Literary Learning is for Everyone

Literary Learning is for Everyone

At the commencement of my studies in ETL402, I had little experience or knowledge relating to the use of children’s literature to support the curriculum. As an experienced teacher across a range of subject areas in secondary schools (but not English) it had not occurred to me that the subjects I taught could be supported by literary learning as it had not been presented to me, either by other staff or students or during professional development activities.

Initially, I held the narrow view that literary fiction is used to address the English curriculum in schools but is otherwise enjoyed as a hobby. In a blog post on March 8, in relation to graphic novels and wordless picture books, I made the comment that “it is uplifting to think that we can advance beyond our notions of what we have always thought something to be, and challenge these ideas for the benefit of future generations.”  The concept of this statement can also be applied to my views on the integration of literary fiction. Cornett (2014) describes the value of including literary arts across the curriculum, emphasising that literature encourages a reader to make personal meaning of themes, helps students build empathy and respect, and helps students deepen their understandings and engage in creative inquiry.

It is difficult to engage in a curriculum-based unit and not apply the content to the curriculum areas that you have the most experience in. However, it is important to be receptive to new knowledge and research. The completion of the assignments and course content of this subject has opened my eyes to the value of using literary fiction to teach and facilitate learning. On a basic level, literature presents a conflict that requires a solution, and this drives the plot. This allows students to imagine possibilities, connect ideas and draw conclusions (Cornett, 2014). What I have learnt is that this type of creative inquiry need not be exclusive to an English classroom and can provide incredibly rich learning experiences across a diverse range of subject areas. In fact, I even learnt about bibliotherapy, the use of books and stories to support social and emotional needs (Heath, Smith & Young, 2017) and had never come across this in 8 years of teaching mental illness. On April 13, I wrote a blog post and made the comment that “as TL’s, it is our professional responsibility to encourage students…to engage in and enjoy reading.” I would like to suggest that it is the professional responsibility of all teachers to encourage and engage students in reading.

Embarking on a new career as a TL is as daunting as it is exciting and provides an opportunity for me to reconsider my educational philosophy. This subject has opened my eyes to the potential of children’s literature to address the curriculum in a way that is genuinely engaging and exciting. In a post on March 8, I stated that “my vision…allows engagement of all children in quality literature existing in a diverse range of genres, forms and formats and accessed through both print and digital publishing.” Whilst this still holds true, I would like to add that the value of literature lies in its ability to provoke personal connection, and a true sense of understanding of ourselves and society.

 

References

Cornett, C. E. (2014). Integrating the literary arts throughout the curriculum. In Creating meaning through literature and the arts: Arts integration for classroom teachers (5th ed., pp. 144-193). Prentice Hall.

Heath, M. A., Smith, K., & Young, E. L. (2017). Using children’s literature to strengthen social and emotional learning. School Psychology International, 38(5), 541-561. https://doi.org/10.1177/0143034317710070

Literate Practices

Literate Practices

Teachers in Australian schools are incredibly time poor. As time goes on, it seems that the multifaceted role of the classroom teacher continues to evolve in a way that compounds this issue, rather than relieving some of the pressure. As the information world changes rapidly, so too does the range and access of literacies available in an educational context. It is an important role of the Teacher Librarian (TL) to collaborate with teaching staff and provide support, promotion and access to literate practices so that students can be proficient flexible communicators and information analysts. However, providing such support must be done in a way that is mindful of already time poor teachers.

 

In this context, the use of LibGuides are a practical solution in supporting, promoting and providing access to both traditional and digital formats of children’s literature for classroom teachers. LibGuides allow teachers excellent access to multimodal literature that supports their curriculum content and promotes students literary experiences in their classrooms. They are easily updated as new resources become available, and can be made collaboratively with teachers. Furthermore, LibGuides support multimodal representation of text that have been made available through multimedia and technological change.
Would we build them?

Would we build them?

Parkes (2010) poses the question: “If libraries didn’t exist, would we build them today?”
Libraries of the past were the beacons of knowledge, the keepers and preservers of the books. In current times, information and knowledge are easily and freely accessible most of the time, largely thanks to the dawn of the technological age. Physical resources still exist. They are still highly relevant and have a place in society just as digital resources do.
But libraries provide something that no online environment can (at the moment). A human, face-to-face interaction that can lead the horse to water, and allow the patron a physical experience with a book (or other physical resource). Whilst online environments can still provide a vast range of high-quality and engaging resources, they cannot replace the personal relationship or interaction that you can have with a librarian, nor can they offer the physical experience of turning a paper page and the feel of a book. Perhaps I’m nostalgic or a bit of a romantic, but this experience contributes to my love of books and reading.
It is based on this that I think libraries would still be built today. Perhaps smaller, perhaps differently, perhaps to include more technological advancement – but still, they would be built.

Now, that statement is a hypothetical situation that doesn’t exist because we do have libraries. They were built, and they still are built. The ways in which we arrange the libraries to encourage active participation in reading behaviours are being studied. In particular, the organisation of the fiction collection has been scrutinised. Where once these collections have simply been organised according to the Dewey Decimal Classification (DDC), a quantitative system in which the fiction section is the least specifically organised, now libraries are seeking to depart from the DDC system and move towards classifying this section by genre to make books that may be of interest to the user easier to find. Whilst genrefication can be challenging to roll out, especially given how many genres there are, reclassifying the library’s fiction collection by genre gives students more ownership of the fiction collection and allows them to find materials that genuinely interest them (Moeller & Becnel, 2019).

As TL’s, it is our professional responsibility to encourage students and the whole school community to engage in and enjoy reading. Let’s make it easier, not harder, for our young people to get excited about reading and empower them to choose their fiction based on what they’re interests are.

References

Moeller, R. A. & Becnel, Kim E.  (2019). Why on earth would we not genrefy the books? A study of reader interest classification in school libraries. Knowledge organization, 46(3), 199-208.

Parkes, D. (2010). Web 2.0 and libraries: Impacts, technologies and trends.

Personal Stock Take

Personal Stock Take

Having not worked in a library (ever) and having not taught English (ever), I am here to openly admit that my knowledge of children’s literature is quite limited. Having a book obsessed three year old, I would say that my children’s literature knowledge and strengths currently lie in the early childhood realms. We have a cupboard in our house that we lovingly refer to as “the library”, and it is constantly growing and evolving. I love finding new stories for my older son to love, and I’m working hard on my 1.5 year old who now brings me books and says “read” and then promptly runs away unless it has buttons to push. One of my absolute hands down favourite stories to read with him at the moment is an oldie but a goodie – “The Snail and the Whale” by Julia Donaldson. I love the poetry and the exquisite imagery and illustrations. I love that the snail saves the whale with words. There’s so much to unpack! I just love it. My three year old and I have had some great chats about travel and adventure, feeling small in the big wide world, how even the smallest of creatures can make a huge difference, how sharks are scary :), we’ve spoken of the environment, and having courage. It’s so fantastic and there’s a gorgeous mini film of it on ABC Kids that he loves to watch too.

Personally, I absolutely love reading for pleasure too but I tend to read mainly contemporary adult fiction, otherwise I just read the Harry Potter series (again). I am really looking forward to reading some YA fiction again as I probably haven’t read heaps of it since finishing school myself and it is obviously a very important part of the role of the TL so will assist me immensely in my future career.

In order to increase my professional knowledge, I can subscribe to the blogs that Liz has recommended (including her own), I can ask lots of questions on the discussion forums and draw upon the expertise of others enrolled in the subject, I can ask other TL’s that I know how they upskill, I can use the websites recommended such as CBCA, OZTLNet, NCACL, Read+ etc., and I can read read read read read!

The Future of Children’s Literature

The Future of Children’s Literature

Like many complex issues in society, the commentary around children’s literature in the wake of the digital age has evoked polarised views of what combination of format, genre and form will provoke the best outcomes for children. Children’s literature is one form of information, and advancement in technology is directly impacting the information landscape and indeed changing it at an alarming rate (Floridi, 2007). Hateley (2013) reminds us that change is constant and the concept of changes in reading behaviour, in terms of what is being read and how it is being accessed, has actually been a hallmark of children’s literature historically. It is true that the future of literature for children is likely changing – but so it always has. Isn’t it exciting to imagine and consider the ways in which new technologies might promote and engage readers who, in an alternate universe, may never have engaged in literature?

Whilst access to literature in many different forms has become more diverse in recent times, Harvey (2015) highlights that children still gravitate towards print as well as digital formats. The two can and do exist together successfully, and I hope and believe that this is the future for children’s literature. Whilst print literature allows the user to have the tactile experience of a book, of turning a page and physically holding a story in your hands and your mind, the digital experience allows greater interactivity and easier and more efficient access.

Of the many changes in the way in which society communicates and engages in information, Short (2018) highlights the influence of visual culture on children’s books. Visual culture is explained as an interaction with the world whereby imagery, rather than text, are central in how meaning is created (Short, 2018). This change is evidenced in a trend towards graphic novels and wordless books in young adult literature. This is quite challenging for me, as I have always imagined the words relating to “literature” to include written work. However, it is uplifting to think that we can advance beyond our notions of what we have always thought something to be, and challenge these ideas for the benefit of future generations. I think it’s fantastic that creators of literature are able to acknowledge these cultures as they emerge, and to produce beautiful and engaging works for young people. I love the idea that as a teacher, I can learn how to engage with young people in this context, to encourage them to think critically and to allow the creativity of interpretation.

The original prompt to this blog post asked me firstly to consider my vision for the future of children’s literature, and subsequently to discuss who will be the drivers of change. My vision for the future of children’s literature allows engagement of all children in quality literature existing in a diverse range of genres, forms and formats and accessed through both print and digital publishing. I hope that this literature is such that it makes a difference in the lives of children, and allows them to grow and flourish as people both locally and globally. Short (2018) challenges us to see ourselves as consumers, as well as educators, and to challenge the market-driven decisions that have recently resulted in a lack of cultural diversity in children’s book publishing. Whilst it is up to educators to realise themselves as consumers, it is up to society as a whole to push for these types of changers. We are all stakeholders in the outcomes of these trends on some level – so perhaps it is up to us as educators to not only challenge ourselves, but challenge our communities to champion these kinds of changes in the market.

References

Floridi, L. (2007). A look into the future impact of ICT on our lives. The Information Society, 23(1), 59-64. https://doi-org.ezproxy.csu.edu.au/10.1080/01972240601059094

Harvey, E. (2015, December 8). Five trends affecting children’s literature. Book Business.

Hateley, E. (2013). Reading: From turning the page to touching the screen. In Wu, Y., Mallan, K. & McGillis, R. (Eds.) (Re)imagining the world: Children’s literature response to the changing times (pp. 1-13). New Frontiers of Educational Research.

Short, K. (2018). What’s trending in children’s literature and why it matters. Language Arts, 95(5), 287-298.