INF 533 – Task 4 – Part A – The thinking

THE THINKING

Citation:  

Templeton, T. (2020). White Australia Policy [Sway]. Daramalan College Teacher Resources. Daramalan College Library. Canberra.

 The Immigration Restriction Act of 1901 was one of the first pieces of legislation created by the newly formed Australian Federal Government and is the main focus of this digital narrative (DN).  Commonly referred to as the White Australia Policy (WAP), the Act was designed to maintain racial homogeneity and the economic value of the Australian man (Fong, 2018).   Whilst the Act is addressed in Year 10 History and Senior Modern History, the cognitive and curriculum focus of this DST is aimed at the 9/10 History Unit of work – Australia – From Federation to the Bicentennial  (ACARA, 2014a; ACARA; 2014b).  The utilisation of a multimodal DN in a  flipped classroom (FC) dynamic was a strategic ploy to encourage student ownership of learning, approach sensitive content suitably, promote collegial discussion, and allow the teacher to meet the needs of a diverse classroom (Gonzales, 2016; Schmidt and Ralph, 2016, p.1).    

Pedagogy 

Digital storytelling (DST) is an emerging pedagogical practice that effectively combines technology and literary work for use in recreational, personal or educational endeavours (Ciccorico, 2012; Ohler, 2013, p.94).  It is the modern adaptation of oral traditions, and the use of the narrative structure promotes reflective processes whilst communicating content in a manner that meets the cognitive, behavioural and developmental needs of students (Vidales-Bolanos and Sadaba-Chalezquer, 2017).  DST promotes Information Communication Technology (ICT) acuity, competency in digital literacies and a participatory culture, as it encourages students to move beyond passive consumption and into interacting and creating with it (Leu et al., 2011; Hashim and Vongkulluksn, 2018).  

 A DN created with Microsoft Sway allows students to interact with the different literacies and interactive elements, furthering valuable 21st century skills and improving the quality of transactions between the narrative and the reader (Ciccorico, 2012; Moran et al., 2020).   The format allows for the successful integration of visual and audio resources, and the use of personal devices increases teen engagement because technology is intrinsically linked to a teen’s social capital  (Moran et al., 2020, p.6; Vidales-Bolanos and Sadaba-Chalezquer, 2017).    

 Classroom Context 

Flipped classrooms (FC) are a transformative student centred teaching strategy with two distinct components, an external technology-based component followed by an interactive section (Ozdamli and Asiksoy, 2016, p.99; Schmidt and Ralph, 2016, p1.).   This inverted learning sequence allows students to gain access to the content prior to the lesson, which then allows for the teacher to facilitate discussion and meet the varying needs of the students (Basal, 2015; Schmidt and Ralph, 2016, p.1).  Implementing FC also allows student learning and engagement to be observed, documented and any misconceptions clarified (Leask, 2014).   As Schmidt & Ralph (2006, p.1) point out, guided discussion is essential for all students but especially for low literacy and ability students.  FC are constructivist in nature, self-paced, promote student ownership of learning and build critical study skills which are essential for lifelong learning (Basal, 2015).  

  Digital Technologies 

Digital technologies and multimodal resources (MR) are an integral aspect of DN and other modern classroom pedagogies (Ibrahim, 2020).  MR can be static, such as picture books and graphic novels, or dynamic such as SwayPowerpointThinglinkdigital textbooks, and interactive websites (Ibrahim, 2020).  This DN utilises Sway and Thinglink because the software programs embed together well, and their combined interactivity promotes engagement as well as encourage gestural manipulation to access information (Ibrahim, 2012; Heick, 2017).  

 The resources themselves do not espouse learning.  Instead it is the juxtaposition of media which conveys information at the correct level and the subsequent class discussion that has the greatest impact on student learning (Mayer and Morena, 2005; Ibrahim, 2012).  When multimodal information complement and enhance each other, the brain is able to decode, deduce, categorise and construct this new information efficiently upon prior knowledge and thereby reducing the cognitive load (Mayer and Morena, 2005; Ibrahim 2012; David, 2020).  But when the varying forms of media have less than optimum layout and delivery, the brain becomes overloaded and processing time increases leading to an increased cognitive load leading to lower comprehension and failure to make meaning (David, 2020).  Therefore, it is important that DN created for use in a classroom setting utilise the multimedia principles to ensure cognitive load is maintained for optimum intellectual performance (Ibrahim, 2012; Heick, 2017). 

 School Context – Students 

Daramalan College is a culturally diverse co-educational high school with many students’ descendants of the post war immigration schemes (ABS, 2016).  Therefore, discretion and finesse are required when addressing outdated perceptions of race and ethnic diversity.  The utilisation of a DST in a FC allows the student to process the information privately and then engage in discussion to develop further understanding.  

 School Context – Technology: 

Sway was selected due to its inclusion in the school’s subscription to Microsoft Office and that it can be successfully catalogued into the library management system.  This meets the requirements dictated by the school’s Collection Management and Development Policy.  Other benefits include its intuitiveness, ease of use and ability to integrate multimodal resources.   

REFERENCES: 

ACARA. (2014)a. HASS – History Curriculum. F-10 Curriculum. Educational Services Australia. Retrieved from https://www.australiancurriculum.edu.au/f-10-curriculum/humanities-and-social-sciences/history/ 

ACARA. (2014b). Modern History Unit 4 – HASS. Senior Secondary Curriculum. Educational Services Australia. Retrieved from https://www.australiancurriculum.edu.au/senior-secondary-curriculum/humanities-and-social-sciences/modern-history/ 

Australian Bureau of Statistics. (2016). 2016 Census Quick Stats – Australia Capital Territory (No. 8ACTE). Retrieved from https://quickstats.censusdata.abs.gov.au/census_services/getproduct/census/2016/quickstat/8ACTE?opendocument. 

Basal, A. (2015). The implementation of a flipped classroom in foreign language teaching. Turkish Online Journal of Distance Education 16 (4). DOI:: 10.17718/tojde.72185 

Ciccoricco, D. (2012). Chapter 34 – Digital fiction – networked narratives. In Bray, J., Gibbons, A., & McHale, B. (2012). The Routledge Companion to Experimental Literature. Taylor & Francis eBooks. Retrieved from CSU Library. 

Cornet, C. E. (2014). Integrating the literary arts throughout the curriculum. In Creating meaning through literature and the arts: arts integration for Classroom teachers (5th ed,) pp144-193. USA 

David, L. (2020). Cognitive theory of multimedia learning (Mayer). Learning Theories. Retrieved from https://www.learning-theories.com/cognitive-theory-of-multimedia-learning-mayer.html 

 Fong, N. (2018). The significance of the Northern Territory in the formulation of ‘White Australia’s Policies’ 1880-1901. Australian Historical Studies, 49 (4), p.527-545. Retrieved from https://www.tandfonline.com/doi/abs/10.1080/1031461X.2018.1515963 

Gonzalez, J. (2016). Graphic novels in the classroom. [Blog] Cult of Pedagogy. Retrieved from https://www.cultofpedagogy.com/teaching-graphic-novels/ 

Hashim, A., & VongKulluskn, V. (2018). E reader apps and reading engagement: A descriptive case study. Computers and Education 125, pp.358-375. Retrieved from https://www.journals.elsevier.com/computers-and-education/ 

Heick, T. (2017). What is cognitive load theory? A definition for teachers. TeachThought. Retrieved from https://www.teachthought.com/learning/cognitive-load-theory–definition-teachers/ 

Ibrahim, M. (2012). Implications of designing instructional video using cognitive theory of multimedia learning. Critical Questions in Education 3(2), p.83-104. Retrieved from https://eric.ed.gov/?id=EJ1047003 

Leask, A. (2014). 5 reasons why the flipped classroom benefits educators. Enable Education – Online learning solutions. Retrieved from https://www.enableeducation.com/5-reasons-why-the-flipped-classroom-benefits-educators/ 

Leu, D.J., Forzani, E., Timbrell, N., & Maykel, C. (2015). Seeing the forest, not the trees: Essential technologies for literacy in primary grade and upper elementary grade classroom. Reading Teacher 69: (2), p.139-145. Retrieved from https://eric.ed.gov/?id=EJ1073399. 

Mannheim, M. (2020). Canberra is expanding Australia’s biggest free public WiFi network but how many people use it? ABC News Canberra. Retrieved from https://www.abc.net.au/news/2020-08-13/canberra-expands-free-wifi-but-fewer-people-are-using-it/12551266 

Mayer, R., & Moreno, R. (1998). A Cognitive Theory of Multimedia Learning: Implications for Design Principles. CHI 1998. DOI:10.1177/1463499606066892 

Mayer, R., & Moreno, R. (2005). A cognitive theory of multimedia learning; Implications for design principles. Retrieved from https://www.researchgate.net/publication/248528255_A_Cognitive_Theory_of_Multimedia_Learning_Implications_for_Design_Principles 

Moran, R., Lamie, C., Robertson, L., & Tai, C. (2020). Narrative writing, digital storytelling, and coding: Increasing motivation with young readers and writers. Australian Literacy Educators Association, 25 (2), p.6-10. Retrieved from https://primo.csu.edu.au/permalink/61CSU_INST/15aovd3/cdi_gale_infotracacademiconefile_A627277934 

NSW Migration Heritage Centre. (2010). Australian migration history timeline – 1945-1965. Powerhouse Museum Collections. Retrieved from http://www.migrationheritage.nsw.gov.au/exhibition/objectsthroughtime-history/1945-1965/index.html 

Ohler, J.B. (2013). Digital storytelling in the classroom. New media pathways to literacy, learning, and creativity (2nd ed.). Thousand Oaks, CA: Corwin. Retrieved from https://primo.csu.edu.au/permalink/61CSU_INST/1hkg98a/alma991012780180302357 

Ozdamli, F., & Asiksoy, G. (2016). Flipped classroom approach. World Journal on Educational TechnologyCurrent Issues. 8(2), p98-105. Retrieved from https://files.eric.ed.gov/fulltext/EJ1141886.pdf 

Schmidt, S. & Ralph, D. (2016). The flipped classroom: a twist on teaching. Contemporary Issues in Education Research. 9(1). Retrieved from https://files.eric.ed.gov/fulltext/EJ1087603.pdf 

Vidales-Bolanos, M., & Sadaba-Chalezquer, C. (2017). Connected Teens: Measuring the Impact of Mobile Phones on Social Relationships through Social Capital. Media Education Research Journal 53(25). Retrieved by https://files.eric.ed.gov/fulltext/EJ1171085.pdf 

When motivation matters – integrating digital literature into classroom practice.

geralt / Pixabay

 

My journey into literature started very traditionally.  Like all members of my generation (after boomer but before Z), I learned to read from first readers to chapter books, series fiction and comic books ( more Jughead than Nimona) and all of them in print.  Consequently as an adult, my preference for recreational reading is for print and I do use digital journal articles for educational purposes but that is a matter of expediency rather than inclination. As I have documented my reading journey in previous blog posts so I will not go into that again. 

(But you are more than welcome to read about my love of reading/books etc.  Try this one when I fell in love with reading, or this one about the importance of storytellng, or this one about childhood favourites)

My personal  preferences for text formats have leached into my professional practice.  As an early career teacher I always favoured print texts for my classrooms because that was the medium I was confident and comfortable using.  I was reluctant to explore and use digital literature because I wanted to conserve my faculties for behaviour management and pedagogical practices.  I did not want to add in technology and digital literature to my already overloaded self.  

Fast forward two years and my foray into the role of a teacher librarian has forced me to extend my practice into the digital realm.  I have learned how to teach information literacy by navigating my way through ebooks, audiobooks and interactive books online.  I have downloaded and experimented with book apps, created bento boxes and book trailers.  Through this journey of discovery using digital literature and creating digital text, I have come to the conclusion that there are three main concerns when advocating for the inclusion of digital literature in the classroom.  These concerns are, students, teachers and the technology itself. 

The most commonly cited impediment for the implementation of digital literature into classrooms are the students themselves.  I have previously detailed the multitudinal issues relating to reading and comprehension of digital texts in another blog (see here), so I will just give a synopsis now. Besides the usual issues of forgotten, uncharged and missing laptops, many students struggle with reading digital literature because they struggle with visual ergonomics in digital texts.  Their inability to locate text leads to reduced comprehension and negative mental representation of the text (Mangen et al., 2013, p.66).  This lack of comprehension, combined with poor digital literacy (see this post!) and the fact that many students are easily distracted by games and social media can negatively impact the integration of digital literature in classroom practice. 

Teachers themselves are another liability when it comes to the implementation of digital literature in the classroom. Even though AITSL (2017) is very clear in the Teacher Standards that ICT needs to be included in teaching strategies (Std 2.6), and within resources selection (Std. 3.4), there is still a strong reluctance among many teachers to use digital literature meaningfully in their classroom practice.  This disinclination to use digital literature could be due to a myriad of reasons as Hyndman (2018) explains in this article.  One very pertinent reason is that many teachers feel pressured to suddenly become digital experts as they often assume they need to be the expert so as to instruct and assist students in their learning (Hyndman, 2018).  Hyndman (2018) goes on further to say that these feelings of anxiety can exacerbate in schools with  BYOD programs as the large variability in student device capability can cause increased technology anxiety.  But there is no expectation that teachers be experts in understanding the complexities of individual devices nor in how the digital literature was created, only that they use them in their teaching practice (AITSL, 2017; ACARA, 2014). 

geralt / Pixabay

 

The last crucial variable is the literature itself.  Digital literature comes in many formats and ranges from scanned books on a website, ebooks, enhanced ebooks, linear narratives, hypertext nonlinear narratives and mobile applications for tablets and smartphones.  Each of these literature formats may use different technology, require competency in different literacies and consequently need specific pedagogies for instruction.  The combination of these new formats and technologies can be overwhelming for many teachers.  Unfortunately, professional development for teachers regarding ICT and digital literature is often ad hoc and lack specific focus, which can inhibit the integration of these technologies into classrooms (Howard & Thompson, 2016). 

When you view these issues, it seems evident that the best way to improve the breadth and variety of digital literature in classrooms, is to explicitly motivate, introduce, and teach educators about the various formats and their applicability to classroom practice (Korthagen, 2017; Hyndman, 2018).  As teachers we have little control over student’s device selection and swiss cheese memories.  But we can have control over our own learning and behaviour.

There are a myriad of learning courses available for teacher education, and teachers are encouraged to extend their professional development.  This explicit instruction targeting ICT and digital literacies would be assumed to automatically lead to a cognitive change in teachers, which in turn would correlate to improved integration of digital literature in classroom practice.  (Korthagen, 2017, p.390).  But this assumption of correlation following a cognitive change is a fallacy as behavioural change requires more than just improved cognition, it requires motivation and affect too (Korthagen, 2017, p. 389-390)!   

Therefore it seems foolhardy of ATSIL (2017) and ACARA (2014) to mandate the integration of technologies and multimodal literature into classroom practice without accounting for the requirements of behavioural change (Korthagen, 2017, p. 389-390).  Simply dictating teachers to increase digital literature into classroom practice will not succeed in altering their behaviour, as this level of change requires cognition, affect AND motivation (Korthagen, 2017, p.390).  Affect not only has an impact on teacher behaviour but also on student motivation.  Teachers who are frustrated and disinclined with using digital literature are not going to translate the value of that format to their students.  Whereas teachers who gain pleasure from using ICT are more enthusiastic about it, and this has a positive effect on their motivation too.  Intrinsic motivation in teaching comes from teachers having a sense of autonomy, competence and relatedness in their profession (Korthagen, 2017, p.391).   A teacher that has learned about digital literature, through formal professional developments or informal social learning is more likely to implement those new practices if they are enthused about it and that they can apply this knowledge in a manner of their choice.  

So it appears the best way for a teacher librarian to introduce and promote digital literature in schools is to:

  1. Run training sessions for teaching staff and support staff about various digital literature formats and how they meet specific learning outcomes.
  2. Share your ideas, enthusiasm and motivation about digital literature, model, talk, blog and boast about how it works for your classroom, and most of all, be positive and laugh about it –  After all, happiness and a smile are way more infectious than COVID-19.

Pexels / Pixabay

 

 

REFERENCES

ACARA. (2014j). Information and communication technology capability learning continuum. F-10 – General Capabilities Curriculum. Educational Services Australia. Retrieved from https://www.australiancurriculum.edu.au/media/1074/general-capabilities-information-and-communication-ict-capability-learning-continuum.pdf

AITSL. (2017). Standards for Teachers. Australian Institute for Teaching and School Leadership. Retrieved from https://www.aitsl.edu.au/teach/standards

Howard, S., & Thompson, K. (2016). Seeing the system: Dynamics and complexity of technology integration in secondary schools. Educational Information Technology, 21, p.1877-1894. Retrieved from https://link.springer.com/content/pdf/10.1007/s10639-015-9424-2.pdf

Hyndman, B. (2018). Ten reasons teachers can struggle to use technology in the classroom. The Conversation [Blog]. Retrieved from https://theconversation.com/ten-reasons-teachers-can-struggle-to-use-technology-in-the-classroom-101114

Korthagen, F. (2017). Inconvenient truths about teacher learning: towards professional development 3.0. Teachers and Teaching, 23(4), p.387-405. Retrieved from https://www.tandfonline.com/doi/pdf/10.1080/13540602.2016.1211523?needAccess=true

Mangen, A., Walgermo, B. R. & Bronnick, K.A. (2013). Reading linear texts on paper versus computer screen: Effects on reading comprehension. International Journal of Educational Research, 58, 61-68.doi:10.1016/j.ijer.2012.12.002 

Mantei, J., Kipscombe, K., & Kervin, L. (2018). Literature in a digital environment (Ch. 13). In L. McDonald (Ed.), A literature companion for teachers. Marrickville, NSW: Primary English Teaching Association Australia (PETAA)

Walsh, M. (2013). Literature in a digital environment (Ch. 13). In L. McDonald (Ed.), A literature companion for teachers. Marrickville, NSW: Primary English Teaching Association Australia (PETAA).