Tag Archives: eBook

Khan Academy Kids: ‘Just a new way of doing stuff’ or a neatly packaged curriculum?

Khan Academy Kids is a free educational application (app) for children aged two to eight (Khan Academy Kids, 2021). The app develops its own curriculum and content with the aim to encourage children to become lifelong learners. Rather than focus on a single skill, Khan Academy Kids “contains a breadth of learning material” (Khan Academy Kids, 2021, para. 3) across various disciplines. As a teacher of English language learners (ELL), I am constantly asked by parents for apps that support their child’s language development. As such, this review will focus on the library section of the app and will specifically look at ‘Books about feelings’.

Interactivity: ⭐️⭐️⭐️⭐️⭐️

When opening the app for the first time, a parent is required to sign in and verify their email address. The child can then create an avatar. With an avatar created, the app introduces you to the characters: Kody the bear, Sandy the fox, Ollo the elephant, Peck the bird, and Reya the red panda.

Khan Characters
(Bell, 2021)

The home screen layout is simple and clutter-free. The user’s name and avatar appear in the top right-hand corner; in the bottom right-hand corner is the music button, by clicking on this the looped background music is muted. The characters appear across the bottom of the screen and are hot spots (interactive on-screen elements); by clicking them, you are taken to a new screen to play (interact with objects) in their room. The centre of the screen contains a house with a large play button. The library is housed in the top left-hand corner.

Khan home
(Bell, 2021)

Within the library, there are various formats: books, videos and create; and disciplines: letters, reading, math and logic+.

Khan library
(Bell, 2021)

Readability: ⭐️⭐️⭐️⭐️⭐️

For this review, I will focus on the book titled When I’m sad by Cynthia Platt. After selecting a book, its cover appears on the screen, alongside the title and author which is read to the user. There are only two buttons on the screen, ‘Read to me’ and ‘Read by myself’.

Khan cover
(Bell, 2021)

When selecting ‘Read to me’, each page is read to the user from start to finish. The words change colour, to purple and back as they are read, supporting print awareness (Yokota & Teale, 2014, p. 583). Whilst the page is being read, you are unable to turn to the next page. The user is provided a short time to turn each page by swiping or clicking on the next arrow, however, if the page is not turned by the user, it is turned automatically.

When selecting ‘Read by myself’, the user can read the book at their own pace. A play button in the centre bottom of the screen provides the opportunity to enable the ‘Read to me’ selection. Once each page is read, the user is required to swipe or click to the next page; if the user wishes to continue to have the book be read to them, they must select the play button at the bottom of each page or swipe or click back to the cover and select the ‘Read to me’ option.

At all points throughout the book, clicking on the text causes it to be read. At any point, the user can swipe or click back to reread a previous page.

Hot spots and interactive games: ⭐️⭐️⭐️⭐️

Throughout the book, there are several hot spots and one interactive game. The first hot spot appears whilst the characters are reading. Reya and Ollo are holding a moveable book that contains a hot spot; clicking on it causes a recording to play, “Once upon a time”. This hot spot whilst relevant does not add to the story.

Khan Hot Spot
(Bell, 2021)

The next page reveals an interactive game of tic-tac-toe which appears on a page in which the characters are playing a game themselves. This game is relevant to the story and allows the user to gain an understanding of the game tic-tac-toe. An astute child would also notice either move from Reya or Ollo would win the game respectively.

Khan Interactive Game
(Bell, 2021)

On the next page, Reya asks Ollo if he would like to dance, on-screen the characters dance, the user can move the dancing characters, doing so elicits a giggle from them.

Khan Hot Spot
(Bell, 2021)

The final hot spot occurs on the last page where the characters discuss that they are ready to paint. Both Ollo and Reya are movable hot spots; clicking on their easel makes their painting appear.

Khan Hot Spot
(Bell, 2021)

There are few hot spots and only one interactive game within the book When I’m Sad. Overall, they do not add much to the story, however, nor are they distracting, attention-demanding elements that pulse or flash drawing the user’s attention away from the text (Combes, 2016); as such, the story and its interactive features maintain integrity to the narrative (Yokota & Teale, 2014, p. 581). Therefore, I believe children will enjoy the interactivity, without dominating the experience, that these hot spots bring to the text.

Functionality and Longevity: ⭐️⭐️⭐️⭐️⭐️

The Khan Academy Kids app is intuitive and very simple. It is easy for children to use to learn to read and its hot spots do not contain distracting or inappropriate elements, advertisements or content. Common Sense Media rated the app five stars with a note of its high educational value and ease of play (VanderBorght, 2021).

Limitations: 😟

Unfortunately, Khan Academy Kids does not incorporate a dictionary that would support vocabulary development (Yokota & Teale, 2014, p. 583); however, the addition of a dictionary would draw away from the simplicity of the app.

Khan Academy Kids is more than just a ‘new way of doing stuff’; it provides children with a well-rounded curriculum neatly packaged in a user-friendly interface. As such, I know what app I will be recommending to parents.

References:

Combes, B. (2016). Digital literacy: A new flavour of literacy or something different? Synergy (Carlton, Vic.), 14(1).

Khan Academy Kids. (2020). Welcome to Khan Academy Kids. https://khankids.zendesk.com/hc/en-us/articles/360004559231-Welcome-to-Khan-Academy-Kids

VanderBorght, M. (2021). Khan Academy Kids. Common Sense Media. https://www.commonsensemedia.org/app-reviews/khan-academy-kids

Yokota, J., & Teale, W. H. (2014). Picture books and the digital age: Educators making informed choices. The Reading teacher, 67(8), 577-585. https://doi.org/10.1002/trtr.1262

Lightbox: An interactive eBook or a waste of time?

Lightbox is an educational platform that publishes digitally enhanced eBooks linked to the US Common Core Curriculum. Lightbox, provided by Follett Destiny, boast their series of eBooks support distance education with blended learning and help build students’ background knowledge and vocabulary (Follett Titlewave, n.d.). Students in schools in Saudi Arabia have been learning online since March 2020, this change was forced and unexpected. As such, educational resources have been given the spotlight; if educational resources can entwine with technology for the benefit of all students, it will ensure their use in future years (Rowan, 2012, p. 217). As a teacher-librarian and English teacher in a Follett Destiny school, I am interested to see if Lightbox eBooks can help set education on the right path.

Functionality & Interactivity: ⭐️⭐️

This review will focus on the Lightbox title How Water Shapes the Earth. When opening the book from Destiny Discover, you are greeted with the front cover of the eBook, containing a looped video of water flowing through a canyon. Across the top in the centre is the title. It is difficult to read as the text colour is similar to the background. At the centre bottom of the page are the buttons ‘Open Lightbox’ and ‘Share’.
(Bell, 2021)

When clicking ‘Open Lightbox’, you are taken to a visual contents page containing thumbnail pictures of each of the pages and the ‘features’ and ‘educational resources’ in a bar along the bottom.

Lightbox Contents Page
(Bell, 2021)

By hovering your mouse over the individual ‘features’ the screen is darkened, highlighting pages that contain the selected feature.

Lightbox Contents page - Highlighted
(Bell, 2021)

Ease of Reading: ⭐️

The first page of the story is very text-heavy, with small text dominating half the page. Several keywords are underlined and bold; clicking on these words provides the user with a simple but useful definition. Clicking on the arrow on the right-hand side of the screen takes you to the next page. A highly distracting ‘play’ button pulsates from the left-hand side of the screen which prevents the reader from focussing on the text (Combes, 2016).


(Bell, 2021)

Limitations: 😟😟😟😟

The play button takes you to an embedded YouTube video. The video automatically starts after clicking the ‘play’ button, however, if the ‘pause’ button is not selected prior to exiting the video, the audio continues to play in the background. After a quick YouTube search, it was discovered that this video was not content created specifically for the book, rather it is embedded from GeoScience Videos’ YouTube channel, seemingly without attribution. Furthermore, the embedded video is downloadable, which seems to be in breach of YouTube’s Terms of Service.

Throughout the book, clicking on the ‘audio’ button has no effect. The text is not read, nor is it highlighted to support print awareness (Yokota & Teale, 2014, p. 583).

On a further page, there is an ‘activity’ button that forwards you to a downloadable and printable PDF on writing an expository essay.

Later in the book there is a ‘website’ button that forwards you to a website by Ducksters that provides an entire page of facts.

Educational Merit: ⭐️⭐️

Throughout the book, ‘key facts’ are highlighted in circles at the bottom of the page, and while relevant to the text, they demand the reader’s attention, thus drawing away from the reader from the text (Combes, 2016).

As an educator, I keep coming back to the highlighted and distracting elements, including flashing buttons and highlighted ‘facts’. What is the purpose of providing highlighted ‘key facts’? As a reader, it is what my eyes jumped to upon arrival on the page, yet when trying to remember the facts, I couldn’t.

(Bell, 2021)

Lightbox has the opportunity to develop some truly exceptional educational resources. The curriculum links and links to further reading, videos and activities is poorly sequenced and does little to enhance the reader’s experience. How Water Shapes the Earth, if not Lightbox overall, does very little to include students in what Rowan describes as authentic active learning (2012, p. 219). By providing little opportunity for students to interact with and participate in their learning, they are left to become “passive consumers of a predefined set of ‘curriculum truths’” (Rowan, 2012, p. 219). This active participation could be in the form of links to community websites that support students sharing their learning in a safe space. However, education remains the responsibility of teachers, and how this text is used may influence its value. How would you use this text to support active participation rather than passive consumption?

References:

Combes, Barbara. (2016). Digital Literacy : A New Flavour of Literacy or Something Different? Synergy (Carlton, Vic.), 14(1).

Follett Titlewave. (n.d.). Lightbox, https://www.titlewave.com/main/lightbox

Rowan, L. (2012). Imagining futures (Ch. 13). In L. Rowan, & C. Bigum (Ed.), Transformative approaches to new technologies and student diversity in futures oriented classrooms: Future proofing education (pp. 217-225). Springer Science +Business Media B.V.

Wiseman, B., (2019). How water shapes the earth. Smart Media Inc. https://openlightbox.com/lightbox/?bookCode=1030&customerID=8508818