Reading is more than just an escape (Assessment 2 – Part 2)

Why read?

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At the beginning of this subject we were asked to consider this question and Shelley (2021, November) summed up my thinking in a comprehensive list. I currently work as an English teacher in the secondary system and we have spent the past four years building an independent program called ‘Read, Think, Succeed’. We have taken students to Readings Bookshop to choose books for purchase, created student reading ambassador roles, and successfully argued for a weekly 70 minute session for every English class from years 7-10 to participate in a literacy lesson that has discussion at its centre. I am confident that we have researched and are imparting the message that reading is everything BUT… it is everything in the context of English.

 

What’s next?

In my blog post The bright future of children’s literature (Kempinger, 2020, November 22), I identified several areas of interest, but there are two that I feel inform my next steps after completing this subject. These are critical thinking through and visual literacy.

With English teachers on the right track, my focus as a teacher librarian is across other curriculum areas. Throughout this subject my work has revolved around the humanities and this has shown me the enormous potential of using fiction to bring another layer of meaning and understanding to students’ comprehension of the (often quite difficult to image) world beyond their personal experiences.

Critical thinking

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We want students to be able to take information and apply their knowledge and experience to think critically about the information that is presented. Are they ready and able to do this without support? In my experience, rarely. Fisher & Frey (2018) identify the value of discussion between students as a way to deepen understanding. My intention this year is to collaborate with humanities teachers to understand the topics that bring with them the challenge of empathy (such as the ANZAC experience) and provide selected fiction texts in varying formats that can be used in the classroom to develop this. Without the empathy, the critical thinking will be unlikely.

Visual literacy

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Complex images surround us in the form of advertising, commentary, comedy and story-telling. If we are to understand the nuance and/or multiple meanings presented in visuals, we need to be able to interpret them. Jaffe & Hurwich (2019) explain that students needs to be able to “read’ an image before they can think critically about the message being imparted.

Although graphic novels and picture books do form part of our current library collection, more care needs to be taken when selecting these titles so that there are opportunities within them for unpacking meaning, discussion and critical thinking.

Multi-literacies

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This idea is multi-faceted. On one hand I want to bring more variety into the library and on the other hand I want students to have more opportunity to show their learning in a variety of ways (including those in the resource kit that I created).

In the discussions for module 5, I talked about the use of podcasts to engage students (Kempinger, 2022, January). This is an area that I will continue to explore to see what is available, of good quality, and listened to by students already, and how they can be best promoted.

References

Fisher, D. & Frey, N. (2018). Raising reading volume through access, choice, discussion and book talks. The Reading Teacher, 72(1).

Jaffe, M. & Hurwich, T. (2019). Worth a thousand words: using graphic novels to teach visual and verbal literacy. John Wiley & Sons, Inc.

Kempinger, N. (2022, January 9). Podcasts [Online discussion comment]. Interact 2. https://interact2.csu.edu.au/

Shelley, S. (2021, November 20). RE: 1.1b: Why read? [Online discussion comment]. Interact 2. https://interact2.csu.edu.au/

Status

A whole new world (Assessment 2 – Part 2)

Working out how to support my whole school community in the myriad ways that a good teacher librarian (TL) should is something that has worried me… until now.

This subject has shown me how to create re-usable learning objects so that it is possible to build and adapt a repository of school-based resources over time. This would include research guides, documents and templates that support the development of information literacy skills, and video tutorials (Kempinger, 2021a) that show how libraries can help.

Collaboration not isolation

A group of people working together.

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Until I reached out to a colleague to discuss ideas about an actual unit of study, I was directionless and confused. The ability to tailor a research guide to a specific purpose highlighted the need for content curation and not simply content collection. Choosing quality content, evaluating it before including it and providing annotations to explain why it has been included, means that the user can feel confident that it will be suitable (Oddone, 2020).

Couldn’t do it without technology

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Unfortunately, my school library does not have a robust online presence. This is something that needs to be prioritized if we want to work smarter and not harder. A library homepage that links to subject-specific research guides, researching templates, how-to instructions, and video tutorials creates consistency; something that teachers and students can trust. As South (2017) says, we want students to experiment without a fear of failure and the ideas outlined above can support this.

TLs are experts at evaluating resources for their suitability and know to consider a range of factors when selecting resources. The readability thread started by Gill (2021) is a great example of how online tools can be useful but teacher judgement needs to  be applied when choosing resources for students.

Online vs print

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Although there are a few useful references on the shelves in our library, we cannot compete with the variety that is available online(Kempinger, 2021b). But, can we simply send students online to find information?

While students are likely to be able to complete a google search, they are unlikely to be able to gauge the accuracy and reliability of the information they find. In order to support the development of information literacy skills, TLs need to ensure that they work with teachers to create useful and consistent processes that are embedded into the curriculum. These can then provide scaffolds for students within research guides; which is preferable to them finding their own unstructured methods (Gilbert, 2019).

The library website also needs to show best practice. It cannot be assumed that students understand how to effectively and respectfully use the broad range of tools that Web 2.0 has to offer. TLs can model “exemplary use of  social media, search engines, and collaborative research strategies” (O’Connell, 2011) when working with both students and staff.

Accessibility

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Finally, my eyes have been opened to WCAG (W3C, n.d.). It is one thing to be aware of accessibility and another to actively strive to understand and achieve it. By ensuring that learning objects produced by or in collaboration with the library are compliant, a conversation about the choices we make can be started. If we know how to make it easier for everyone to access learning, why wouldn’t we do it?

 

 

References

Gilbert, K. (2019, May 3). Libguides: In workflow, discovery, behaviour and space. Synergy, 14(2). https://slav.vic.edu.au/index.php/Synergy/article/view/v14220165

Gill, L. (2021). Online access. ETL 501 forum module 2: Print versus digital information sources. Response in Discussion Forums. CSU. https://interact2.csu.edu.au/webapps/discussionboard/do/forum?action=list_threads&course_id=_57506_1&nav=discussion_board_entry&conf_id=_114042_1&forum_id=_241167_1 

Kempinger, N. (2021a, September 19). Flip or flop? Passion for learning. https://thinkspace.csu.edu.au/kempinger/2021/09/19/flip-or-flop/ 

Kempinger, N. (2021b, August 1). Are reference sections going extinct? Passion for learning. https://thinkspace.csu.edu.au/kempinger/2021/08/01/are-reference-sections-going-extinct/

O’Connell, J. (2011). Web 1.0 to Web 3.0: A wolf in sheep’s clothing or a new culture of learning? Technology and teaching practice. https://teachwithict.wordpress.com/2011-symposium-the-communicative-affordances-of-online-tools/web-1-0-to-web-3-0-a-wolf-in-sheeps-clothing-or-a-new-culture-of-learning/

Oddone, K. (2020, April 3). Digital content curation: How to do it right! SCIS. https://scis.edublogs.org/2020/04/03/digital-content-curation-how-to-do-it-right/?sbe-followsubs=true

South, S. (2017). School libraries as incubators – where good ideas hatch!​ Scan, 36(1). https://education.nsw.gov.au/teaching-and-learning/professional-learning/scan/past-issues/vol-36–2017/school-libraries-as-incubators-where-good-ideas-hatch-

W3C. (2019, July 11). Introduction to web accessibility. Web Accessibility Initiative. https://www.w3.org/WAI/fundamentals/accessibility-intro/

The bright future of children’s literature

What do we want? Young people who are passionate and independent readers!

When do we want it? Always and forever!

How can we achieve it?

STUDENT VOICE

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A conversation must exist between the students and those who are providing books (in this case I’m referring to the school library). Opportunities to try not only a range of genres but a range of formats allows students to develop preferences. When this is coupled with an honest and open dialogue about the different formats, libraries can make informed choices about what students will access and respond to positively.

DIVERSITY

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Although there continues to be a lack of diversity in children’s books, there is an increasing push for books that represent a wider range of cultures and experiences (Short, 2018). Students are unlikely to engage with books if their every experience centres on characters that do not represent their own selves.

Libraries (and educators) need to ensure that they provide contemporary titles that represent a wide range of cultures, gender identities, and abilities. This will allow all students to find a book that they can connect with and will also expose students to a world that they are perhaps not familiar with to develop empathy and inclusion.

CRITICAL THINKING THROUGH DISCUSSION

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As is highlighted in Wolf (2014), the discussion around the interpretation of texts needs to evolve to ensure that young people are developing the skills needed to unpack the added layers of visual and auditory elements to a narrative in order to fully and critically consider the author’s/illustrator’s purpose. To be able to do this, educators need to have experience with a range of text formats so that they are able to support the development of metalanguage and direct discussion to the ways in which these elements add to or alter the written word.

Young people are immersed in a visual culture with an emphasis on immediacy so the need for the ability to critically interpret and evaluate the information coming at them is vital (Duncam, 2002).

VISUAL LITERACY

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Firstly, educators and librarians need to have experience reading, interpreting and discussing a range of illustrated books, graphic novels, visual narratives, and multimodal reading experiences. Through this, they will be able to develop their own knowledge of what these different styles of story-telling bring to a tale and then work with students to help them to also understand the ways that visuals can affect a narrative.

THE RESPONSIBILITY OF EDUCATORS

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I often come across educators who bemoan the way that students always seem to be one step ahead in terms of technological advancement and use this as an excuse to maintain a status quo in their practice. This is simply not good enough. It is the responsibility of educators to ensure that they are aware of the ways that students are interacting with their world so that they can support the development of skills that will allow them to successfully navigate and use these the tools available to them.

References:

Duncam, P. (2002). Visual culture art education. International Journal of Art and Design Education, 21, 15-23.

Short, K.G. (2018). What’s trending in children’s literature and why it matters. Language Arts, 95(5), 287-298.

Wolf, S.A. (2014). Children’s literature on the digital move. The Reading Teacher, 67(6), 413-417.