love with reading as an adult.  Are you in love with reading? If so, when did it happen?

REFERENCES

Finnan, Robert (2013). “Unofficial Nancy Drew Home Page”. Retrieved 14th March 2020. 

McGill-Franzen, A. & Ward, N. (2018). To develop proficiency and engagement, give series books to novice readers. In D. Wooten, B. Cullinan, L. Liang & R. Allington (Eds). Children’s literature in the reading program: Engaging young readers in the 21st century, (5th ed., pp. 153-168). Retrieved from Proquest Ebook Central.

Westfahl, G. (1999-2018). Series fiction. World of Westfahl. Retrieved from https://www.sfsite.com/gary/ww-ref-series01.htm

Woolridge, T. (2015). Series fiction and Sallly Rippin’s Billie B Brown series: The ‘Most important continuous reading children do on their own’. mETAphor, 3, 30-35. Retrieved from https://www.englishteacher.com.au/

 

Graphic Novels – More than just for fun.

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New part of the collection

 

My school library has recently acquired a variety of graphic novels, ranging from classics such as Harper Lee’s, “To Kill a Mockingbird” to swashbuckling tales of pirates, and fantastical stories of superheroes from the Avengers franchise.  There are multiple reasons behind the acquisition of these resources; tacking reluctant readers engagement with reading, boosting traditional and multimodal literacy and addressing the needs of the curriculum.  

BAM! Literacy and fun- TOGETHER!

 

Graphic novels have widespread appeal across generations.  From adolescent reluctant readers to highly literate adult geeks, graphic novels can inspire a cult following.  I can only chuckle when I reminisce about Sheldon Cooper and his obsession with comics in the popular TV series “Big Bang Theory”.  The popularity seems to stem from the presence of popular genres such as Manga, funny and superhero comics and their use of contemporary characters (Crowley, 2015; Hughes et al., 2011).  The Marvel and DC comic series in particular, have reached new zeniths in popularity due to the recent plethora of movies being released this decade.  

Literacy teachers common use graphic novels as a method of engaging students who are reluctant readers boosting literacy.   As mentioned in earlier blog posts, reluctant readers often struggle to engage with traditional texts for a multitude of reasons, most commonly, low literacy.  Aliteracy or illiteracy, can preclude students from comprehending large text paragraphs (Crowley, 2015). Graphic novels with their text juxtapositioned with pictures format allows students to use visual stimuli to assist with decoding text (Cook & Kirchoff, 2017).  The drawings create a tangible image for the reader allowing them to be captivated more easily by the narrative within. This engagement can often influence students with low literacy to become more prolific with their reading, which has a direct correlation to increased literacy and overall academic achievement.  Due to their popularity and narrative style, graphic novels epitomise the adage, ‘reading for pleasure’. For schools with wide reading programs, a strong graphic novel investment is highly advised.  

There are other benefits to adding graphic novels to a collection.  The advent of the information age has demanded a strong requirement for students to be literate across modalities.  Graphic novels with their images and text colligated together, confer visual, gestural and spatial elements simultaneously, causing the reader to engage with the material on multiple levels.   As mentioned previously, graphic adaptations of class texts and other classics are extremely beneficial in engaging students as it is unfortunate that prescribed texts often seem to lack appeal with the student cohort.  A graphic adaptation has the duality of both ENGAGING disinterested students and ASSISTING students with DIVERSE learning needs.  By adding graphic novel adaptations of class texts to the collection, a school library is acknowledging the diverse learning needs of their students whilst addressing curriculum requirements mandated by ACARA.     

References

Cook, M., & Kirchoff, J. (2017). Teaching multimodal literacy through reading and writing graphic novels. Language and Literacy.  Vol. 19 (4). Pp. 76-95

Crowley, J. (2015) Graphic novels in a the school library. The School Library. Vol 63 (3)  Pp140-142

Hughes, J., King, A., Perkins, P. & Fuke, V. (2011) Adolescents and the Autographics; Reading and writing coming of age graphic novels. Journal of Adolescent and Adult Literacy. Vol. (54(8). DOI: doi:10.1598/JAAL.54.8.

Book Week – Making reading fun!

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Book week.  

Two simple words.

Two words that can excite little kid hearts, big teacher hearts and terrify parents who have to organise costumes for their kids’s parades. These are also two words that hold little excitement for those teen hearts.  

Why?

Oh please, ask me why? 

Never mind I will just tell you.

It may come as no great surprise to you – but teens don’t read…

Well they do not read as much as they used to and they certainly do not read the variety and depth of texts that their parents and grandparents read. To put it mildly, many teens do not read for recreational purposes.  A modern teen is overwhelmed by the variety of recreational activities they could choose from including the persistent lure of technology and glitzy apps, which as we all know, hold far more appeal than stodgy texts. For a bibliophile like me and an emerging Teacher librarian, this dilemma has coined a phrase known as ‘reluctant readers’ which means people, both adults and children that do not read for pleasure. 

Why does this occur?  We are all aware of how important literacy and reading are in primary school.  Students have readers that come home weekly and library visits as a class. Parents are constantly bombarded to read to their children by advocates from both the health and educational faculties.  Reading is fun! Schools run literacy activities that boost skills as well as point out the pleasure in reading, such as the CBCA book week. Within this week, teachers and other educational providers seek to promote books and the love of reading to children of all ages.  It is thrilling to see little children so excited by costumes and parades. Their faces light up when they hold up their favourite book against their outfit with happy eyes and grins to match. Primary schools across the country go through great lengths to set up parades. Teachers get dressed up in elaborate costumes and there is a general feeling of goodwill and happiness to all.  But when does this joy with reading decline? 

The answer sadly is high school.  

The same attitude for recreational reading does not translate into the latter years of schooling.  High school students are not encouraged to find pleasure in reading. There are multiple reasons for this decline.  Arguably the primary reason is that teenagers are often plagued by compulsory texts that hold little appeal for them.  Texts that have endured generations of disengaged students. I know from my own memory of high school two decades ago, and the apathy that quickly follows William Golding’s “Lord of the Flies”.  But yet the text’s presence in the curriculum continues. Yes, I agree that it has valuable social commentary. But I am sure that there are more engaging texts exist- “Hunger Games” by Suzanne Collins is plausibly a good replacement for Goldings dry and dismal story.  But forcing students to read books that they have no interest in only elicits anger and disgust for the text and its taint spreads to even the activity of reading.  

Douglas (2013) prescribes that an ability to read for pleasure as a teen is an indication of an ability to thrive in social environments. He goes on to explain that children that derive intrinsic pleasure and joy from reading are also the ones who end up being life-long learners.  This could simply be because those that find that inherent motivation to read are also the ones that have that immanent drive to succeed. Or it could be that those, even when cajoled, bribed and begged to read, with no innate motivation, are guided into the habit of reading, which over time could develop into something that brings great joy’ as Marie Kondo is often quoted.   Either way, the importance of reading is no longer just an educational issue but rather a social issue

Elphaba, 2018

Douglas (2013) elucidates that the demise of recreational reading in teens is based upon gender, attitude and societal expectations.  I can only tell you how many times I have rolled my eyes backwards when I hear parents and occasionally some teachers excuse reluctant readers with the banal phrase ‘boys will be boys’.  In some circumstances, my eyes have rolled back so hard they have gotten stuck against the back of my head! But I digress!! This gender based preference for reading is societal in origin rather than biological as Wong (2018) points out, “the brain is a unisex organ”.  But first world nations such as Britain, US and UK, the disparity in reading statistics between boys and girls is no longer just a fable, a myth. It is a disturbing statistic that affects half our student body. This inability to read translates to less dexterity in processing words, less sophistication in communication, and a consistent decline in educational outcomes.  On the note of societal disparity – in developing countries, the gender gap is primarily based upon unequal access to education. 

Queen of Hearts – 2018

 The other problem lies in that once a student is considered to be a competent reader in upper primary school, the focus changes from ‘learning to read’ to ‘read to learn’.  Ill informed parents believe that their children can now read and after years of being forced to read “Where is the green sheep” (by Mem Fox), (#mylife!), they dance their way from having to read to their children.  I must include myself with this charge. I too stopped reading to my eldest once she could read and have had only re-started after seeing the research. my Netflix time can wait a little longer. 

Malificient – 2018

 

As educators and as teacher librarians, we need to make reading FUN for our high school students.  We need to remind them of when a book character could make you laugh, cry and fall in love. We need to show them how reading books is not just about school work and assignments, but rather reading can be the quickest escape from it all. 

 

Cruella 2018

I am going all out for book week this year.  I am going to make a complete idjit of myself and show my students that reading is FUN! That reading books you are interested in brings great joy!  Most of all, I am going to show my colleagues that recreational reading is still important for teenagers.  And I am going to show them that whilst looking FABULOUS!

 

This year’s theme!

Douglas, J. (2013) The importance of instilling a need to read. The Telegraph UK. Retrieved from https://www.telegraph.co.uk/education/educationopinion/10035473/The-importance-of-instilling-a-need-to-read.html

 

Wong, A. (2018) Boys don’t read enough. The Atlantic- Education. Retrieved from https://www.theatlantic.com/education/archive/2018/09/why-girls-are-better-reading-boys/571429/

Reluctant Readers – Would facts be better than fiction?

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Reluctant readers.  I didnt even realise this was a phrase.  As an avid reader myself, and from a family of bibliophiles, the concept of people who choose not to read was astounding.  Teaching and the education profession is my second career.  I spent many years as a practicing scientist and reading both professionally and for recreation was common.  We had many water cooler conversations about recent academic publications along with Oprah’s uncanny knack of turning an average book into a best seller.  So my foray into the world of reluctant readers has been recent and startling.

 

Reluctant readers as people that “may struggle with reading, not show any interest in reading or simply refuse to read independently” (learningpotential.gov.au). These students in a classroom tasked with silent reading either pretend to read to avoid censure, get easily distracted or flat out refuse to read citing boredom, disinterest or illiteracy (www.k12reader.com).  Some children and young teens chose negative behaviour even if it leads to disciplinary actions just to avoid reading a book.  Such machinations are just a student’s way to avoid doing something they don’t like. When questioned, most of these readers describe reading as a chore and that there is nothing that interests them.    

My school has just implemented a silent reading program for the year 7 and 8 students to improve literacy levels and promote reading for recreational purposes.  The program is still in its infancy and we have noticed that out of the 470 students within these two year levels the majority of the students are complying. We do however, have about 50 students who have on multiple occasions been noted for failing to bring a book to class as well as others being identified as ‘fake reading’.  Fake reading, as I have casually defined it, is pretending to read to avoid censure by having a book in front of them but not actually looking at it. Stereotypically, a vast majority of our reluctant readers are boy as many of them are disinterested in books as they view them as ‘unrealistic’ and ‘unnecessary’ as well as ‘unconnected’ to the real world (www.k12reader.com).  

To combat this trend of disinterest, my fellow TLs and I have been searching our collection for various resources to help them find that connection to a book.  The strategies we have implemented to combat the various hurdles are the following:

Short attention span: these kids are not likely to wish to read big compendiums so we have sourced shorter books that are usually completed in 10-15minutes.  This means that students are more likely to read another book as they feel they have accomplished something in a short amount of time. The Libraries of Doom series have been excellent for this.

Low literacy: our school is an inclusive school and we have a wide range of literacy levels.  Many of our reluctant readers have low literacy and are unable to read the plethora of young adult fiction we have.  But they are also loathe to read the simpler books as they feel they are ‘not cool’ enough and self esteem is important during those teenage years.  Hi-lo books have been useful in this setting.  These books purchased jointly with our Inclusive education team have helped with implementation of our reading program.  Hi-Lo books are intriguing to the students because their topics resonate with our students but the language used is at an appropriate level.  They have been particularly popular with our male cohort of reluctant readers. We also have subscribed to Wheelers elibrary for those that have vision disabilities.  These students can elect books with larger print and or use the audiobook function to participate with the reading program.  In most circumstances we can also provide the print copy to help them follow the words.

Disinterested readers:  these are are most challenging students.  They usually rank highly on their literacy results for NAPLAN but show complete disinterest in reading recreationally as they do not find a purpose for it. Fiction books just hold no interest to them. Harper (2016) very truthfully points out “that fiction isn’t for everyone. Some readers just don’t connect with made up characters and imagined scenarios”.  It was surprising though the unwillingness of the English department to support the reading of non fiction texts in the silent reading program. Granted that non fiction is not literature and will not placate the soul, but non fiction texts do lead to life long passions and career choices (National library of NZ 2014).

The addition of non fiction texts and audiobooks have assisted with most of our disinterested reluctant readers.  Whilst their enthusiasm to read is still low, they are slowly coming around to the idea. The recent purchases of print texts on Formula 1 racing and sporting biographies have helped engage some of them.  Others are still fighting the concept but perseverance from my fellow colleagues is making headway. We discovered with a small cohort of year 8 boys that non fiction was just not ‘cutting it’ and a suggestion from their technology teacher about sourcing dirt bike magazines has been a boon.  These magazines with their glossy pictures and simple language style have had some appeal. Whilst we are unable to currently procure an online subscription to this series, we have a print copy on order. These six young men come to the library each time for silent reading and get a current or back issue and read on the very comfy beanbags in our reading area.  It seems obvious that choice matters for recreational reading.  Its only been a week and there have been hiccups but the future is suddenly full of hope

Sharrock (2009)

References

Australian Government – DET (2018) Reluctant readers, how to help. Learning Potential. Retrieved from https://www.learningpotential.gov.au/reluctant-readers-how-to-help

Harper, H. (2016) Books for reluctant readers. [Blog post] Readings. Retrieved from https://www.readings.com.au/news/books-for-reluctant-readers

K12 reader(2018) Strategies to help engage reluctant readers in reading. Retrieved from https://www.k12reader.com/strategies-to-help-engage-reluctant-readers-in-reading/

National Library of NZ. (2014). Non-fiction. National Library of New Zealand Services to Schools. Retrieved from https://web.archive.org/web/20160729150727/http://schools.natlib.govt.nz/creating-readers/genres-and-read-alouds/non-fiction

Mosle, S. (2012, November 22). What should children read? [Blog post]. Opinionator: The New York Times. Retrieved from https://opinionator.blogs.nytimes.com/2012/11/22/what-should-children-read/?_r=0

Sharrock, J (2009) Interview with Dave Eggers. Mother Jones Magazine. Retrieved from https://www.motherjones.com/media/2009/03/mojo-interview-dave-eggers/

 

Module 1 – Library Collections

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I discovered a new word today. Tsundoku, according to Macmilland Dictionary (2017) is the habit of purchasing and piling up books that never get read.  This seems rather wasteful when most libraries are suffering major budgetary concerns to waste precious funds on resources that are rarely used. Unfortunately in many school libraries the two biggest curriculum resourcing issues are that staff and students under utilise the resources followed quickly by funding pressures  (SCIS 2014).

I know at my school, we have an impressive 100 000 print copies of books plus additional eResources such as Wheelers ebooks, online databases, newspaper subscriptions and access to Clickview for interactive videos.  It is disappointing that even though our library is so well resourced, teachers and students seem to prefer to use google and youtube instead of accessing information from our library catalogue.  It seems preposterous to me that many of the school community were unaware we even had a library management system.  Their ignorance of the platforms we have in place, could extrapolate to acknowledging that lack of resource usage is proportional to the ability of the staff and students to use the OPAC system to identify and select resources.  

Something needs to change.  But what? The library collection development policy at the school endeavours to create a balanced collection that promotes teaching and learning as its primary goal.  Other aspects such as catering to diverse learners and fitting into the budget are also relevant. All the physical and digital assets meet the policy guidelines, which is why we have this policy but what is the point if they are under utilised? What else can we do in the library to promote our resources to the staff and students?  What can we do to remind them that we are not practitioners of Tsundoku?

I was musing about this problem when it occurred to me that many libraries fail in promoting their resources and capabilities.  How were the staff and students going to know about new or fabulous resources in the school library? How would we remind them of what is held within and what can be accessed?  It was then i remembered this post from Hamm (2016) who sends newsletters out to the faculty regularly advising them of the new and popular resources within the library. This idea seems magnificent to me as our school has several teachers who had no idea that we even subscribed to databases.  Their looks of pleasure and interest peaked when I explained how they could access with ease them from both work and home with just their device and password.  A quarterly newsletter published on the staff page of the school intranet would greatly improve our circulation at little cost to the library itself.  

So with these thoughts in mind I thought that for my particular independent high school library in the ACT there needs to be certain parameters necessary before a resources are added to the collection.

Firstly the information source MUST match the needs of the learning community.  It seems superfluous to point out that a resource is unlikely to be used if it is not relevant to the teaching and learning needs and must meet learning outcomes.  The next step is to ensure that the learner traits are accounted for. We have a wide range of student learning ‘attributes’ ranging from varied literacy levels, physical and mental handicaps that need to be catered for in a variety of formats to ensure equity is maintained for the entire student body.  One thing in particular our school library has done is acquire graphic novels of most of the major literature texts.  With many students of varying literacy levels and acknowledging our ‘reluctant’ readers still need to be able to engage with the text, we are trialing out graphic novels in print forms in several titles including classics such as Macbeth, Hamlet, To Kill a mockingbird and the Diary of Anne Frank with the student body.  Our Inclusive Education Team informs the library staff which students have been identified with low literacy levels and then these students are provided with audio books on an iPod as well as the physical text for their class work.  For our reluctant readers, graphic novels are popular as the combination of the text and imagery holds greater appeal. The inclusion of these texts has bolstered up our borrowing rates and appears to help students understand the task ahead.  We have also recently added Wheelers elibrary to our catalogue.  This has not been as popular as predicted but has provided access to resources for our vision challenged students.  Due to the nature of the licensing, only two ‘copies’ of a book can be ‘borrowed’ out at any particular time and this is restrictive with class texts.  The last consideration mentioned by Hughes-Hassel, S & Mancall (2005) is budget. Resources must fit within the budget in order it to be a viable purchase for the school.  We are very lucky in our school to have a principal that values education and our library budget is consistent.

We need a shift in attitude from Tsudonku.

References

Australian School Library Association / Australian Library and Information Services Association. (2001). Learning for the future. (2nd ed). Carlton South, Vic.: Curriculum Corporation.

BBC News (2018) Tsundoku: the art of buying books and never using them. Retrieved from https://www.bbc.com/news/world-44981013

Department of Education and Children’s Services, Government of South Australia. (2004). Choosing and using teaching and learning materials: guidelines for preschools and schools. Hindmarsh, South Australia : DECS Publishing

Hamm, S (2016) Library newsletters. Retrieved from https://www.teenservicesunderground.com/library-newsletters/

Hughes-Hassell, S. & Mancall, J. (2005). Collection management for youth: responding to the needs of learners Retrieved from http://ebookcentral.proquest.com.ezproxy.csu.edu.au/lib/csuau/detail.action?docID=289075

Johnson, P. (2009). Fundamentals of collection development and management [American Library Association version]. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=267756&site=ehost-live

SCIS ( 2014) Survey of school library collections. Retrieved from ://www2.curriculum.edu.au/scis/connections/issue_88_2014/articles/school_library_collections_survey_2013.html

Resources for School Librarians () School library promotion through advocacy, special events and bulletin reports. Retrieved from http://www.sldirectory.com/libsf/resf/promote.html

Lawhimsy.com (2015) Word Nerd: Tsundoku. Retrieved from https://lawhimsy.com/2015/10/14/word-nerd-tsundoku/

Macmilllian Dictionary (2027)  https://www.macmillandictionary.com/dictionary/british/tsundoku