Curation not Hoarding

Ask a teenage student to show you their desktop, or for that matter, ask a teacher. Without doubt in most cases you will see an assortment of files, links and short cuts dumped on their home screens. Welcome to the age of digital hoarding. The art of curation is a necessity for everybody in a digital learning environment and teacher librarians are best placed to instructional lead their institutions in best practice (Valenza, 2012).

Content curation has always happened at schools, but the digital information overload and the rate it is happening at is leaving some washed in its wake. We are both consuming and producing information at a phenomenal rate, and no more so than in an educational setting, where emails and communications fly.  Think of the information we collect – emails, documents, music, videos, photos. How can students cope with this influx unless we teach them the valuable skills of curation? Curation is the art of not only collecting but organising and adding value to those resources (Wheeler & Gerver, 2015).

When I picture well curated resources, strangely I think of Marie Kondo and her method of decluttering spaces called KonMari (Kondo, 2015). The KonMari method gets its’ followers to work out what you want to keep first – Does it bring you joy?  The second step is to organise by grouping. Finally, it is the storing and labelling.

Curation takes a very similar path. Before we can teach both students and teachers how to curate, we need to teach them how to declutter and decide what is worth keeping or curating.  A good curator will also ask key questions – do I need it? And is it worth it? Only the individual curator can answer the first question, need is very subjective.  The second question of ‘worth’ is one of evaluating validity. The CRAP method is a popular choice for students’ evaluation of sources, possibly due to its crass mnemonic.

C – currency

R – reliability

A – Authority

P – Point of view or purpose.

(Charles Sturt University Library, 2019)

Once a resource has been deemed worthy of collection it is time to organise it.  Where will you store it? Is it worth sharing? How will you label it – so you can find it easily when needed or so it has relevance to those you share it with? This is where folders, playlists, and tagging come into their own.  By labelling resources with key terms that will group it with other similar resources we improve our workflow.  Today’s digital affordance allows us to group, sort and store in multiple places for multiple uses, maximising our curated resource exposure. Through adding tags and grouping items we are adding value to the resource, ensuring its usefulness.

There are two types of curation:

  1. Personal Curation – finding, organising and labelling resources for your personal use. Some examples are:
    • Storing of personal files
    • Cataloguing of emails
    • Using bookmarks on web browser with folders
    • Signing into Youtube and creating private playlists or channels
    • Spotify/Music Online – creating playlists.
    • Images into albums on your devices.
  2. Collective Curation – The ability to curate resources together and comment on others’ curations. Some examples are:
    • Website Curation tools like Diigo, Pinterest, Pearltrees, Elib…
    • Openly sharing resources through networks and social media.

Collective curation builds collaboration and enhances communication.  Teaching students the ability to curate, and then engaging them in projects which utilise collective curation has the potential to deepen learning and create higher order thinking (Gonzalez, April 15, 2017). Mobile Digital Curation allows for learning to happen anywhere, anytime and breaks the walls of the classroom. Mobile devices have opened our ability to find, select, organise, create and share resources.

Students need the digital literacy skills that will enable them to do this well, and in the process curate themselves a positive digital footprint.

 

Charles Sturt University Library (Producer). (2016). How to evaluate information. [Online Video] Retrieved from https://youtu.be/hp5xasNuHL8

Gonzalez, J. (April 15, 2017). To boost higher-order thinking.  Retrieved from https://www.cultofpedagogy.com/curation/

Kondo, M. (2015). The life-changing magic of tidying. London: Ebury Publishing.

Valenza, J. (2012). Curation! (Vol. 29).

Wheeler, S., & Gerver, R. (2015). Learning with ‘e’s : Educational theory and practice in the digital age. In. Retrieved from http://ebookcentral.proquest.com/lib/csuau/detail.action?docID=1918927

 

 

Curating with Libguides

Libguides is a curating platform created by Springshare and used by libraries across the world to share content, curate websites, information and resources with their users.  The possibilities are endless with how you can use this platform and only limited, really, by your imagination.  Scotch College in Perth, Western Australia offers a fantastic example of the possibilities that Libguides offer their users.

When you first go to the Libguide you are greeted with a choice of libraries: Junior; Middle; or Senior.  Working in a senior library myself, I was interested in how they use Libguides for their Senior Library.  What I found was an extremely easy to navigate visual presentation of resources available for the lucky students of Scotch College.  The Libguide offers a central portal to all material that the library has collated. Including: Best Books for Teens, eBooks/audio, Library Catalogue (Oliver), Staff Reading, Research Guides, Databases, Referencing. Databases are password protected, which is to be expected for licensing laws.  Through this guide, there are many links to videos, websites and other curating tools such as Goodreads.  The library management system used by the school, Oliver, is seamlessly integrated into the pages.

Viewing this Libguide has set off a myriad of ideas for how we can better use our own Libguide pages.  Thank you Scotch college for allowing the public to access to your libguide.

Scotch College’s Libguides https://library.scotch.wa.edu.au/researchguides

 

References

Scotch College. (2016). library.SCOTCH. Retrieved from https://library.scotch.wa.edu.au/

Springshare. (2017). LibGuides – Content management and curation platform for libraries. Retrieved from https://www.springshare.com/libguides/

 

Must Read Article – Apps and eResources

 

I have just finished reading an amazing article on collecting and cataloguing electronic resources written by Kay Cantwell  (2013) Living appily ever after in the library, and my head is buzzing.

This practical article sets out succinctly how to identify, curate, collect, promote and evaluate apps for your school library.  The evaluation checklist compiled by Kay is a fantastic resource to have on hand for teachers to use before requesting the purchase or use of an app.  Throughout the article there are links to google forms for the purpose of requesting purchase and evaluating apps purchased.  The school I am currently working in uses a similar Microsoft product called Forms.  Reading this article has reminded me of the ease at which we as librarians can get feedback and requests from our students and teachers.  Utilising a library Pinterest page to promote recommended electronic resources is a brilliant yet simple idea.

Cantwell, K. (2013). Living appily ever after in the libraryConnections, 86, 6-7. Retrieved from http://www2.curriculum.edu.au/scis/connections/issue_86_2013/articles/living_appily_ever_after_in_the_library.html