Picture Librarian Reflections

Professional Development reflections INF505

Watch a video – Diversity

Activity Description

To explore the issue of diversity and its relationship to Library Services for children and young people I watched the TedX talk The Windows and Mirrors of Your Child’s Bookshelf (2016) featuring Grace Lin, a children’s book author/illustrator whose book, “Where the Mountain Meets the Moon,” received the 2010 Newbery Honor Award. Lin discusses her experiences as growing up as one of the few Asian people in her community.

What did you learn?

Lin speaks about the types of books she read when she was a child and how they largely featured non-Asian characters. The only books with Asian characters available to her featured caricatures and invoked a feeling of shame in her. She also enjoyed writing, but stories she wrote as a child also featured non- Asian heroines.

After realising she knew very little about her heritage, she began to write the books she wished she had when she was a child. She realised that children need books to be windows, not just mirrors, so that they can see things from other viewpoints.

She challenges the audience. Look at your child’s bookshelf are all books mirrors (about their world experience) or are they windows (about other world experiences)? You need both, Lin states, as a path for the development of empathy.

Her view is supported by Bishop who sees literature telling children who and what their society values, what kind of behaviours are acceptable and appropriate, and what it means to be a decent human being. If children cannot find themselves and people like them in the books around them, the message they receive is that their society does not value them (1990, p. 561).

How was the activity relevant to your professional practice?

Whilst Lin was talking about representations of culturally and linguistically diverse (CALD) communities diversity in children’s books, and their importance in building a strong sense of self as well as empathy and understanding of others, I also found myself reflecting about how this would extend to other types of diverse books, those that are by and show LGBTQIA+ people, people with disabilities or Indigenous people. My feeling is that the principles of the windows and mirrors remains largely the same, as the concept of a book acting as a mirror implies that readers a part of themselves and their lives reflected back to them. When readers are able to find themselves in a story, they are validated; their experiences are not so strange as to never be spoken, understood or experienced by others (Tschida et al., 2014, p. 29).

I do often reflect of the types of people show in the imagery I maintain for my workplace, a tourism marketing organisation. I take care to include images that show racially diverse, who are LGBTQIA+ and people with disabilities as both tourists and tourism operators. Where I am able to influence the makeup of people involved in our photoshoots I do.


Knowledge gaps?

My first thought when considering the importance of diverse books in children’s library collections was – how do school / public libraries actually do this? Community analysis, collection review and community engagement are ideas that immediately leapt to my mind. I found an interesting pilot project mentioned in (Adam et al., 2020) run by the State Library of Western Australia that helps create books with families about their everyday experiences, representing the families’ culture and language. Projects like these could also address the issue of lack of access to literature written about particular cultural communities or in particular languages.

I would like to deepen my understanding about innovative ways libraries address diversity in their collections, which I would do by reviewing collection development policies, keeping up with the international literature on the topic, and looking for newly published books with diverse themes.

And finally I am going to look at the windows and mirrors on my own bookshelf.

References

Adam, H. J., Barratt-Pugh, C., Jackson- Barratt, L., & Somerville, R. S. (2020, July 9). Children’s books must be diverse, or kids will grow up believing white is superior. The Conversation. https://theconversation.com/childrens-books-must-be-diverse-or-kids-will-grow-up-believing-white-is-superior-140736

Bishop, R. (1990). Walk tall in the world: African American literature for today’s children. The Journal of Negro Education, 59(4), 556-565. https//doi.org/10.2307/2295312

TEDx Talks (2016, March 19) Windows and mirrors of your child’s bookshelf: Grace Lin – TEDxNatick [Video]. Youtube. https://youtu.be/_wQ8wiV3FVo

Tschida, C. M., Ryan, C. L., Ticknor, A. S., (2014). Building on windows and mirrors: encouraging the disruption of “single stories” through children’s literature. Journal of Children’s Literature, 40(1) 28-39.

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Write a Book Review – Young People’s Book Awards

Activity Description

I read and then I wrote a short review of the 2015 Winner of The Children’s Book Council of Australia (CBCA) – Picture Book of the Year award My Two Blankets written by Irena Kobald and illustrated by Freya Blackwood and published it on Goodreads.

I focussed on reading the story aloud to better understand the experience of the story by younger readers.

Open story book 'My two blankets' with dog in background

Flicka the Greyhound being read ‘My Two Blankets’

What did you learn?

In my review I found it hard to describe the story without giving away key plot points (Plaja, n.d.) and had to rewrite this section many times.

As I highlighted in my review this type of book, although aimed at younger readers, would benefit from adult intervention around the story’s ideas and theme, and would prompt deeper understanding of the concepts of the discomfort of new experiences, language learning and the impacts of conflicts on children. One of the most supportive thing adults can do to help young readers, even more than selecting high-quality books, is to have meaningful conversations with them during story reading (Strouse et al., 2018, p. 12).

How was the activity relevant to your professional practice?

As a librarian who primarily works with imagery, I am keenly aware of the impact of imagery to convey messages or ideas. Freya Blackwood’s illustrations are deceptively simple in their conveyance of the ideas of the old, familiar and comforting, and the new, unfamiliar and frightening. The use of the two-colour palette and the colours coming together in the illustrations and the associated text on the final pages clearly shows Cartwheel’s growing level of comfort in her new country whilst still retaining her own identity.


Knowledge gaps?

I realised I had very little knowledge about how a book is selected as a CBCA winner. The CBCA has an extensive website and presence on social media platform which provides more information about the awards (Children’s Book Council of Australia, n.d.). My home state of Tasmania also has a state organisation which provide information about events at the state-based level as well as a blog (Children’s Book Council of Australia – Tasmanian Branch, n.d.). I also had not noticed the prominence of award labels on children’s books and how this impact’s their marketing once they are published. Almost every description I found of this story online referenced the CBCA and Kate Greenway Medal, I also struggled find any online criticism of the book.
I also found myself reflecting on the generalised nature of the story. The non-identified original and new countries, the ambiguous nature of Cartwheel’s name (not tied to anyone language and/or culture) and the non-specific naming of other characters (Auntie and the girl in the park) might be stereotyping Cartwheel as only a refugee from Africa that struggles to speak English rather than an unique individual from a particular country and culture (Atkins, 2013, para. 28). There some is tension here around how cultures are represented by authors not from them. I am also interested in whether this book would be seen as an award-winning representation of diversity in 2021 and beyond? I am interested in seeing future winners in this CBCA category, and whether their authors and illustrations come from diverse cultural backgrounds.

My Two BlanketsMy Two Blankets by Irena Kobald
My rating: 5 of 5 stars

My Two Blankets is written by Irena Kobald and illustrated by Freya Blackwood and was the 2015 Winner of The Children’s Book Council of Australia (CBCA) – Picture Book of the Year award. Freya Blackwood is a previous CBCA winner and is also the winner of the 2010 Kate Greenway medal – the UK’s most prestigious award for children’s illustration

My Two Blankets tells the story of Cartwheel, a young girl who moves from an unidentified country (most likely in Africa by the illustrations) to a new country ‘to be safe’. She finds her new country strange and everything unfamiliar. She especially finds the language of her new country unfamiliar, and she does not feel like herself and so retreats to the ‘old blanket’ of her first language where she feels safe. Through the course of the story she makes new connections in her new country and creates a new blanket through her learning of a new language. Over time no matter what blanket Cartwheel uses she feels comfortable and like herself.

The safety of her first home and language is represented in illustrations in warm tones of reds and oranges and the new unfamiliar country and language are represented by cool tones of blues and greens.

The text of My Two Blankets is written simply and is aimed at 3-6 year olds. Adults would be able to assist in understanding the theme of the book and help children relate Cartwheel’s experiences to their own lives. Although it is implied that Cartwheel has come from a country experiencing war and may have lost parents the descriptions are sensitive and appropriate to the age group. The use of a blanket as the metaphor for language and safety is a concept that would be easily understood by readers.

Overall My Two Blankets is a beautiful, gently told story whose illustrations really raise it to a higher level. Highly recommended.

View all my reviews


References

Atkins, L. (2013). What’s the story? Issues of diversity and children’s publishing in the U.K. E-rea. 11(1). https://doi.org/10.4000/erea.3537

Children’s Book Council of Australia. (n.d.). About the CBCA Book of the Year awards. https://cbca.org.au/about-the-awards

Children’s Book Council of Australia – Tasmanian Branch. (n.d.). About us. https://www.cbcatas.org/about-us/

Plaja, L. (n.d.). How to write a book review. BookTrust. https://www.booktrust.org.uk/books-and-reading/tips-and-advice/writing-tips/writing-tips-for-teens/how-to-write-a-book-review/

Strouse, G., Nyhout, A. & Ganea, P., (2018). The role of book features in young children’s transfer of information from picture books to real-world contexts. Frontiers in Psychology. 9(50), 1-12.
https://doi.org/10.3389/fpsyg.2018.00050

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