Sarah Mounsey Professional Reflective Portfolio 

My learning Journey through the Master of Education, Teacher Librarianship

Part A: Statement of Personal Philosophy

An effective teacher librarian (TL) needs to lead from the middle and demonstrate how they can support teaching and learning in a school. A TL needs to be an information specialist who ensures the library is a dynamic learning environment that is not confined to the walls of a library. They need to inspire, develop and foster a passion for reading and develop in students, and teachers, the information and digital literacy skills for lifelong learning and global citizenship. A TL needs to ensure that students will graduate as ethical, critical users of print and digital media who are able navigate the changing information landscape.  

Part B: Three Learning Themes 

Theme 1 : The Teacher Librarian as a Leader 

The ALIA and ASLA standards for professional excellence for TLs (2004) highlight the importance of demonstrating leadership within school and professional communities.I started my Master of Teacher Librarianship a few weeks before I moved from a teaching role to be a TL.  ETL401 was an insightful introduction to the multifaceted role of a TL and the potential to be a leader. I write about this in an early blog post, The Role of the Teacher Librarian in Schools (Mounsey, 2016a). As I progressed through this degree, undertook additional professional learning, and learned ‘on the job’, I have been inspired to work as a TL who is also a leader. On reflecting on my learning, some key themes emerged of how TLs can be leaders. 

Leading from the middle

When I earned the role of head of year 1 and 2 at a school in London, I was encouraged to enrol in a course, Leading from the Middle, which was a useful step on my learning journey. Years down the track I started the subject ETL504, Teacher Librarian as Leader, which was possibly the most useful subject in my degree. I wrote a number of reflections which included important topics including leadership stylesadvocacy and dealing with conflict (Mounsey, 2019b, 2019d, 2019c). Most importantly this subject helped me to advocate for the need for our school to have a Director of Libraries. My two TL colleagues and I had mentioned this to leadership previously, but it had not been met with interest. Studying ETL504 inspired me to create a mind map to show all the contributions the TLs were making in our school (figure 1). I used this to demonstrate much of the ‘invisible’ work the TLs do and to advocate for this role. The school leadership team then agreed to create a new role. I applied for it and to my delight, was offered this position.  

Library mindmap includes so many of the things TLs do in a school

Figure 1

For the past two years I have been the Director of Libraries for Dulwich College, Singapore.  I am now part of the Educational Leadership Team in a school that has 2800 students and three libraries. I collaborate with 2 other TLs, 8 library assistants and parent and student volunteers. Without the learning from this degree, I would not have had the skills or knowledge for this role.  The qualification has ensured I develop the library and school curriculum with regards to recent research, information literacy, literature learning and technology. 

Lifelong learning  

Professional learning in addition to the CSU course has also been of great benefit, as have connections in TL communities. In my reflection post for ETL504 (Mounsey, 2019e), I mention that The AITSL standards for teacher library practice include “to engage with professional teaching networks and broader communities” (Australian School Library Association, 2014). In Singapore I have been an active member of The International School Library Network  (ISLN) and I have attended and presented at international conferences. Additionally, the library staff from the nine Dulwich College International (DCI) network of schools regularly connect, and in Singapore we hosted a conference for all Dulwich library staff. 

I value the importance of reading research which is related to current pedagogy and literacy. Although I have taken time to complete this degree, it has allowed me to delve deeply into the readings and I often share relevant literature with colleagues. I found the subject INF447, Research in Practice, the most challenging of all subjects. At the time I did not appreciate the importance of understanding research paradigms, methods, and methodologies so deeply. However, I am so pleased I completed this subject because earlier this year I was asked by a professor at a Singapore University to collaborate on mixed methods research into the reading preferences and habits of our students. I have blogged about this in the post, What books are ‘hot’ (Mounsey, 2021a) and we are currently finishing the report to deliver to the school (figure 2) and submitting a research paper to be published in an academic journal. 

Front cover of school report

Figure 2

I spoke about this research when I was asked to present for the National Library Board of Singapore (2021) in their Education in the City series. 

An Advocate 

The report ‘Future learning in school libraries’ discusses how a TL needs to be an instructional leader who leads the library into the future by planning and thinking strategically and using advocacy and marketing (ASLA, 2013). One of the biggest takeaways from this degree has been about the importance of NON STOP advocacy. A TL can easily be an invisible role in a school and advocacy can be done in many ways. Some of the ideas that I have learnt that have been effective are: 

  • Promoting the print and digital resources through social media channels, staff meetings and school newsletters. 
  • Creating library annual reports including infographics which are displayed around the school and included in newsletters (figures 3, 4 and 5).
  • Delivering parent workshops and staff training. The video below is one example we created because parents have not been allowed on site during the pandemic (Dulwich College Singapore, 2021). 

Collaboration

TLs have the capacity to work with all school staff, students, and parents, and together they can generate change (Herring, 2007). They are in a unique position to see the big picture across a school and can work as a leader to manage a library and support teachers to plan and deliver a curriculum that is future focused. In the blog post Leaders Who Lead (Mounsey, 2019b), I share the learning about different leadership styles and assert that instructional leadership is the style that I aim to use (Ferguson and Hamm, 2013; McKewan, 2003). Other important collaborations have included working with: 

  • the IT team to introduce new resources and technologies; 
  • the marketing team to promote the library and resources; 
  • TLs from other schools to shortlist the Red Dot books and organise the ISLN Readers Cup; 
  • the finance team to manage the library budget; 
  • the Asian Festival of Children’s Content committee to help plan their program. 

Strategic planning 

ETL504 was a crucial step in my learning about the importance of maintaining policies, procedures and strategic planning for libraries. It also helped me to reflect on the importance of library vision and mission statements and how they should be closely aligned with the school vision, culture and values. After this subject ended, I put much of this new learning into practice. I collaborated with the other TLs in the school to create a 5-year libraries strategic plan and updated our policy documents. 

 Theme 2: Information Literacy 

Until I started this degree I did not know what a significant role a TL should play in ensuring information literacy (IL) skills are embedded into the curriculum. ETL401 was my first introduction to this, and I blogged about my steep learning curve in the post, A Shift in Thinking (Mounsey, 2016b) . Then during assignment two of ETL504, I discussed how “information seeking is a primary activity of life” (Kuhlthau, 2004, pp. 13-27), and how it is essential that schools support students to develop IL skills.  The American Association of School Libraries (2014) reports that finding information online for academic purposes is overwhelming to most students and that digital technology makes it harder for them to find a range of credible sources.  

Effective teaching and learning should move away from heavy curriculum instruction and involve deep learning which involves personalised learning and opportunities for students to develop problem solving skills and the four Cs, collaboration, communication, creativity and critical thinking (Martinez and McGrath, 2014; William, 2018; Wolf, Jones and Gilbert, 2014). This new knowledge has helped guide me to deliver IL learning in different ways and I wrote an article about this in the Alleynian review (Mounsey, 2020). 

Resources on DCSG Library Pages

Figure 6: Resources on Library pages

The ASLA document Future Learning and School Libraries (2013) refers to the challenge of dealing with information overload and how students must be taught to be more sceptical when approaching content. In my blog Beyond the tip of the digital iceberg (Mounsey, 2019i) I wrote about this and how this learning has influenced my thinking and teaching. I dedicate lessons to directing students to reliable websites on our school portal and we have these all on our library pages(figure 6).

% W's of Wed evaluation, Who? What, Where, When, Why?

Figure 7 (Schrock, 2009)

Despite many lessons on this, the teachers and I observe that most students will still go to Google first when they research. For this reason, we ensure we plan lessons where students are taught to use website evaluation tools. In ETL501, The Dynamic Information Environment, I was introduced to Kathy Shrock’s5Ws of website evaluation (figure 7). I also enjoy sharing the book ‘But I read it on the Internet’ (Buzzeo, 2013) as a provocation to these lessons.  

I blogged about this in more detail in the post, To Wiki or to not Wiki? (Mounsey, 2019h) and referenced Harris who states, “Educators need to understand that students will go to Google and will use Wikipedia outside of school if not inside, no matter what alternatives we provide” (2011, p.31). In this blog I also discussed how my perception of how to use Wikipedia had changed. I used to tell my students not to use Wikipedia when researching because it could include a lot of inappropriate and incorrect content. I now tell my students that it can be a possible place to start research as it will not only provide lots of information, but it can provide links to lots of credible, reliable and useful websites on a given topic. They know they must fact check it and they know that it is not a source I would expect to see in a reference list. 

The importance of teaching and valuing academic integrity is a huge part of the TL role. In my first year as a TL, I collaborated with teachers to plan lessons with the year 3-6 students to understand academic integrity and referencing sources. I would not have known to do this without the learning from ETL401. One of my favourite lessons is when I trick the year 3s into putting their name on someone else’s drawing and then giving the wrong child credit for it. The students are outraged and it is always a lesson the students remember and then learn that they should not take the credit for someone else’s content. 

With the year 5s, I do a lesson where they learn about the copyright case between Vanilla Ice and a Queen and David Bowie collaboration. We listen to their two songs and the students debate if they are the same or different and the ethical dilemma of using someone else’s content without permission and without giving credit. These lessons then lead into lessons on creating bibliographies, from very simple ones in year 3 and developing each year until they use the SLA online reference generator which was been seen in figure 6. I think I introduced this so well that teachers were over-focussed on telling me and showing me the bibliographies the students had made, but not focussing on the other important research skills, such as skim and scanning, note taking and using web evaluation tools. Oddone (2020), addresses this and discusses the importance of not only delivering all these lessons but of linking them together into an information search process to ensure that the students think about all of the skills that are required for research. The staff I collaborate with have also recognised this and this has helped me to introduce an IL framework. In collaboration with staff across the school we agreed on The Big 6 and Super 3 (Eisenburg and Berkowitz, 2003), which has been embedded and is being increasingly used by students and staff. 

With all of this new knowledge and information I have managed to make many changes in our school. The final change with regards to IL has included the creation of a whole school information and digital literacy framework tracking the skills development from early years to year 13. This has been a huge project and I am in the final stages of completing this. The next step will be to ensure these skills are embedded and edit and adjust the framework so it remains a working document. 

Theme 3: Dynamic library collections and spaces 

I now understand how important it is that the library is seen as the physical and virtual learning hub of the entire school. In reflecting on my five year journey, there are so many ways I have learned how to improve both the physical and virtual library space. This has included learning about curation and collection development of print and digital resources. 

Arguably, more important than the physical space is the collection that is included in that space. I learned about this in ETL503, Resourcing the Curriculum. When developing a collection, TLs need to ensure that they are not relying solely on intuition or opinion, but using their experience and knowledge of selection aids and selection criteria to ensure that the collection is developed to meet the needs of the school (Hughes-Hassell and Mancall , 2005). I work hard to develop a library collection that supports reading for pleasure, changes in the curriculum and reflects diversity, equality and inclusion. 

In the post Developing a Library Collection (Mounsey, 2017a) I discuss this in more detail and how The NSW Handbook for School Libraries (2015) mentions the importance of collaboration. Collection decisions should not be the sole decision of a TL, but occur in collaboration with teachers, students, parents and school management. I recently attended an ASLA webinar about successful student-led collection development and we are now adapting this into collection development.  

 In addition to following collection development policies and guidelines, I use a lot of data to inform decisions. I analyse in detail what the students are borrowing. In addition to this quantitative data, I use qualitative data in the form of surveys, incidental conversations and focus group interviews. Figures 8 and 9 demonstrate some examples of the kinds of analysis I do. 

The post What should I read next? (Mounsey, 2021c) shares data from a survey question ‘what was your favourite book this year?’ I then created recommended reading lists that include these titles. 

A strong ‘reading for pleasure’ culture will take place in schools where the library collections reflect the reading taste of the students. I work hard to advocate the importance of reading for pleasure with students and the importance of parents and teachers not judging children’s reading choices. I was asked to speak about this with regards to graphic novels in an episode  of the How we Read  podcast (Loh, 2021) about the importance of comics as a valid reading choice. I also shared some key findings in an article I had published titled, Reading in the Digital Age: what is our role as parents and educators? (Mounsey, 2021a). All of this learning has been as a result of this degree. 

When talking about collection development it is essential to discuss deselection or weeding. I first learnt about this term in the subject ETL503, Resourcing the Curriculum and I wrote the blog post, Getting my weeding gloves dirty (Mounsey, 2017b). Farmer (2014, p.70) talks about the reference section life cycle which includes acquisition, processing, organisation, circulation, maintenance and deselection. This refers to both physical and digital formats and I wrote about this in the post, Physical and Digital Formats for reference material (Mounsey, 2019g).   

For a library to be dynamic, the physical space is also very important. The subject, ETL501, was an opportunity for me to learn, plan and reflect on how to improve the library spaces in my school. In the post Dynamic Library Spaces (Mounsey, 2019f) I shared many improvements I have made to the physical library space including new furniture, signage and flexible layouts (Images 1, 2 and 3).

 

I also wrote about my learning about genrefication from ETL505, Describing and Analysing Education Resources. In the post ,To genrify or not? (Mounsey, 2019a), I discussed in detail the pros and cons behind using Dewey and generifying. As a result of this learning, I decided not to generify our fiction collections but have added genre stickers to the entire collection. We asked students to get involved in this process and it has led to students discovering titles they may not have otherwise. 

 Part C: Reflection on professional development   

A lifelong learner should be reflective and one tool I have used for this is the DCI Librarian Standards. These were created by a group of TLs across the Dulwich network of schools (Appendix A). This evidence demonstrates my development and growth as I have improved my practice.  With my planned move to Australia in December, I am thinking seriously about what new learning I need to undertake to fill in any gaps in my knowledge. In the next section, I have evaluated my learning over the course of the  Master of Education in Teacher Librarianship in the context of ALIA and ASLA’s standards of professional excellence for teacher librarians (2004). I can see a huge amount of growth and learning and I have identified areas for development. 

This reflection has highlighted many areas where I have developed professional knowledge in understanding principles of teaching and learning and how I have a specialist knowledge of information, resources, technology and library management. I have identified two key areas to develop to ensure I could be seen as an excellent TL in Australia. They are both from the professional knowledge part of the standards: 

 “1.3 to have a rich understanding of the school community and curriculum.  

1.4 to have a specialist knowledge of library and information management.” 

In particular, I will need to deepen my knowledge of Australian literature. Although I follow Australian literature awards, blogs and podcasts, I have not widely read Australian literature. This is an area I will enjoy developing because one of my strengths as a TL is how widely I read and promote books to all patrons. I will also need to ensure I have a deeper understanding of the Australian curriculum and in particular content relating to the three cross- curriculum priorities (Australian Curriculum, Assessment and Reporting Authority, 2010) to ensure that I am aware of resources to support the curriculum. 

I believe I have an excellent understanding of how professionally managed and resourced school libraries are crucial to the achievements of the school community. However, the areas for my development include understanding the Australian context more deeply. Two particular areas of growth will need to be: 

  • have a rich professional knowledge of national standards for library and information management 
  • have a comprehensive understanding of national standards for information retrieval 

Next year I will be completing the last part of this subject when I do my workplace placement. I will ensure that these are both targets during this placement. 

Using the standards for self-reflection I had many strengths in the professional practice and professional commitments sections, but am aware that these standards will be a useful tool to constantly refer back to. I also believe 3.1, excellent teacher librarians model and promote lifelong learning (ASLA, 2004) could be my philosophy as I continue this never-ending journey of learning. If I keep this as part of my practice, I hope that I can continue to be an effective TL who inspires, educates and supports others to be lifelong learners. 

References  

American Association of School Libraries. (2014). School librarians transform learning .  http://www.ala.org/aasl/sites/ala.org.aasl/files/content/advocacy/tools/docs/AASL_Infographic_FINAL.pdf   

Australian Curriculum, Assessment and Reporting Authority. (2010). Cross-curriculum priorities. Australian curriculum: F-10 curriculumhttps://www.australiancurriculum.edu.au/f-10-curriculum/cross-curriculum-priorities 

Australian Library and Information Association & Australian School Library Association (ALIA & ASLA). (2004). Standards of professional excellence for teacher librarians.  https://www.alia.org.au/about-alia/policies-standards-and-guidelines/standards-professional-excellence-teacher-librarians   

Australian School Library Association (ASLA). (2013). Future Learning and school libraries https://asla.org.au/resources/Documents/Website%20Documents/Resources/2013-ASLA-futures-paper.pdf 

Australian School Library Association (ASLA). (2014) Evidence guide for teacher librarians in the highly accomplished career stage. https://asla.org.au/resources/Documents/Website%20Documents/evidence-guide_ha.pdf 

Buzzeo, T. (2013) But I read it on the internet. Upstart books. 

Dulwich College Singapore. (2021, April 21). The inside story: libraries. https://www.youtube.com/watch?v=Can3XtG1JEw&t=1s  

Eisenburg, M. B., & Berkowitz, R. E. (2003). The definitive Big6 workshop handbook  (3rd ed.). Linworth Publishing. 

Farmer, L. S. J. (2014). Developing resource collections, Chapter 4. In Introduction to reference and information services in today’s school library http://ebookcentral.proquest.com.ezproxy.csu.edu.au/lib/csuau/reader.action?ppg=52&docID=1664627&tm=1499996228722 

Ferguson, A. & Hamm, B. [BlueBearEdVidoes]. (2013, January 22). Seven steps to effective instructional leadership [Video file]. https://www.youtube.com/watch?v=T-p9A7EHCR4

Harris, F. J. (2011). The School Librarian as Information Specialist: A Vibrant Species.  Knowledge Quest39(5), 28–32. 

Herring, J. (2007). Teacher librarians and the school library. In  S.Ferguson (Ed.), Libraries in the twenty-first century : Charting new directions in information (pp. 27-42): Centre for Information Studies, Charles Sturt University.  

Hughes-Hassell, S. & Mancall, J. (2005).Collection management for youth: responding to the needs of learners [ALA Editions version].  http://ebookcentral.proquest.com.ezproxy.csu.edu.au/lib/csuau/detail.action?docID=289075 

Kuhlthau, C. C. (2004). Learning as a process. In Seeking Meaning: A Process Approach to  Library and Information Services  2nd ed.).  Libraries Unlimited. 

Loh, C. (Host). (2021, January 25). Comic relief (episode 4) [Audio podcast episode] in How we Read https://omny.fm/shows/how-we-read/how-we-read-ep4-comic-relief?fbclid=IwAR2nBOVfJfKr7o7yXoP4kzgQs9xe9IygmFN6qaILVovnVHasNuQaRvPRb3M 

Martinez, M. R., & McGrath, D. (2014). Deeper learning How eight innovative public schools are transforming education in the twenty-first century. The New Press.  

McKewan, E.K. (2003). 7 Steps to effective Instructional Leadership. Corwin Press, Inc. 

Mounsey, S. (2016a, August 1). The role of the teacher librarian in schools: many  hats to be worn. https://thinkspace.csu.edu.au/paws/2016/08/01/the-role-of- the-teacher-librarian-in-schools-many-hats-to-be-worn/ 

Mounsey, S. (2016b, October 10). A shift in thinking. https://thinkspace.csu.edu.au/paws/2016/10/10/ashiftinthinking/ 

Mounsey, S. (2017a, May 1). Developing a library collection. https://thinkspace.csu.edu.au/paws/2017/05/01/developing-a-library-collection/   

Mounsey, S. (2017b, May 19). Getting my weeding gloves dirty.  https://thinkspace.csu.edu.au/paws/2017/05/19/weeding-a-library-collection/ 

Mounsey, S. (2019a, March 12). To genrefy or not? That is the burning question.https://thinkspace.csu.edu.au/paws/2019/03/12/to-genrefy-or-not-that-is-the-burning-question/ 

Mounsey, S. (2019b, March 24). Leaders who lead.    https://thinkspace.csu.edu.au/paws/2019/03/24/leaders-who-lead/ 

Mounsey, S. (2019c, April 8). Courageous conversationshttps://thinkspace.csu.edu.au/paws/2019/04/08/courageous-conversations/ 

Mounsey, S. (2019d, May 3).  Advocacy using mind mapping and concept mapping.  https://thinkspace.csu.edu.au/paws/2019/05/03/mind-mapping- and-concept-mapping/ 

Mounsey, S. (2019e, June 5). ETL504 reflection: teacher librarian as leader. https://thinkspace.csu.edu.au/paws/2019/06/05/etl504-reflection-teacher-librarian-as-leader/ 

Mounsey, S. (2019f, July 27). Dynamic library spaces.https://thinkspace.csu.edu.au/paws/2019/07/27/dynamic-library-spaces/ 

Mounsey, S. (2019g, August 10). Physical and digital formats for reference material.https://thinkspace.csu.edu.au/paws/2019/08/10/physical-and-digital-formats-for-reference-material/ 

Mounsey, S. (2019h, August 10). To wiki or not to wiki?https://thinkspace.csu.edu.au/paws/2019/08/10/to-wiki-or-to-not-wiki/ 

Mounsey, S. (2019i, October 14). Beyond the tip of the digital iceberg.https://thinkspace.csu.edu.au/paws/2019/10/14/information-saturation-how-do-we-help-students-search-beyond-the-tip-of-the-digital-iceberg/ 

Mounsey, S. (2020) Information and Digital Literacy in 21st Century Learning. Alleynian Review.https://singapore.dulwich.org/news-and-events/information-and-digital-literacy-in-21st-century-learning 

Mounsey, S. (2021a. March 5) Reading in the Digital Age: what is our role as parents and teachers? Alleynian Review.  https://singapore.dulwich.org/news-and-events/alleynian-review-reading-in-the-digital-age-what-is-our-role-as-parents 

Mounsey, S. (2021b, July 22).What books are hot for 7-11 year olds? https://thinkspace.csu.edu.au/paws/2021/07/22/what-books-are-hot-for-7-11-year-olds/ 

Mounsey, S. (2021c, July 22). What book should I read next? https://thinkspace.csu.edu.au/paws/2021/07/22/what-should-i-read-next-book-recommendations-for-7-12-year-olds/

National Library of Singapore. (2021, August 17). Strategies to reading and learning in current times [Video] YouTube. https://www.youtube.com/watch?v=1xhUl9H4XWE 

NSW Department of Education. (2015).Handbook for School Libraries.https://education.nsw.gov.au/policy-library/policies/library-policy-schools 

Oddone, K. (2020, June 17). Supporting students through the learning process. Linking Learning. https://www.linkinglearning.com.au/supporting-students-through-the-research-process/ 

Schrock. K. (2009). The 5W’s of website evaluation. Kathy Schrock’s guide to everything    http://www.schrockguide.net/uploads/3/9/2/2/392267/5ws.pdf 

William, D. (2018). Creating the schools our children need: why what we are doing right now won’t work, and what we can do instead. Learning Sciences.  

Wolf, M., Jones, R., & Gilbert, D. (2014). Leading in and beyond the library.  http://all4ed.org/wp-content/uploads/2014/01/BeyondTheLibrary.pdf 

 Appendix A

“What should I read next?” Book recommendations for 7-12 year olds

“What should I read next?” I am often asked this question by students and I frequently have parents and friends emailing me to ask for book suggestions for children. At my school I have used Follet Destiny to create a recommended fiction collection for each year group from year 3 to 6. The students enjoy using these to create a wish list for their next reads. It is a good way to browse by first judging the books by their covers (I say there is nothing wrong with that!), and then reading the blurbs. All of the Wordle’s below were made by the fantastic Professor Chin Ee Loh. Each Wordle has the top 20 student responses from each year group to the question “What is the best book you read this year?”

Click on the Wordle for the Year 3 (Age 7-8) Recommended Reading List

Click on the Wordle for the Year 4 (Age 8-9) Recommended Reading List

Click on the Wordle for the Year 5 (Age 9-10) Recommended Reading List

Click on the Wordle for the Year 6 (Age 10-12) Recommended Reading List

Click the tabs below for two lists of recommended recent non fiction for 7-12 year olds.

Excellent Non Fiction

Dulwich Information Book Award Books – More about this award can be found here

In the four fiction collections above it may be appropriate for children to browse the age categories above and below their age depending on their reading proficiency and interests. I have also been involved in shortlisting the Books for Red Dot Book awards for a number of years and recommend looking at these titles. I also send people to use these four websites, which provide a lot of great recommendations.

I am going to finish this blog post with some posters that one of my library assistants helped me to make with our year 6 students. It is always great to have student voice involved in these tasks and my student library ambassadors were happy spending many a lunch time creating these posters and deliberating  with me on what titles should be included.

What books are ‘hot’ for 7-11 year olds?

As a teacher librarian I am constantly making informal observations about students’ reading habits and choices. At the end of every school year I also run extensive data to see what my students are reading and borrowing. I use some of this data to create infographics (see below) which serve as part of a library report and I use a lot of this information to drive collection development.

     

A few months ago I was approached by Professor Chin Ee Loh from the National Institute of Education (NIE) in Singapore to work on a research project. We have worked together with one one of her PhD students, Suijia Gan, to analyse the reading habits and practices of the students in my Junior School Library. This project has allowed me to delve deeper than I ever have into students’ reading habits and a lot of the results have confirmed what I know but it is useful to have hard data to back up this knowledge. But there have also been some surprises. Our project has involved a mixed methods research study that has involved a digital survey which was completed by 761 students (84% of the junior school), focus group interviews and analysing data using Follet Destiny, our library management system. We are working on finalising the report now and we are hoping to get some articles published with some of the results. For now though, I wanted to blog some of the findings to show what has been ‘hot’ in my library this year.

There are lists below that could be useful lists for library staff to use to develop their library collections. However, I think it is important to understand the context of the library and students. My school is an International School in Singapore with British Independent school values. The students represent up to 50 different nationalities with the largest representation from the UK, Australia, Japan, China and Korea. A different school in a different country or the same country with a different socio economic group or ethnic diversity would have some different preferences. However these lists do seem to have many titles that can transcend cultural and economic barriers. In the survey, the students were asked the name of the best book or series they read this year and the table below has the top titles. There are approximately 220 students in each year group so these tiles were all very popular.

My favourite book this year was …

Number Year 3  Year 4  Year 5  Year 6
1. Harry Potter Harry Potter Alex Rider Rooftoppers
2. Dog Man Amulet Keeper of the Lost Cities Wonder
3. Diary of a Wimpy Kid Diary of a Wimpy Kid Wonder HarryPotter
4. Mr Wolfs Class AlexRider The Explorer The Explorer
5. Minecraft Percy Jackson Harry Potter Keeperof the Lost Cities
6. The Babysitters Club Daisy series Code Name Bananas The Insignificant Events in the Life of a Cactus
7. The Bad Guys Bunny Vs Monkey Nevermoor Alex Rider
8. Weird But True DogMan Percy Jackson Nevermoor
9. Tom Gates Keeper of the Lost Cities Skulduggery Pleasant Rain Reign
10. Beatrice Zinker Narwhal and Jelly Tom Gates The Heroes of  Olympus
11. Mr Penguin Smile Treehouse A Series Of Unfortunate Events
12. Narwhal and Jelly The Babysitters Club A Tale of Magic Divergent
13. Captain Underpants 13 Storey Treehouse Series Diary of a Wimpy Kid Front Desk
14. Cat Kid Comic Club Weird But True Dog Man Percy Jackson
15. Dragon Realm A Series Of Unfortunate Events Kensy and Max Save me a Seat
16. Hilo Diary of a Minecraft Zombie The Insignificant Events in the Life of a Cactus Skulduggery Pleasant
17. Kensy And Max Drama The Babysitters Club 13 Storey Treehouse Series
18. Lunch Lady Emily Windsnap The Land of Stories A Tale of Magic
19. Malory Towers Fake News, True or False Quiz book The Terrible Two Code Name Bananas
20. Smile Goth Girl Demon Slayer Murder Most Unladylike

From this data, I discovered some interesting findings that can be seen in the two tables below. It is worth pointing out that these findings are from the top 20 favourite books.

  • Humour was a genre that appealed to more younger students and as they matured this decreased and their preferences were for adventure, mystery and realistic fiction.
  • It was interesting to view the data on realistic fiction and also hear what some of the older students commented on in the focus group interviews. Many commented about how their reading preferences changed as they matured. We often have requests from year 6s for ‘more sad books’ or ‘books about someone who is struggling with an issue’.
  • This table shows how in year 6 the top favourite books are all junior fiction and in year three the most popular format was graphic novels. It is worth noting that graphic novels are still very popular with our year 6 students so this is not an indication of borrowing data, just preferences for the book that was their favourite.

Genres of favourite books 

Formats of favourite books 

Graphic novels (or comics) were an area of huge interest to me because their popularity has grown enormously in my library. This is a widespread trend that publishers, book sellers and librarians are observing. It is also an interesting topic that Chin Ee Loh asked me and a number of others to speak about in her How We Read podcast. The table below shows how despite continuing to grow this part of my library collection, the demand is enormous. I have put in a massive order of graphic novels to arrive for our new school year.

Graphic Novels in the Junior School Library

Another piece of data I ran from Destiny was the top 50 borrowed books.

The Top 10 Books Borrowed from the Junior School Library 2020-2021

No. Circulations Title Author(s) Format Genre Series
1. 244 Mr. Wolf’s Class Book 1 Steinke, Aron Nels graphic novel animals yes
2. 230 Guts Telgemeier, Raina graphic novel realistic yes
3. 190 Kensy and Max 1 : Breaking News Harvey, Jacqueline junior fiction mystery yes
4. 182 The Baby-sitters club 7, Boy-crazy Stacey Galligan, Gale graphic novel realistic yes
5. 169 Mr Penguin and The Lost Treasure 1 Smith, Alex T early fiction adventure/animals yes
6. 167 The Baby-sitters club 1, Kristy’s        great idea Telgemeier, Raina graphic novel realistic yes
7. 166 George and the Great Bum Stampede Wilson, Cal early fiction humour yes
8. 166 White bird : a wonder story Palacio, R. J. graphic novel historical fiction no – companion book
9. 158 Ni De Qin Qi Hao Qi Guai : Your Relatives Are Weird! Woo Yen Yen & Colin Goh picture book/graphic novel humour yes
10. 153 Narwhal : Unicorn Of The Sea Clanton, Ben graphic novel humour/animals yes

The table above shows just the top 10 but this data from the top 50 had some interesting findings that help to reassure me that all the work we do to help students discover new titles is working.

  • Students enjoy books in a series! 84% of the books were part of a series. Most that were not in a series are written by an author who has written other popular titles.
  • Recent releases are popular! 94% of titles were published 2015 or later and all are from 2010.
  • Comics are King! 68% of the books in this list are graphic novels/comics (this includes the Little Dim Sum Warriors series which are bilingual comics in a picture book format), 16% are junior fiction (middle grade chapter books) and non fiction and early fiction (emerging chapter books) make up 8% each.
  • Students love humour! Genres: 46% were humorous, 30% are realistic fiction(including historical fiction which can be considered a form of realistic fiction), 14% were adventure of mystery and 10% were animal fiction.
  • Book awards and events raise awareness for new and different titles! At our school we have events related to The Red Dot Book Award and Dulwich Information Book Award. The library buys up to 10 copies of these tiles and students are encouraged to read at least one red dot book a year. The school hosts a red dot book competition, which involves students working in teams to answer questions about the books. In the top 50 most borrowed books there were 18 Red Dot Books. It is also worth noting we buy multiple copies of these titles so it is easier for students to get access to them.
  • Author talks build the reading culture! Colin Goh did an author and Illustrator talk and after this his Little Dim Sum Warrior books flew off the shelves. They were also a fun option for students to borrow in mandarin library lesson time. Also in the top 50 list were 3 other authors who have done author talks in the last 2 years: Jaqueline Harvey, Dusti Bowling and Andy Griffiths.
  • Book promotion works! All titles in this list are either graphic novels (which have needed no promotion) or been promoted in some other way. The rest have been promoted through author talks or book awards.

The feedback from the focus group interviews is also very interesting to analyse but that will be for another post. Hopefully this post has given readers some suggestions on ‘what’s hot’ to help develop library collections for this age group.

Research, writing and podcasts

The last few subjects I have not needed to blog so I have been quiet on this front but exceptionally busy elsewhere. I am so delighted to be in the middle of my final subject and then I will have a Master degree in teacher librarianship! The past six months have been very exciting and busy working in the library, studying, attending virtual conferences and doing other library and literacy community outreach.

A few highlights are:

  • Having an article published about reading in the digital age in the Dulwich College publication, The Alleynian Review. This is a topic I could talk endlessly about and have enjoyed listening to a number of professionals speak about this topic at conferences and webinars.
  • Speaking in episode 4 of Professor Chin Ee Loh’s How we Read podcast about the importance of comics as a valid reading choice.
  • Working with Professor Chin Ee Loh on a mixed methods research project in my school library- this is an ongoing project and we are currently analysing questionnaires, focus group interviews and library borrowing data. We will have an article published about our findings in the second half of the year.
  • Moderating at AFCC– I have been involved in the Asian Festival of Children’s Content (AFCC) for 10 years now. I have launched my own books there, been a speaker, served on the organising committee and I often moderate sessions. This is a wonderful festival and a big part of my Singapore story. This year I am moderating a session about Reading for Pleasure and speaking in a panel about digital reading resources.
  • Working with the communications team at school to create a video about our libraries. We are unable to have parents on site at the moment so we created this instead. I must say I am a better script writer than I am a presenter- when the camera rolls I am not a natural and I look rather serious in this one!

Socially distant in the recording studio

ETL402 Reflection: Literature Across the Curriculum

Just when I get comfortable and think I am being an effective teacher librarian (TL), I commence a new subject. New learning comes and the ‘to do’ list grows again! ETL402 has enabled me to delve deeper into new aspects of a TLs role. My two biggest take-aways are:

  1. Understanding the concept and application of literacy learning and the TLs role to work with teachers to embed the use of literature and literature response strategies into the curriculum.
  2. An awareness of enhanced digital storytelling resources.

I have not been ensuring literacy learning is taking place in the classroom. I get excited sharing titles with staff that link to their curriculum topics. Then I hand the resources on in the hope that they are well used (and sometimes they are!) I believe a lot of classroom practice in a primary school focusses on learning to read rather than reading to learn. My future practice will involve working with teachers to apply literacy learning into classrooms to ensure that literature is being used to learn in all curriculum subjects.

The other new learning is around enhanced digital storytelling resources. O’Connell, Bales & Mitchell (2015) identify three types of enhanced eBooks including interactive story books, hypertext books and transmedia books and I reflected on these in Digital Literature: it is not just eBooks (Mounsey, 2020d).  Rowberry (2018) discusses how 21st century citizens rely on decoding and analysis skills to utilise different formats of literature, including digital. TLs and teachers need to ensure students have strategies for navigating and analysing hypertext and multimodal literature.

What else have I reflected on in this subject?. Here are some important posts where I have been provided with research to back up some existing knowledge.

  1. Schools should provide time for reading for pleasure with self-selected texts. This has been found to have a positive impact on children’s academic performance and many schools have created effective initiatives to implement this (Allington, 2014; OEC 2011; Stower & Waring, 2018). I reflected on this in Why reading is important (Mounsey, 2020i) and discussed this in the module 1 discussion forum (Mounsey,2020f).
  2. Templeton’s (2020) blog on Literacy learning  discussed how standardised testing has no proven benefit to improving literacy outcomes and I replied in the module 5 discussion forum (Mounsey, 2020g) where I reflected on my own experience of this.
  3. Module 3.3 posed the question, if libraries didn’t exist would we build them today? YES! Libraries have had to reinvent themselves in the 21st century to embrace massive technological change. In my post, Connecting with Stories and Copyright Implications (Mounsey,2020c), I discussed how library closures due to COVID-19 have provided opportunities for libraries to evolve again.
  4. I explored trends (Mounsey, 2020b) in children’s literature including the growth in literary non-fiction (Mounsey, 2020e, 6-7) and how these texts are excellent tools for literacy learning. Analysing trends also involved looking at diversity (Mounsey, 2020h) and censorship (Mounsey,2020a) in children’s literature.

So, that is a lot of reflecting! Literature has always played a vital role in education. This subject has helped open my eyes to the possibilities of how literature can be used across the curriculum to help students develop 21st century learning skills. So now I better get to it…time to embed literacy learning into the curriculum!

References

Allington, R. L. (2014). How reading volume affects both reading fluency and reading achievement. International Electronic Journal of Elementary Education, 7(1), 13-26. Retrieved from https://www.iejee.com/

Mounsey, S. (2020a, May 16) Censorship and developing a library collection. [Blog post]. Retrieved https://thinkspace.csu.edu.au/paws/2020/05/16/censorship-and-developing-a-library-collection/

Mounsey, S. (2020b, March 8) Children’s Literature: past, present and future. [Blog post]. Retrieved https://thinkspace.csu.edu.au/paws/2020/03/08/childrens-literature-past-present-and-future/

Mounsey, S. (2020c, March 29) Connecting with stories and copyright implications during COVID-19. [Blog post]. Retrieved https://thinkspace.csu.edu.au/paws/2020/03/29/connecting-with-stories-and-copyright-implications-during-covid-19/

Mounsey, S. (2020d, May 23) Digital literature: it is not just eBooks. [Blog post]. Retrieved https://thinkspace.csu.edu.au/paws/2020/05/23/digital-literature-it-is-not-just-ebooks/

Mounsey, S. (2020e, April 19) The Dulwich Information Book Award. [Blog post]. Retrieved https://thinkspace.csu.edu.au/paws/2020/04/19/the-dulwich-information-book-award-dibas/

Mounsey, S. (2020f) Module 3.1 Read like a girl. ETL402 Discussion Forum. CSU. Retrieved from https://interact2.csu.edu.au/webapps/discussionboard/do/message?action=list_messages&course_id=_44234_1&nav=discussion_board_entry&conf_id=_88815_1&forum_id=_181937_1&message_id=_2840459_1

Mounsey, S. (2020g) Module 5: Blog entry for literacy learning. ETL402 Discussion Forum. CSU. Retrieved from https://interact2.csu.edu.au/webapps/discussionboard/do/message?action=list_messages&course_id=_44234_1&nav=discussion_board_entry&conf_id=_88815_1&forum_id=_181939_1&message_id=_2913314_1

Mounsey, S. (2020h, March 16) Thinking about diversity: shortlisting titles for the red dot book award. [Blog post]. Retrieved https://thinkspace.csu.edu.au/paws/2020/03/16/thinking-about-diversity-shortlisting-titles-for-the-red-dot-book-award/

Mounsey, S. (2020i, March 15) Why reading is important. [Blog post]. Retrieved https://thinkspace.csu.edu.au/paws/2020/03/15/why-reading-is-important/

O’Connell, J., Bales, J., & Mitchell, P. (2015). [R]Evolution in reading cultures: 2020 vision for school libraries. The Australian Library Journal, 64(3), 194-208. https://doi.org/10.1080/00049670.2015.1048043

Organisation for Economic Co-operation and Development. (2011, September 18). Do students today read for pleasure? PISA in Focus, 8. Retrieved from https://www.oecd.org/pisa/pisaproducts/pisainfocus/48624701.pdf

Rowberry, S. P. (2018). Continuous, not discrete: The mutual influence of digital and physical literature. Convergence: The International Journal of Research Into New Media Technologies, 26(2), 319-332. https://doi.org/10.1177/1354856518755049

Stower, H., & Waring, P. (2018, July 16). Read like a girl: Establishing a vibrant community of passionate readers. Alliance of Girls Schools Australia. Retrieved from https://www.agsa.org.au/news/read-like-a-girl-establishing-a-vibrant-community-of-passionate-readers/

Templeton, T. (2020, May 7) Literacy learning. [Blog post]. Retrieved https://thinkspace.csu.edu.au/trish/2020/05/07/literary-learning/

Digital Literature: it is not just eBooks

This month I have been reading about literature in the digital environment and it has got me rather motivated about some possibilities I have not explored before. I had some very excited “ah-ha” moments of a new direction our library can take in searching for and curating digital resources for our staff and students. Whilst our school campus is closed due to COVID-19 my team have been using it as an opportunity to promote many of the digital resources that we subscribe to including fiction (BorrowBox, Tumblebooks and EPIC!) and non-fiction (Pebble Go, Britannica and Press Reader, as well as a number of databases for the Senior school students). This has gone really well with statistics for all of our digital resources increasing. I wrote more about my findings with digital books in this post and the argument about print v’s digital rages on. We had Wheelers eBooks for two years and changed to BorrowBox one year ago because we wanted to have excellent audiobooks as well. The audiobooks have been popular and are a great resource for reluctant readers and students with additional learning needs. We need to do a lot of advocacy to ensure they are used but this results in increased use. However, it is the digital resources that go beyond just an eBook or audiobook which are my new discoveries and will research more in the months to come.

O’Connell, Bales & Mitchell (2015) describe enhanced eBooks which include;

  • Interactive storybooks which have a linear story structure and have features such as oral reading, videos and possibly games and related activities.
  • Hypertext and interactive eBooks which can be fiction or nonfiction and may include images, maps, audio and video elements and links to related websites. This eliterature collection includes some examples.
  • Transmedia books which are non linear stories that encourage active participation through connected resources. One incredible book which uses augmented reality is Between Two Worlds.

Yokota &Teal (2014) discuss this recent trend of digital stories having the capability to be interactive story telling experiences that are film-like creations. All of these resources can use sound, images and animation to enhance a story and these elements bring an added atmospheric element than a traditional book format. I feel like I have just discovered the tip of the iceberg and know that weeding through to find the quality resources will take time. In my library our OPAC is Destiny and Destiny Discover has the capability to create collections of suggested resource lists. My goal now is to add some quality examples into our collections and then promote them to our patrons.

As well as the two examples I have linked above I will round up with a few good examples of resources that I have found and will add more as I discover them. Many of these resources are for older students.

References

Adam Savage’s Tested. (2016, October 26). Between worlds: Augmented reality in storytelling [Video file]. Retrieved from https://youtu.be/YO1E7DBuqtc

O’Connell, J., Bales, J., & Mitchell, P. (2015). [R]Evolution in reading cultures: 2020 vision for school librariesThe Australian Library Journal, 64(3), 194-208. doi: 10.1080/00049670.2015.1048043

SBS Online. (2015, April 29). The Boat [Video file]. Retrieved from http://www.sbs.com.au/theboat/

Yokota, J, & Teal, W.H. (2014). Picture books and the digital world; educators making informed choices (67). Retrieved from The Inside Track website: https://ila-onlinelibrary-wiley-com.ezproxy.csu.edu.au/doi/full/10.1002/trtr.1262 

Censorship and Developing a Library Collection

Censorship is something every librarian has to be aware of when developing their collection and I wrote about this and about our challenged materials policy in my post Developing a Library Collection.  The Online Dictionary of Library and Information Science (as cited in Givens, 2009, p. 22) defines censorship as the “prohibition of the productions, distribution, circulation, or display of a work by a governing authority on grounds that it contains objectionable or dangerous material.” There are a wide spectrum of beliefs and practices regarding censorship in libraries but there are also many policies in place to prevent censorship in libraries. Often censorship comes from the position of wanting to protect children but intellectual freedom should always be considered.

According to the Office for Intellectual Freedom (OIF) of the American Library Association (2002), “in general, there are four basic motivational factors that may lie behind a censor’s actions.” These are family values, religion, political views, and minority rights. In module 3.4 we were asked how our various roles based on age, family, back ground, societal position, religious beliefs influenced our stance in censorship of children’s literature. I think it is fair to say that for most people all of these life experiences play a massive role in our beliefs and how we translate those beliefs into the library collections we manage. However it is important that decisions are not made on personal opinions but on library policy. The Australian School Library Association’s (ASLA) Policy Statement – School Library Bill of Rights (2018) states that “School libraries are concerned with generating understanding of freedom and with the preservation of this freedom through the development of informed and responsible citizens.”

One of my author heroes and someone who has constantly challenged censorship, Judy Blume, said “I’ve always said censorship is caused by fear” (Baker, 2015). I would agree but I would also add that it can come for a place of ignorance and life experience. I have had some interesting experiences in my current school with regards to challenged materials where a parent or staff member has raised an objection. Each time has been a learning experience to all but after the first experience it highlighted to me how prepared I needed to be for opposition. It also taught me the importance of how important it was that I made the leadership teams in school aware of our challenged materials policy and our collection development policy so that they could not make knee jerk reactions to ask for materials to be removed. It has also highlighted to me how the country you live in and their laws and politics can make challenging censorship and welcoming open minded views difficult. In my context the conservative views and Singapore’s laws on homosexuality have certainly been a barrier to this.

Librarians are tasked with the job of of being an advocate of freedom of speech and in module two we looked at diversity in children’s literature and I blogged about that here. Diversity includes lesbian, gay, bisexual, transgender and questioning (LGBTQ)  literature which can often be considered a sub genre of realistic fiction.  There are so many quality titles with LQBTQ themes. I was very pleased to discover the Gay, Lesbian, Bisexual, and Transgender Round Table (GLBTRT) which is a group in the American Library Association and they have a useful toolkit of resources to help librarians faced with challenges to LGBTQ materials in their libraries

The picture book, And Tango makes three (Parnell & Richardson, 2005) is based on the true story of two male penguins in New York City’s Central Park Zoo who adopted an abandoned penguin egg and raised Tango after he hatched. This story was removed and pulped from the National Libraries of Singapore and has been included on Banned Book Lists and censored in US libraries for years. Magnuson (2011) studied the challenges of this book in Perceptions of the Self and “Other:” An Analysis to the Challenges to And Tango Makes Three. As interesting reflection is that all of the conversations and controversy that surrounded these decisions resulted in a lot of publicity, both positive and negative.

Despite my open minded views, the reading this week made me think how much we do censor to a degree in my library and how some censorship is arguably appropriate. My library is for primary school aged children and we shelve, label and display books for the appropriateness of the population we are working with. We have a restricted borrowing section which includes books on puberty, safe touch and reproduction and also labelling on books that could be scary or confronting for some children. We also have reminders set in our catalogue of books that may not be appropriate for younger children and will talk to them, their teachers or parents before allowing them to borrow.

In a secondary school or adult library there are different implications. Our secondary school library enjoys promoting Banned Book Week,  This is an annual event celebrating the freedom to read and it spotlights current and historical attempts to censor books in libraries and schools. This is such a perfect way to entice the teenagers who are often more disengaged with reading to be enticed into interesting conversations about this very important topic.

References

American Library Association. (1996-2015). Banned books week. In Banned & challenged books.  Retrieved from http://www.ala.org/bbooks/

Baker, V. (2015). Battle of the bans: US author Judy Blume interviewed about trigger warnings, book bannings and children’s literature today. Retrieved from Indexoncensorship.org

Givens, C. (2009). Hidden forms of censorship and their impact. Bookbird, 47(3), 22-28. Retrieved from http://www.ibby.org/bookbird/

Magnuson, M. (2011). Perceptions of the self and “Other:” An analysis to the challenges to And Tango Makes Three. School Library Research, 14. Retrieved Oct. 2016.

Office for Intellectual Freedom (2002). Intellectual freedom manual (6th ed.). Chicago: American Library Association.

The Dulwich Information Book Award (DIBAS)

A book award that I am very proud of is The Dulwich Information Book Award (DIBAS) that was created in 2016 by the library staff from the various International Dulwich Colleges. The idea came about at a conference we hosted at Dulwich College (Singapore) when one of our teacher librarians, Patricia Chandler, suggested we create a book award across the College network. Many of us had been involved in book awards that focussed mostly on fiction, including the Red Dot Book Awards and we decided to focus this award on information books.  The ongoing aim is to highlight good quality non-fiction books in both English and Mandarin and promote them across our schools. The intention of the award is to encourage a wider reading of non-fiction and provide a focus for critical evaluation of content and design. In 2017 we launched our first selection and we are currently in the process of shortlisting for our fourth year. The DIBAS has been very popular with students and staff at Dulwich College (Singapore) and has kept the library staff busy in looking for excellent examples of non-fiction. The result of this has been a high interest in these titles by students and teachers and a focus of teaching and learning about the different types of non-fiction. At the end of the article, I have included all shortlisted and winning titles

Dulwich Information Book Award Information

  • The award runs across 3 age ranges (DUCKS 2-7 years, Junior 7-11 years and Senior 12-18 years)
  • Mandarin and English books can be selected
  • Non-fiction to tie-in with National-Non-fiction November
  • 6 titles maximum shortlisted in each age range

Criteria for choosing books

  • Must be able to view prior to (from libraries, bookshops and so on) or we will need to ask a recommender to submit a book
  • Excludes textbooks
  • Aesthetics (including design, style, and integration of text and graphics in the book)
  • Accurate and up-to-date
  • Age-appropriate
  • Appropriate for Second Language
  • Available from our suppliers
  • ISBN and authenticity verified
  • Published in the last 3 years
  • Nominations not accepted from publishers

Book Award Timeline

  • Appeal for longlist to DCI teachers/staff/librarians/students/parents – nominations requested in April
  • Shortlisting early May by teacher librarians, students and teachers in all participating Colleges
  • Introduction of books and related activities from mid-September
  • Students and staff vote and results announced across the Dulwich network in Non-Fiction November
  • Authors notified if their book wins

Our longlist for the 2020 award is here and we welcome additions. This will close at the end of April.

Shortlists from Previous Years

Behind the Books: The Non-fiction Family Tree

, an award-winning author of more than 180 non-fiction books for children, has developed a Non-fiction Family Tree in an effort to understand the various kinds of non- fiction and the interplay among them. We use these categories to choose a diverse range of information books. From my point of view as the Junior School (year 3-6) teacher librarian I also use this with my year 5’s and 6’s when I teach them about the different kinds of non-fiction. Also, when shortlisting we try to include a diverse range of topics and select information books from a variety of topics. I often include teaching about the Dewey Decimal Number for the book and then highlight similar titles from that area of Dewey. For example last year I was very keen to include an art book and worked closely with the art teacher to add a selection of art books to the long list.

My personal experience and reflections

Gill (2009) discusses that no other genre of children’s literature has changed as radically in recent years as nonfiction and McNeill (2015) shares an interesting article about the trends in non-fiction for young readers here. What I have enjoyed most in the shortlisting process is enjoying the incredible non-fiction titles that are published today, which are very different to traditional non-fiction books where each title had a similar format. They usually had a contents page, index and glossary and each page would include a subheading, text boxes, photographs and chunks of facts. Whilst these books are still very useful the design of a lot of current non-fiction is very different and can include contemporary illustration and design. There are many titles now that appear to cross over between fiction and non-fiction and are produced to look more like a picture book, even if they include real stories or facts.  Morris (2013) discusses these ‘hybrid’ books and poses the question, where should they be located in a library? In my library, we have recently genrefied our picture book area and two of the included genres are narrative non-fiction and information picture books.

My recent reading for ETL402 has included reading about literary non-fiction which can also be called creative non-fiction, faction or narrative non-fiction. This format of non-fiction uses literacy techniques usually associated with fiction to report on people, places and events and often includes biographies. Damaso (2011) includes more explanation here. The increase in narrative nonfiction and the popularity of this genre has been huge in my library. In fact, for the first two years the winners in the Junior School were narrative non-fiction titles. These stories are also excellent resources for embedding literacy learning into the curriculum.

And the Winners are…

My Top 5 for Junior School students (7-11 year olds)

Other non- fiction book awards

References

Damaso, J. (2011). Elements of creative nonfiction [Slideshare]. Retrieved from https://www.slideshare.net/damaso2/elements-of-creative-non-fiction

Gill, S. R. (2009). What Teachers Need to Know About the “New” Nonfiction. Reading Teacher63(4), 260–267. https://doi-org.ezproxy.csu.edu.au/10.1598/RT.63.4.1

McNeill, S. (2015, October). Moment of truth: Trends in nonfiction for young readers. Retrieved from http://authornews.penguinrandomhouse.com/moment-of-truth-trends-in-nonfiction-for-young-readers/

Morris, R. J. (2013). Linking learning and literary nonfiction. School Library Monthly, 29(7), 39-40. Retrieved from https://search-proquest-com.ezproxy.csu.edu.au/docview/1492222115?accountid=10344

Stewart, M. (2007, December 13). The 5 kinds of nonfiction [Blog post]. Retrieved from https://celebratescience.blogspot.com/2017/12/ behind-books-nonfiction-family-tree.html

Connecting with stories and copyright implications during COVID-19

All over the world people are being affected and challenged by the measures put in place by COVID-19 and this has been an interesting time for me as a parent, teacher and teacher librarian. Many students are learning from home and some parents are struggling with the balance of working from home and managing this whilst trying to manage the wellbeing of everyone in their family. The stakes are different depending on the age of the children and  I truly believe that for primary aged children it will not matter if they do not complete any of the tasks set by the school if that causes stress for the family. However, of course, I am going to say that it does matter if they are not reading regularly! To me, this is a time that educators seize the opportunity of promoting reading for pleasure in different ways. This also comes with implications. For some without digital access, this is more challenging and for those with digital access there is a plethora of choices and it is hard to choose where to go. There are also the copyright implications of sharing other people’s work without permission and this seems to be an area that many people are unaware of.

I could talk for hours about the importance of regular reading and finding texts that children enjoy so that it is reading for pleasure, not just purpose. If you want to know more about that, have a look on my blog here at Why Reading is Important. Instead, I will share a selection of resources that could be useful for students reading at home. There are some very good online resources which give access to audio and eBooks. Many are offering free access whilst so many schools around the world are closed. My colleague Fiona Shea helped me to compose a list that we shared at work and we found Common Sense Media and Kate Messner’s information very useful if you want to look for even more great resources. I think the greatest challenge for many parents and educators at the moment is that there is so much available online that it is challenging to choose what resources to use! One role of a teacher librarian is to curate resources and help eliminate this problem of information overload so here is some of what I have curated.

My top 5 for free audiobooks and eBooks

EPIC!

https://www.getepic.com/

EPIC! Is always free for teachers to create an educator account. They are offering a 90 day free trial for parents. Sign up at https://getepic.com/promo. Choose families and you will be asked for the promo code (3monthsfree) during the signup process.
Amazon Audible

https://stories.audible.com

For as long as schools are closed, Audible are letting children everywhere instantly stream an incredible collection of stories with titles in six different languages.
World Stories

https://worldstories.org.uk/

World Stories is a free online interactive resource which hosts a library of over 150children’s stories. All of the stories feature in English as well as over 30 additional languages.
International Children’s Digital Library

http://en.childrenslibrary.org/

This library promotes tolerance and respect for diverse cultures by providing access to the best of children’s literature from around the world.
Gutenberg project

http://www.gutenberg.org

Project Gutenberg is a library of over 60,000 free eBooks. You will find the world’s great literature here, with focus on older works for which U.S. copyright has expired.

 

As well as finding eBooks and audiobooks there are so many authors who are streaming virtual storytimes. It was hard to narrow it down but here are a few of my favourites for primary school students:

My top virtual storytimes

Information for educators about recording stories and the copyright implications

There are copyright implications of sharing other people/s work without permission and this seems to be an area that many people are unaware of. It is an important connection for children to listen to their own teachers reading at this time and many educators are making recordings or virtually streaming storytime. In normal times, this would be breaching copyright law, although some argue that there is the element of fair use involved. Here is a link to all of the publishers who are giving permission rights for teachers to record themselves reading their stories. In most instances, the publishers ask the teacher to credit the publisher, author and illustrator and email them to inform them. In addition, it should be shared within a schools intranet and it should be taken down by the 30th June 2020 (when hopefully most schools around the world will be open again).

Some authors have given educators direct permission to record themselves reading their stories at this time without contacting the publisher. It is still good practice to acknowledge them and their publishers, as this is demonstrating respect for intellectual property and acknowledging their generosity. They are in essence potentially sacrificing income to do this. Here is a list my colleague, Fiona Shea, and I made of books in our primary libraries.  

YOUNGER READERS (including some lovely picture books for older readers)
Author  Books in our Libraries 
Mo Willems  Don’t let the pigeon drive the bus, Elephant and Piggie series 
Todd Parr  Be who you are/ The Peace book/ The feel good book, It’s okay to make mistakes/ The goodbye book 
Peter Reynolds  The Dot, Going Places, I am Peace, I am Yoga, I am Human 
Peter Brown  Mr Tiger goes Wild, My teacher is a monster (no, I am not) 
Karma Wilson  Bear Snores On 
David Litchfield  The Bear and the Piano 
Neil Gaiman  All of his books including Chu’s Day, Cinnamon, Crazy Hair Day 
James Mayhew  All of Katie series, Boy, Bubble and Squeak and all other titles 
Teresa Heapy  Very Little Red Riding Hood 
OLDER READERS 
J.K. Rowling  All of her books 
Neil Gaiman  All of his books including Coraline and The Graveyard Book, Fortunately the Milk 
Peter Brown  The Wild Robot series 
Kwame Alexander  Booked, The Crossover, Rebound, Solo 
Saviour Pirotta  Classics Collection including Robinson Crusoe, Gulliver’s Travels, Robin Hood 

 

Kay Oddone, who is the Head of Libraries at The Australian Internation School (AIS) in Singapore created this useful infographic for her staff. She shared it with our teacher librarian network and I will finish this post by sharing it with her permission here.

Copyright principles

References

Messner, K. (n.d.). Read, wonder, and learn! Favorite authors & illustrators share resources for learning anywhere – spring 2020. Retrieved March 29, 2020, from https://www.katemessner.com/read-wonder-and-learn-favorite-authors-illustrators-share-resources-for-learning-anywhere-spring-2020/?fbclid=IwAR3H2lgvfdp1wyTwG-exbXthrpt_XmubD_XerM38OgAetYMFqkx8-V1Am4Y

Oddone, K. (2020, March). Copyright principles [Infographic].

Ucciferri, F. (2020, March 27). Free online events and activities for kids at home. Retrieved March 29, 2020, from https://www.commonsensemedia.org/blog/free-online-events-activities-kids-at-home-coronavirus?j=7711684&sfmc_sub=171944700&l=2048712_HTML&u=143747070&mid=6409703&jb=1986&utm_source=covid19_freeactivities_20200323&utm_medium=email

Thinking about diversity: shortlisting titles for the Red Dot Book Award

One of the things I enjoy most about being a teacher librarian is reading widely and being recommended great reads. I particularly enjoy being involved in the selection of the books for the Red Dot Award which is organised by The International Schools Library Network Singapore. Singapore is often referred to as the little red dot because we are a tiny dot on the world map, yet here in this island country, there is remarkable cultural diversity.

There are four categories for the award:

  • Early Years (ages 3–7)
  • Younger Readers (ages 7–10)
  • Older Readers (ages 10-14)
  • Mature Readers (ages 14-adult)

Shortlisted titles from recent children’s literature are chosen by a committee of teacher-librarians with the goal of offering a range of books from around the world. We look for diversity in:

  • genres selected
  • formats – we try to include one graphic novel and one non-fiction book in each category
  • cultures/countries represented by the characters and of the authors, illustrators AND publishers
  • the genders of the protagonist

Why is this important?

Hwang & Hindman (2014, p. 46) propose that “Multicultural literature teaches children about their heritage and the pride of their past. The illustrations, gender roles, and the language of the group should be accurate to represent the culture appropriately.” For their self esteem and sense of identity, all children need to see themselves, their family and their friends reflected in some of the books they read. My previous blog post on Why reading is important I wrote about Rudine Sims Bishop’s brilliant windows and mirrors metaphor. I also shared an amazing TED Talk where Chimamanda Adichie talks about the danger of a single story where she warns that if we hear only a single story about another person or country, we risk a critical misunderstanding. One of my favourite organisations is Room to Read who support school libraries and girls education in the developing world. They also understand the importance of readers looking in mirrors and identifying themselves in the books they read. They produce books that are written and illustrated by local talent in the countries where they work.

Diversity of gender is also so important and I wrote about this further in Children’s Literature, past, present and future. With regards to our process for longlisting and shortlisting the Red Dot books we actually create a table that indicates all of these elements of diversity and we often end up in very heated discussions over which very high quality books we have to omit. Sometimes it is because we have too many female protagonists, sometimes it is because we have too many books from the UK or US and sometimes it is because we have more than one book from that particular genre. I am involved in choosing the older and younger readers category and often realistic fiction seems to have too many good offerings. The process is quite long and lengthy, but it is one that ensures the library staff are looking out for and reading lots of different content that does not always come from mainstream publishers.

I thought I would finish this blog post by sharing some of my absolute favourite Red Dot Books from the four years I have been involved. Just last week we almost finished finalising our shortlists for the 2020-2021 selection. Go to the red dot site above to read more about what we do in our schools to promote these books and also for the new lists which should be coming soon. You may also be interested in these three other book awards created by teacher librarians in International Schools from within Asia, Panda Book Awards, Bangkok Book Awards and the Hong Kong Golden Dragon.

Favourite Red Dot Books so far:

Early Years: Room on Our Rock, The Invisible Boy, Molly and Mae and 7 ate 9

Younger Readers: The Elephant, Stories for Kids Who Dare to Be Different, The Happiness Box, Ida Always, A Boy Called Bat, The House on Silat Road and Mango and Bambang

Older Readers: Illegal, Finding Wonders, The Goldfish Boy, Secrets of Singapore, The 1000 year old boy, PostedFront Desk, Save Me a Seat, The Thing About Jellyfish, Insignificant Events in the Life of a Cactus and Sachiko

It was hard to just limit to these titles and I am afraid I could not suggest for the mature readers because I am not yet mature enough to read these texts…

References

Hwang, S. & Hindman, J. T. (2014). Strategies for adoption children’s refugee literature in the multicultural classroomJournal of Arts and Humanities3(12), 42-53. Retrieved from https://www.theartsjournal.org/index.php/site

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