Posts Tagged ‘genrefication’

The Dulwich Information Book Award (DIBAS)

A book award that I am very proud of is The Dulwich Information Book Award (DIBAS) that was created in 2016 by the library staff from the various International Dulwich Colleges. The idea came about at a conference we hosted at Dulwich College (Singapore) when one of our teacher librarians, Patricia Chandler, suggested we create a book award across the College network. Many of us had been involved in book awards that focussed mostly on fiction, including the Red Dot Book Awards and we decided to focus this award on information books.  The ongoing aim is to highlight good quality non-fiction books in both English and Mandarin and promote them across our schools. The intention of the award is to encourage a wider reading of non-fiction and provide a focus for critical evaluation of content and design. In 2017 we launched our first selection and we are currently in the process of shortlisting for our fourth year. The DIBAS has been very popular with students and staff at Dulwich College (Singapore) and has kept the library staff busy in looking for excellent examples of non-fiction. The result of this has been a high interest in these titles by students and teachers and a focus of teaching and learning about the different types of non-fiction. At the end of the article, I have included all shortlisted and winning titles

Dulwich Information Book Award Information

  • The award runs across 3 age ranges (DUCKS 2-7 years, Junior 7-11 years and Senior 12-18 years)
  • Mandarin and English books can be selected
  • Non-fiction to tie-in with National-Non-fiction November
  • 6 titles maximum shortlisted in each age range

Criteria for choosing books

  • Must be able to view prior to (from libraries, bookshops and so on) or we will need to ask a recommender to submit a book
  • Excludes textbooks
  • Aesthetics (including design, style, and integration of text and graphics in the book)
  • Accurate and up-to-date
  • Age-appropriate
  • Appropriate for Second Language
  • Available from our suppliers
  • ISBN and authenticity verified
  • Published in the last 3 years
  • Nominations not accepted from publishers

Book Award Timeline

  • Appeal for longlist to DCI teachers/staff/librarians/students/parents – nominations requested in April
  • Shortlisting early May by teacher librarians, students and teachers in all participating Colleges
  • Introduction of books and related activities from mid-September
  • Students and staff vote and results announced across the Dulwich network in Non-Fiction November
  • Authors notified if their book wins

Our longlist for the 2020 award is here and we welcome additions. This will close at the end of April.

Shortlists from Previous Years

Behind the Books: The Non-fiction Family Tree

, an award-winning author of more than 180 non-fiction books for children, has developed a Non-fiction Family Tree in an effort to understand the various kinds of non- fiction and the interplay among them. We use these categories to choose a diverse range of information books. From my point of view as the Junior School (year 3-6) teacher librarian I also use this with my year 5’s and 6’s when I teach them about the different kinds of non-fiction. Also, when shortlisting we try to include a diverse range of topics and select information books from a variety of topics. I often include teaching about the Dewey Decimal Number for the book and then highlight similar titles from that area of Dewey. For example last year I was very keen to include an art book and worked closely with the art teacher to add a selection of art books to the long list.

My personal experience and reflections

Gill (2009) discusses that no other genre of children’s literature has changed as radically in recent years as nonfiction and McNeill (2015) shares an interesting article about the trends in non-fiction for young readers here. What I have enjoyed most in the shortlisting process is enjoying the incredible non-fiction titles that are published today, which are very different to traditional non-fiction books where each title had a similar format. They usually had a contents page, index and glossary and each page would include a subheading, text boxes, photographs and chunks of facts. Whilst these books are still very useful the design of a lot of current non-fiction is very different and can include contemporary illustration and design. There are many titles now that appear to cross over between fiction and non-fiction and are produced to look more like a picture book, even if they include real stories or facts.  Morris (2013) discusses these ‘hybrid’ books and poses the question, where should they be located in a library? In my library, we have recently genrefied our picture book area and two of the included genres are narrative non-fiction and information picture books.

My recent reading for ETL402 has included reading about literary non-fiction which can also be called creative non-fiction, faction or narrative non-fiction. This format of non-fiction uses literacy techniques usually associated with fiction to report on people, places and events and often includes biographies. Damaso (2011) includes more explanation here. The increase in narrative nonfiction and the popularity of this genre has been huge in my library. In fact, for the first two years the winners in the Junior School were narrative non-fiction titles. These stories are also excellent resources for embedding literacy learning into the curriculum.

And the Winners are…

My Top 5 for Junior School students (7-11 year olds)

Other non- fiction book awards

References

Damaso, J. (2011). Elements of creative nonfiction [Slideshare]. Retrieved from https://www.slideshare.net/damaso2/elements-of-creative-non-fiction

Gill, S. R. (2009). What Teachers Need to Know About the “New” Nonfiction. Reading Teacher63(4), 260–267. https://doi-org.ezproxy.csu.edu.au/10.1598/RT.63.4.1

McNeill, S. (2015, October). Moment of truth: Trends in nonfiction for young readers. Retrieved from http://authornews.penguinrandomhouse.com/moment-of-truth-trends-in-nonfiction-for-young-readers/

Morris, R. J. (2013). Linking learning and literary nonfiction. School Library Monthly, 29(7), 39-40. Retrieved from https://search-proquest-com.ezproxy.csu.edu.au/docview/1492222115?accountid=10344

Stewart, M. (2007, December 13). The 5 kinds of nonfiction [Blog post]. Retrieved from https://celebratescience.blogspot.com/2017/12/ behind-books-nonfiction-family-tree.html

To Genrefy or not? That is the burning question

I have been very quiet on the blog front because I took a year break and then last semester I studied, ETL505, Describing and Analysing Educational resources. It was a very technical subject and one where we were not required to blog. However, before I start on my next subject, ETL504, I want to share a reflection I have on organising a library by genre, or as it is commonly referred to in the library world, genrefication. Part of this was used in my last paper and it was one I found fascinating to research.

“Organization is the foundational structural element for access. Without organization, no one would be able to find materials in libraries” (Dickinson, 2013, p.5).

There is a plethora of literature about arranging school library collections and many reasons for and against moving away from the Dewey Decimal Classification (DDC) and genrefying libraries. This is driven by teacher librarians who want library collections to be organised in a way that makes more sense and with the maximum opportunity that books will be discovered and borrowed by users (Dickinson, 2013; Kaplan, 2013).

To give some context to my work situation, the three libraries in my school have not genrefied their collections. Our non-fiction is sorted by the DDC, or an abridged version of Dewey and our fiction is organised in alphabetical order, except in the infant school where part of the picture book collection is organised by subject.  As all good libraries do, we constantly make and change displays to promote different parts of the collection, and sometimes this is by genre. Our Library Management System (LMS) is Destiny and we make very careful records when cataloguing and pay particular attention to using correct subject headings so that resources can be easily searchable. At the start of my research, I was very much against genrefying my library, for a number of reasons, but the most important was my concern that I did not want to pigeonhole books into just one genre and limit browsers from just looking at the genres they were most interested in. I read many articles and asked around in my librarian networks, both here in Singapore and online, and found strong opinions leaning both ways. I found a variety of statistics demonstrating an increase in borrowing after libraries had genrefied. However, for every argument that stated these increased statistics, that there was counter argument wondering if any change has an effect on borrowing statistics going up just because it leads to unexpected encounters – then changing it back again a few years later the statistics may go up again. We certainly see that when we make displays promoting different parts of the collections.

So, now for a bit of history and explanation. Dewey is the most widely used library classification system in the world and its purpose is to group items together for easy location. Many argue that the categories in Dewey are out of date and it is criticised for scattering subjects (Panzer, 2013).  Others believe that Dewey is complex and not developmentally appropriate for young children. Snipes (2018) and Harris (2013) argue that it is unrealistic for a school library to follow it to the letter. Rodgers (2018) talks of streamlining Dewey to eliminate numbers after the decimal point and other library cataloguers are adapting Dewey so that it makes more sense to students. This is also why the abridged DDC has been created to support young children.

Librarians have created many new systems to address their dissatisfaction with Dewey or because they wanted a different system that arranges collections into genres. This includes Metis, BISAC (Book Industry Standards and Communications), C3 (Customer Centred Classification), WorldThink and Darien Library’s System (Kaplan, 2013; Kindschy, 2015). Some of these systems place fiction and non-fiction together, which some argue is more relevant with book publishers often merging these two categories and also because this can lead to students discovering tiles when just searching in just one category. The Schools Catalogue Information Service (SCIS) uses genre headings to help categorise resources.

This has resulted in many regional systems, all of which have advantages and disadvantages. (Jameson, 2013). For all its criticisms Dewey has been used universally and successfully for over 100 years. WebDewey, also ensures that Dewey is constantly evolving and that people are interacting with it. Snipes (2018) and Jameson (2013) argue that these new organisation systems are recreating a pre-Dewey era where every library was organised differently.

In contrast to the criticism comes success stories of increased circulation. Many libraries have genrefied fiction only and others, the entire collection. Supporters of genrefication argue that organising the library in this way is more student-centered, allows for easier browsing and exposure to new authors (Bojanowski and Kwiecien, 2013; Buchter, 2013; Kaplan, 2013; Rodgers, 2018; Snipes, 2015). Kaplan (2013) proposes that searchers need to discriminate between fact v’s fiction and that library organisation is an additional way of teaching these skills. In the world of the internet, social media and fake news, this is one question I am still pondering. If the fiction and non-fiction was mixed, the students would need to regularly make these decisions, which are definitely skills needed for 21st-century learning.

Pendergass argues that “students and staff will benefit more from personal interaction with us than they will from library staff re-shelving and re-cataloguing the entire library” (2013, p. 57). Therefore, the emphasis should be on skills instruction to ensure students know how to access the library and can transfer these skills to use in other libraries. There are of course other disadvantages with genrefication. Where to place books that fit in more than one genre? Ward and Saarti (2018) discuss the necessity of in-depth of indexing. Rather than spending time reorganising library collections, the emphasis should be on managing an effective catalogue. There must be high-quality catalogue records that have correct subject headings that include genres and accurate Dewey numbers. Resources with a range of topics need to be classified using a library policy that determines how they should be classified. Sometimes this might be the first named subject, at other times it might be the subject with the most content in the resource.

I found at the end of this research my position had moved and was feeling more of a ‘fence sitter.’ I do want to make changes in my library with a combination of the two systems and embrace the best of both worlds. I have looked at my library layout and chosen better subject signage for the Non-Fiction collection. This has involved a careful weed of non-fiction and I have moved many books to a different Dewey number that made more sense relevant to the ages of our students and our collection. The pressing question that we asked for each title was, where will it most likely to be discovered when browsing, without using the library catalogue? I have decided to keep our fiction collection arranged by the author but am planning to buy genre stickers to add to the spines of the collection. Some books will have a maximum of two  stickers to deal with that problem of categorising books that cross genres. Our borrowing statistics are very high and the reading culture is very strong for our 7 to 11 year olds that my library serves. Therefore, the work in moving the whole collection into genres is not warranted. However, if I was working in a Senior School Library, where the reading tends to taper off, then it is something I would consider, with more research and perhaps trialling a small section. In the meantime, all of our libraries will continue to use aspects of genrefication by promoting their collection in innovative and resourceful ways. with focus collections and displays. However, making displays does not make the books searchable using the LMS so the focus will be to continue to maintain an excellent and up to date library catalogue so that resources are readily searchable, using appropriate subject headings, which may include genres. Students search online when locating information, so those same skills should be transferred into the library when searching. Lesson instruction must involve how to use the library catalogue as it is part of an important information literacy toolkit.

The 21st century has brought about drastic changes in the information environment and libraries have rapidly evolved. I believe that successful libraries will have a combination of systems which allows for flexibility to respond to their user’s demands. And now to move to the next stage, ordering those genre stickers!

References

Bojanowski, S., & Kwiecien, S. (2013). One Library’s Experience. Knowledge Quest, 42(2), 20–21. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=lih&AN=91761319&site=ehost-live

Buchter, H. (2013). Dewey Vs Genre Throwdown. Knowledge Quest, 42(2), 48–55. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=lih&AN=91761325&site=ehost-live

Dickinson, G. K. (2013). The Way We Do the Things We Do. Knowledge Quest, 42(2), 4–6. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=lih&AN=91761315&site=ehost-live

Jameson, J. (2013). A Genre Conversation Begins. Knowledge Quest, 42(2), 10–13. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=lih&AN=91761317&site=ehost-live

Harris, C. (2012). Summer project: Kill Dewey. The Digital Shift School Library Journal. Retrieved from http://www.thedigitalshift.com/2012/08/k-12/summer-project-kill-dewey/

Harris, C. (2013). library classification 2020. Knowledge Quest, 42(2), 14–19. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=lih&AN=91761318&site=ehost-live

Kaplan, T. B., Giffard, S., Still-Schiff, J., & Dolloff, A. K. (2013). One Size DOES NOT Fit All. Knowledge Quest, 42(2), 30–37. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=lih&AN=91761321&site=ehost-live

Kindschy, H. E. (2015, January 13). Time to ditch dewey? Shelving systems that make sense to students. Retrieved September 25, 2018, from http://www.readandshine.com/2015/01/13/time-to-ditch-dewey-shelving-systems-that-make-sense-to-students-learning-commons-model-part-4/

Panzer, M. (2013). DEWEY: how to make it work for you. Knowledge Quest, 42(2), 22–29. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=lih&AN=91761320&site=ehost-live

Pendergrass, D. J. (2013). Dewey or Don’t We? Knowledge Quest, 42(2), 56–59. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=lih&AN=91761326&site=ehost-live

Rodgers, L. (2018). Give Your Circulation a Lift: If you want your books to fly off the shelves, check out these ideas. School Library Journal, 64(7), 24. Retrieved from ProQuest Central database. (Accession No. 2059523653)

Snipes, P. R. (2015). Concrete to Abstract: Growing past Genre into Dewey. Library Media Connection, 33(4), 26–29. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=iih&AN=100272012&site=ehost-live

Ward, M., & Saarti, J. (2018). ARTICLE Reviewing, Rebutting, and Reimagining Fiction Classification. Routledge Cataloging & Classification Quarterly, 56(4), 317-329. https://doi.org/10.1080/01639374.2017.1411414