August 31

Interactive Digital Literature Review

INF533 Literature in Digital Environments

Assignment 2 – Part A

‘The Incredible Tales of Weirdwood Manor’ Interactive Digital Literature Review

The Incredible Tales of Weirdwood Manor (WM) (All Work No Play Inc, 2019) is a multi-award-winning interactive application developed initially produced only in digital form. It is a multimodal text jam-packed with many engaging features, including: three dimensional characters, music, sound effects, a reader with words on the screen, limited animation, 360 degree navigation in some screens and interactive hidden elements to collect. The elements are consistent with the atmosphere, setting, character and plot development in this mixed genre digital narrative. Variable scores corresponding to puzzles, games and riddles solved and the objects collected are linked with the narrative achieve challenging games for students to use their participatory skills (Walker, Jameson & Ryan, 2010, p. 212) rather than just view or read. The objects, ghosts and creatures collected are linked to Oliver’s sketch journal. Highlighted words guide the advancing reader, an option to have a reader or self-recorded reader enhance traditional literacy components achieving the potential for technological features and a narrative that enhance each other in an educational and entertainment sense. The first two books are the basis of this review. They are the free teasers with subsequent volumes 3-6 costing a special bulk deal of $13.99 with 25% off (regularly $17.96). With so many features, how can there be anything missing?

In Book 1, this fantasy-mystery children’s narrative begins with the protagonist, Oliver Gryffon, riding in a quirky and eerie limousine to Arthur Weirdwood’s manor. The setting in the limousine foreshadows the dark and supernatural mystery that develops. Monsters, creatures and ghosts are revealed in the interactive features of the application and develops the spooky atmosphere. Flashbacks assist in creating Oliver’s character, who is an unwanted orphan, gifted artist with a special ability which allows his drawings to move on the page. The viewer also establishes that, although Oliver seems to be an innocent and well-meaning boy but there is something strange about him that has scared previous foster families he lived with.

As the tale progresses in Book 2, the participant meets Weirdwood (a reclusive, inventor, artist and writer), Eugene Donald (sci-fi nerd) and Celia Mei (writer) – two gifted children and an educator, Ms Mathilda Brimley. The artistry involved with the characters and settings are beautifully animated. A complex plot with supernatural occurrences and well-crafted omission of select details creates suspense. More than one mystery begs to be solved, such as the location of a missing ghost, Weirdwood’s hints at a dangerous and life-threatening challenge ahead for the three young children after he recites a riddle and the participant’s suspicions are pricked about Celia.

As glowing as this application seems, it does have some limitations. The characterisation of Celia as a type of beautiful Greek mythological siren seems gender stereotyped. Celia presents as a gifted writer who has written an award-winning romance novella called “Song of the Black Moth”. She seems to have the ability to hypnotically bewitch people like the siren song. Even though the female character is somewhat stereotyped, there is scope to provide for higher level Blooms taxonomy skills such as applying intertextuality.

The developers have included well thought-out multimodal features that includes beautiful unobtrusive original music and sound effects that compliments the narrative. However, at it can become repetitive. There is an option to have the story read to the listener with highlighted rectangles that follow the words as they are read.

Developers of the application have explicitly recommended that the digital narrative is targeted to students 6-12. I suggest that the vocabulary, difficulty of the puzzles and darkness of images combined with some sharp toothed monsters it would be appropriate for more 9-12 year old students or Stage 3-4 classes. This text is applicable to various General Capabilities in the Australian Curriculum Assessment and Reporting Authority (2016) including the entire Literacy element, Information Communication and Technology, Critical and Creative Thinking, and it is applicable to almost all of the English K-10 Syllabus (2012), depending on which outcomes need satisfying, and the learning activities created from the outcomes and content.

It took persistence with the interactive features in the narrative, for the participant to begin to achieve a sense of purpose. It began to seem that finding the hidden features were a bit elusive, distracting and time-consuming (Yokota & Teale, 2014, p. 581). The animations are limited, so that the participant can take their time to locate the hidden items. Many with frozen images with the only animated feature consisting of just blinking eyes or hovering people. While this is understandable, it disturbed the progression of the story. However, as the narrative progresses, it is obvious that as all the items found contribute to the protagonist’s drawing journal, they have will probably contribute to future Books. The books are quite long and, if studied at school, would take quite some time to get through. It may be pertinent to study part of the narrative.

WM is a narrative that became more engaging as I read. However, the interactive hidden objects and frozen screen provided significant disruption to the flow of the narrative. I would reserve judgment on this text until I have read more.

Reference List

All Work, No Play Inc. 2019, The Incredible Tales of Weirdwood Manor, [version 1.6.1] [software application]. Retrieved from: http://weirdwood.com/

Australian Curriculum, Assessment and Reporting Authority, (2016). Critical and Creative Thinking: General Capabilities. Retrieved from: https://www.australiancurriculum.edu.au/media/1072/general-capabilities-creative-and-critical-thinking-learning-continuum.pdf

Australian Curriculum, Assessment and Reporting Authority, (2016). Information Technology and Communication: General Capabilities. Retrieved from: https://www.australiancurriculum.edu.au/media/1074/general-capabilities-information-and-communication-ict-capability-learning-continuum.pdf

Australian Curriculum, Assessment and Reporting Authority, (2016). Literacy element: General Capabilities. Retrieved from: https://www.australiancurriculum.edu.au/media/3596/general-capabilities-literacy-learning-continuum.pdf

NSW Education Standards Authority, (2012). English K-10 Syllabus (2012). Retrieved from: https://educationstandards.nsw.edu.au/wps/portal/nesa/k-10/learning-areas/english-year-10/english-k-10

Yokota, J. & Teale, W. H. (2014). Picture books and the digital world: educators making informed choices. The Reading Teacher, 34(6). Retrieved from: http://www.academia.edu/3886534/Picture_Books_and_the_Digital_World_Educators_ Making_Informed_Choices

Walker, S., Jameson, J., & Ryan, M. (2010). Skills and strategies for e-learning in a participatory culture (Ch. 15). In R. Sharpe, H. Beetham, & S. Freitas (Eds.), Rethinking learning for a digital age: How learners are shaping their own experiences (pp. 212-224). New York, NY: Routledge.

Category: Curriculum and Learning, e-book, e-literature, INF533, Technology, Uncategorized | LEAVE A COMMENT
August 31

Critical Reflection of Digital Literature Experience

INF533 Literature in Digital Environments

Assignment 2 – Part B

What makes a good digital text? What counts as a digital text? What purpose do digital texts serve?

From a teacher librarian/educator’s perspective, a good digital text is a text that is enhanced by the multimodality, it is completed with quality literature and quality features including technological inclusions that add layers of meaning to the text rather than provide simply distractions (Yokota & Teale, 2014, p. 581). With digital texts, Simpson and Walsh (2014, p. 30) assert that what changes is the “interdependent semiotic modes” that impact on the combination of multimodal features (Kress, 2010, p. 157) such as the option to have the text read aloud to the reader and other variable elements such as modifications to the visual display. Simpson and Walsh (2014, p. 31) caution that the multimodal texts can be more demanding in terms of students needing to deal with layers of texts and modes which can have an impact on meaning. Additionally, as the interactive features compound, more participatory skills (Walker, Jameson & Ryan, 2010, p. 212) are needed rather than just being able to focus on the skill of reading alone.

Digital texts serve numerous purposes. From the perspective of the educator, they can serve to educate their students. Though from the perspective of the author and the host of creators involved, their purpose can be to educate with the highlighted text that the reader/participant can follow but also to entertain. Into the Cave ABC News Report in addition also is informative but unlocks opportunities to teach students about information literacy.

 Compare your experience of reading digital texts with reading print.

The e-book focuses on the traditional reading experience, it lacks many of the technological and multimodal features and is the closest to the print experience. In my own experience, I prefer the print text to the simple e-book experience. I prefer the texture, it is less strain on the eye and just a more pleasant experience – one that is relaxing. However, I feel that with increasing my experience of reading e-books, this opinion might change. As the digital texts develop, the multimodal features generally add another dimension to the reading experience to both the enhanced and interactive texts. The danger with this type of text is that the reader, when the text is read to the listener, can become lazy or scroll too fast through the text – missing reading parts of it. In relation to the interactive text, it becomes more of a participatory experience that can incorporate a game. It takes the focus away from the narrative and more attention is given to the technological components. The characters are animated so limits the reader creating their own creative visualisations as the images are fed to the reader. However, the games can have value by promoting problem solving and creative thinking skills. Digital texts should offer different benefits so that digital books should not be interpreted as superseding but instead providing variance to codex.

Chose the digital text you most enjoyed. How might you incorporate it into a program at your institution?

Into the Cave ABC News Report appears to be such a versatile text for teaching purposes. I envisage that a collaborative three-way cross-curricular unit could be introduced. For English, there is the possibility this text could be incorporated into a collaborative non-fiction or newspaper unit. The unit could be organised through the teacher librarian. It could be structured to incorporate an information literacy model such as the Big 6 and teach features such as features the CRAAP (currency, reliability, authority, accuracy and purpose) acronym could be taught by the teacher librarian along with other concepts such as fake news. It may study a number of newspaper texts leading up to a group assessment of designing your own newspaper that reports on events within the school and wider community. The Information Software and Technology teacher’s role could be to facilitate teaching webpage design including the ability to animate parts of the webpage and incorporation of any sound features. However, these are quite large plans and would have to be supported by the school and relevant faculties.

I enjoyed the e-book, Peter Pan but I preferred reading Into the Cave ABC News Report, due the visual elements and creativity of the enhanced text. The interactivity of The Incredible Tales of Weirdwood Manor slow and time consuming. This interfered with the flow of the narrative. Admittedly, the extras grew on me after I could see that they would contribute to the story and this encouraged me to read on. However, it wasn’t until the end of the Book 2 and, for teaching, this was too late. Even though the digital texts can be applied more readily to Information Communication and Technology (ICT) Capability in the Australian Curriculum, Assessment and Reporting Authority General Capabilities, realistically, how each applies to the curriculum is, to an extent, limited to the imagination and purpose.

Reference List

All Work, No Play Inc. 2019, The Incredible Tales of Weirdwood Manor, [version 1.6.1] [software application]. Retrieved from: http://weirdwood.com/

Australian Curriculum, Assessment and Reporting Authority, (2016). Critical and Creative Thinking: General Capabilities. Retrieved from: https://www.australiancurriculum.edu.au/media/1072/general-capabilities-creative-and-critical-thinking-learning-continuum.pdf

Australian Curriculum, Assessment and Reporting Authority, (2016). Critical and Creative Thinking: General Capabilities. Retrieved from: https://www.australiancurriculum.edu.au/f-10-curriculum/general-capabilities/ethical-understanding/

Australian Curriculum, Assessment and Reporting Authority, (2016). Information, Communication and Technology: General Capabilities. Retrieved from: https://www.australiancurriculum.edu.au/media/1074/general-capabilities-information-and-communication-ict-capability-learning-continuum.pdf

Australian Curriculum, Assessment and Reporting Authority, (2016). Literacy: General Capabilities. Retrieved from: https://www.australiancurriculum.edu.au/media/3596/general-capabilities-literacy-learning-continuum.pdf

Barrie, J.M., (2008). Peter Pan. Retrieved from: http://www.gutenberg.org/ebooks/16

Evaluating Web Resources, 2019, F. D. Bluford Library, North Carolina State University. Retrieved from: http://libguides.library.ncat.edu/c.php?g=778558&p=5584082

Free e-books Project Gutenburg, 2019, Project Gutenburg. Retrieved from: https://www.gutenberg.org/

Kress, G. R., 2010. Multimodality: a social semiotic approach to contemporary communication. Retrieved from : https://primo.csu.edu.au/discovery/fulldisplay?docid=alma990019477460402357&context=L&vid=61CSU_INST:61CSU&search_scope=MyInst_and_CI&tab=Everything&lang=en

NSW, Education Standards Authority, (2012). English K-10 Syllabus (2012). Retrieved from https://educationstandards.nsw.edu.au/wps/portal/nesa/k-10/learning-areas/english-year-10/english-k-10

Pixabay – the image used on this blog page is used pursuant to Creative Commons Licence

Simpson, A., Walsh, M., 2014, Children’s literature in the digital world: How does multimodality support affective, aesthetic and critical response to narrative?, English Teaching: Practice & Critique, 14(1), p. 28-43 Retrieved from https://www-emerald-com.ezproxy.csu.edu.au/insight/content/doi/10.1108/ETPC-12-2014-0005/full/pdf?title=childrens-literature-in-the-digital-world DOI: https://doi-org.ezproxy.csu.edu.au/10.1108/ETPC-12-2014-0005

The Big6 – Information & Technology Skills for Student Success, (n.d.), Retrieved from https://thebig6.org/

Walker, S., Jameson, J., & Ryan, M. (2010). Skills and strategies for e-learning in a participatory culture (Ch. 15). In R. Sharpe, H. Beetham, & S. Freitas (Eds.), Rethinking learning for a digital age: How learners are shaping their own experiences, (pp. 212-224). New York, NY: Routledge.

Yokota, J. & Teale, W. H., (2014). Picture books and the digital world: educators making informed choices. The Reading Teacher, 34(6). Retrieved from http://www.academia.edu/3886534/Picture_Books_and_the_Digital_World_Educators_ Making_Informed_Choices

 

 

Category: Curriculum and Learning, e-book, e-literature, INF533, Information literacy, Technology, Uncategorized | LEAVE A COMMENT
August 28

Does the E-Book fly? Digital Literature Review

xxolgaxx / Pixabay

INF533 Literature in Digital Environments

Assignment 2 – Part A

Peter Pan E-Book Digital Literature Review

Peter Pan is the classical narrative by J.M. Barrie. It is an engaging children’s fairy tale about a boy, who defies the inevitable reality that one must grow up, and his adventures with the Darling children, John, Wendy and Michael. Their escapades, mostly in Neverland, are in cahoots with a gang of Lost Boys and a fairy called Tinker Bell. They clash with the pirate, Captain Hook, and his men. Where will their adventures lead? Can they get home again?

Under the Project Gutenburg, Peter Pan, along with 60,090 books, is available digitally. Project Gutenburg is a free on-line library of books, mostly older works, available due US copyright expiration. This is a restrictive collection of books, many inappropriate or just not exciting for secondary school students. This e-book is a replica of the entire codex. But does it contain the same endearing qualities as a print text does? Cull believes that they orientation throughout the e-book suffers (2011, p. 4); and Jabr contends that the paper smell and the layout which creates more strain on the eyes are issues (2013, p. 7-9). It is clear that Project Gutenburg have taken this into account and tried to maintain these qualities. For example, in the EPUB download file orientation consists of a scroll bar showing the percentage of progression through the book. The story is presented in the typical layout of a print text – two pages with a click of the mouse to turn the page. Conversely, some features cannot be duplicated – some positive and others not.

It seems that not only has Project Gutenburg endeavoured to liken the e-books to codex texts but have also tried to cater for positive extras made possible by the digital qualities. For example, it is possible to change the colour of the text and background, the font size and style and they have provided the ability to make notes which could be beneficial for students with literacy issues or vision impairment. For ease of access to the e-book, a QR code is available to reach Project Gutenburg’s mobile site and it is also advantageous that the text can be translated into various languages additional to English including Portugese, Dutch and French. There are many benefits.

On the other hand, the multimodal features are limited with this type of e-book. There are several types of file downloads including an audiobook, or in the EPUB download there is the provision of the text to be read to the reader. However, the voice is robotic. There are no images even in the “EPUB (with images)” download.  The HTML version is more basic and more difficult to read with large slabs of text that keeps scrolling down the page – unmotivating for a struggling or a reluctant reader. Additionally, there is provision for downloading on a Kindle or iPad with images and the reader can save the book in Google Drive, Microsoft One Drive or Dropbox. Additionally, a device is needed to store and access the narrative on, so access by students from home cannot be relied on. In my current school, there are many from low socioeconomic backgrounds. Additionally, in class, access to a device will be needed for many lessons and, is not always available.

Basic technological skills are required by the user and the quality of the digital text is, by and large, dependent on quality of the literary source. Due to the lack of copyright restrictions, there is little limitation with copying or altering text which may be beneficial for close study of text. Almost every sub-category under the Literary element in the General Capabilities of the Australian Curriculum, Assessment and Reporting Authority (2016) is directly applicable (except the visual knowledge) due to its literary features. The educational activities associated with this text, can be greatly varied including all levels of Blooms Taxonomy. Limited Information Communication and Technology elements are applicable due to the uncomplicated of technological features.

The focus of this e-book is mainly the content of the literature. There are very few added technological embellishments. Changing the mode that this text is presented in has not detracted from its charming fairy tale quality. For educational purposes, the e-book has many benefits and drawbacks which probably cancel each other out in the end. Does the e-book fly? If it does, not very high.

Reference List

Australian Curriculum, Assessment and Reporting Authority, (2016). Critical and Creative Thinking: General Capabilities. Retrieved from https://www.australiancurriculum.edu.au/media/1072/general-capabilities-creative-and-critical-thinking-learning-continuum.pdf

Australian Curriculum, Assessment and Reporting Authority, (2016). Information Communication and Technology: General Capabilities. Retrieved from https://www.australiancurriculum.edu.au/media/1074/general-capabilities-information-and-communication-ict-capability-learning-continuum.pdf

Australian Curriculum, Assessment and Reporting Authority, (2016). Literacy: General Capabilities. Retrieved from https://www.australiancurriculum.edu.au/media/3596/general-capabilities-literacy-learning-continuum.pdf

Barrie, J.M., (2008). Peter Pan, Retrieved from: http://www.gutenberg.org/ebooks/16

Cull, B. W., (2011). Reading revolutions: online digital text and implications for reading in academe. First Monday, 16(6). Retrieved from http://firstmonday.org/ojs/index.php/fm/article/view/3340/2985

Diigo, Inc., 2019, Diigo. Retrieved from: https://www.diigo.com/index

Dropbox: Put your creative energy to work, with Dropbox, (n.d.). Dropbox. Retrieved from: https://www.dropbox.com/

Free e-books Project Gutenburg, 2019, Project Gutenburg. Retrieved from: https://www.gutenberg.org/

Google drive: a safe place for all your files, (n.d.). Google Drive. Retrieved from: https://www.google.com/drive/

Jabr, F. (2013, April 11). The reading brain in the digital age: The science of paper versus screens. Scientific American. Retrieved from http://www.scientificamerican.com/article.cfm?id=reading-paper-screens

NSW Education Standards Authority, (2012). English K-10 Syllabus (2012). Retrieved from: https://educationstandards.nsw.edu.au/wps/portal/nesa/k-10/learning-areas/english-year-10/english-k-10

Pixabay – the image used on this blog page is used pursuant to Creative Commons Licence

Save your files and photos to OneDrive and get them from any device, anywhere, 2019, Microsoft OneDrive. Retrieved from: https://onedrive.live.com/about/en-au/

 

 

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July 24

Fast-Paced Digital Buzz

Literature in Digital Environments has lit up my imagination like an electrically circuited Yellow Brick Road that zooms in, out and through Literature City (LeRoy, Cukor, Fleming, LeRoy, Taurog, Thorpe, & Vidor, 1939). Digital literature is capable of enhancing my everyday teaching practice. My professional background has been a fuddled metamorphosis (Kafka, 1946) where I scuttle between classrooms teaching a multitude of subjects for various Stages in secondary schools. Hopefully, I will transform into a teacher librarian.

My knowledge and understanding of concepts and practices in digital literature is developing. I have used such digital narratives as the Dust Echoes videos, a YouTube of [Shakespeare: The Animated Tales] Macbeth, and Storyline Online. Each has a purpose. As pointed out in Learning 2030: From Books to Screen, the novelty of gadgets and busy work soon wears off. In History, the Dust Echoes – Moon Man online video was viewed through the electronic whiteboard and some of the activities were obtained from the online study guide. The [Shakespeare: The Animated Tales] Macbeth was used as a visual synopsis to support student understanding of the play. At a more “primitive” level, I have used video to teach film and advertising. Extra features on the DVDs such as with Finding Nemo (Walters, Stanton, & Unkrich, 2003)and The Corpse Bride (Abbate, Auerbach, Frey, Ranft, Shaw, Burton & Johnson, 2005) explore the process of making the animations have been learnt from. Adapted texts have been compared such as 10 Things I Hate about You (Chernov, Hedien, Jaret, & Lazar, Silverman, & Junger, 1999) with The Taming of the Shrew (McWhorter, Taylor & Zeffirelli, 1967).  Now streaming resources are also used: Netflix, Stan and ABC iview. I aspire to use interactive and transmedia texts.

The progress of digital literature has proliferated. Issues have arisen. For instance, the quality of these resources can vary as anyone can publish on the internet. The implications for effective teaching and learning involves the discriminating use of texts possessing quality literary and digital features – questioning the need for varied ways of evaluating digital texts. The purpose for using these texts should comply with the scope and sequence and the relevant syllabus. The literary and digital features need to be presented educationally, appropriately and well – not with inappropriate distractions (Yokota and Teale, p. 581) (Walsh, 2013, p. 181-186).

Transmedia narratives are an exciting development. When stories are more than paper: Transmedia trends in Young Adult Literature tells of narratives such as Patrick Carman’s Skeleton Creek that can be read, viewed and listened to. The multimodal presentation of the text can be beneficial for a range of learning needs. It is important to study the effects these developments have on learners. In a case study conducted by Simpson and Walsh (2015), it was revealed that when a codex text was teamed with a digital version of the text, the young readers’ critical awareness was expanded due to engagement of their sense of empathy and aesthetic responses. The use of digital literature needs to be further investigated.

Literature in the digital environment offers many possibilities. However, educators need to evaluate every text, learning situation and be aware that the information age is racing ahead. This subject provides the opportunity to extend learning, acquire a number of versatile, engaging resources for a diverse audience and may broaden my professional scope.

References

Chernov, J, Hedien, J., Jaret, S., & Lazar, A., (Producers) & Silverman, G. (Associate Producer) & Junger, G., (Director), (1999), 10 Things I Hate About You, United Stated: TouchstoneAbbate, A., Auerbach, J., Burton, T., Frey, D., Ranft, J., & Shaw, T., (Producers) & Burton, T., & Johnson, M., (2005), The Corpse Bride, United States: Warner Home Video

Kafka, F. (1946), Metamorphosis, New York The Vanguard press Inc.

LeRoy, M. (Producer), & Cukor, G., Fleming, V., LeRoy, M, Taurog, N., Thorpe, R., & Vidor, K., (Directors), (1939), Wizard of Oz [Movie], United States: Warner Bros. Pictures.

McWhorter, R, Taylor, E., (Producers), & Zeffirelli, F., (Director), (1967), The Taming of the Shrew, United States: Columbia Pictures

Pexels Video – Video used on this blog page is used pursuant to Creative Commons Licence, https://www.pexels.com/video/bonfire-in-timelapse-mode-1998132/

Simpson, A., and Walsh, M.,(2015), Children’s literature in the digital world: How does multimodality support affective, aesthetic and critical response to narrative?, https://doi-org.ezproxy.csu.edu.au/10.1108/ETPC-12-2014-0005, 14(1), p.28-43

Walters, G., (Producer), Stanton, A., &  Unkrich, L., (Directors), (2003) Finding Nemo, United Stated: Pixar

The Corpse Bride

Walsh, M. (2013). Literature in a digital environment (Ch. 13). In L. McDonald (Ed.), A literature companion for teachers. Marrickville, NSW: Primary English Teaching Association Australia (PETAA)

Yokota, J. & Teale, W. H. (2014). Picture books and the digital world: educators making informed choices. The Reading Teacher, 34(6). Retrieved from http://www.academia.edu/3886534/Picture_Books_and_the_Digital_World_Educators_ Making_Informed_Choices

Category: INF533, Technology | 1 Comment on Fast-Paced Digital Buzz
May 26

Part C: Reflective Practice

Sweet droplets

Myriams-Fotos / Pixabay

In my naive and very first blog post in the Introduction to Teacher Librarianship labelled “Warning – Tsunami Ahead”, I reflected on the role of the teacher librarian as one of mammoth proportions. Only now have I realised that information literacy (IL) is an entire tsunami in itself – part of a series that will keep rolling in to constitute the role of the teacher librarian. The term, information literacy, is continually evolving in the 21st Century. As student teacher librarians we still have so much to learn about the role and the use of information literacy. Enhancing the teacher librarian’s education – keeping up with information literacy and the evolution of the ‘information age’ is integral to the teacher librarian’s (TL) role and to a student’s education.

As my understanding of information literacy (IL) developed. I noted in my most recent blog post titled Information literacy = healthy society and a fulfilled individual that students need to be educated and capable in every literacy (such as digital literacy and transliteracy) that enables them to become capable, fulfilled individuals that make up a healthy contributing society. Teacher librarians can facilitate this process. However, we need to have an information literacy model to support our teaching and students’ learning.

Now, more than ever, I am an advocate for collaboration between the teacher librarian and classroom teacher. In module 4.1B discussion forum response, I noted that the willingness of classroom teachers may be factor in preventing collaboration. Rather than that, in Part B of the Assignment, I found that organising a time to meet to collaborate was the issue. In this instance , I designed a Geography unit which incorporated the Big 6 IL model. My methodology being in English, I was burdened with the reality of compiling a unit when not qualified in the subject and how difficult it can be with limited collaboration. I liaised with the acting head teacher and found him very willing to help. Nevertheless, it was challenging to meet up with the Geography teacher who most pertinent to the project. Collaboration is key to developing subject content and information literacy processes.

During the course, I experienced confusion relating to information literacy models as discussed in Assessment 3 Discussion Forum questions. In the response, I received clarity that differentiated skills based approach from a much more in-depth understanding. Therefore, instead of the steps being key – it is the meaning and processes behind the steps that are significant. This response, led me to discover Eisenberg’s Information Literacy: Essential Skills for the Information Age (2008, p. 39-47) and Lupton’s Inquiry pedagogy and the Australian Curriculum (2013, p. 23-29) which enhanced my understanding of the Big 6 IL and problem solving model, inquiry learning and questioning frameworks. Consequently, these resources, as well as others in the course, contributed to my overall understanding.

IL models are necessary as is developing inquiry based frameworks as I feel that TL’s need a model to guide them and students, likewise benefit from a process to adhere to as noted in my response to Module 5.3a. The Big 6 was initially alluring due to its logical, simple steps. A response to that same module entry associated the Big 6 with “primary school”. This response was a positive occurrence as it prompted me to delve into the research and justify my selection. I noted that this model was suitable for students through to twelfth grade – my school context being a middle school (years 7-10) and I came to the conclusion that the Big 6 was suitable for the purpose. My clientele, being students of all abilities making the Big 6 appropriate. I am sure that my ideas on information literacy models will continue to grow and change according to purpose and context.

Ideally, the information model chosen would be most effective if implemented whole school as discussed in my response to Module 5.4a. The teacher librarian could facilitate this process in many ways. My knowledge throughout this unit has increased from non-existent to an understanding that, I hope will continue to increase. I cannot say that my knowledge is to capacity as information landscape booms rapidly. Returning to the analogy of the tsunami, we have come full circle for this unit – the wave has peaked and broken leaving in its wake a flower which, at this stage, promises of hope blooming to capacity.

Reference List

Lupton, M, (2013). ‘Inquiry pedagogy and the Australian Curriculum’, Primary and middle years educator, 11(2), pp. 23–29

Eisenberg, M. B. (2008). Information Literacy: Essential Skills for the Information Age. DESIDOC Journal of Library & Information Technology, 28(2), 39–47. https://doi-org.ezproxy.csu.edu.au/10.14429/djlit.28.2.166

Category: Curriculum and Learning, ETL401, Information literacy | 2 Comments on Part C: Reflective Practice
May 9

Information literacy = healthy society and a fulfilled individual

Information literacy, technology and the student – Photo by Waldemar Brandt from Pexels

To enable a person to be able to function in their community in a way that if capable, confident and competent, they must be educated and capable in every literacy that allows them to do that. Whether the format of the text is in a new medium, new platform, technology or format, a student or adult should have the skills and knowledge to be able to read, comprehend, deconstruct, create another texts based on this one which includes critical analysis and synthesis of information. All people need to be not only consumers of information but also creator. They need to know the pitfalls and implications of that. They need to know the ethics involved. They need to know ways to determine whether are being deceived (“fake news”) or whether they are using credible sources.

At the end of the day, it is important for students to become enriched, life long learners who are capable and confident members of society. They need to be able to contribute in a meaningful way to society but also have the ability to lead fulfilled, positive lives. For this to happen, they must be taught the skills, theory and processes of information literacy and all the different forms that information literacy morphs into – whether it is digital literacy or transliteracy or many other forms.

With the incorporation of all the different elements of information literacy, it is advantageous to have an information literacy model so that every opportunity to enhance the information literacy learning process can be snapped up. The learning activities need to be up to date with technological developments and be inspirational to students to capture their interest. They need to be adapted for differentiation purposes.

Category: ETL401, Information literacy, Technology, Uncategorized | LEAVE A COMMENT
May 4

Information literacy (… where do I start?) and the role of the teacher librarian

 

To be honest, there have been moments when I have found the thought of the concept and practice of information literacy overwhelming. I mean, where do I start? It is complex. It involves broadening our minds to include all known elements, thinking critically and placing it in context. How the practitioner interprets the concept affects what and how it is used, taught and implemented. It involves learning and researching all the information relevant to information literacy so that we can choose and be flexible with aspects of multiple approaches being ways to define information literacy (such as the sociocultural approach and the behaviourist approaches) and models and resources used to teach our ‘trade’.

Information literacy is an incredibly complex development. It is not new but the evolution of it has exploded into the another dimension and unstoppable, shrapnelled pieces are to shoot into the future. We seem to be scrambling to catch up. We certainly can’t stop it. It’s progress. But action needs to be put in place to deal with all facets of it.

So … information literacy has evolved. It encompasses more than just literacy’s traditional skills of reading, writing, listening, speaking, viewing and comprehension. The information landscape is filled with; multiple literacies (including internet literacy, computer literacy and transformational literacies); perspectives and context; the ability to not only consume texts but to create and repurpose texts; critical thinking skills; knowledge development; researching techniques; credibility and authority; and appropriate ethical principles and behaviour associated with information literacy. B. Combes says that an information literate person knows when they need to search for information and how to seek it. (Coombes, 2016). What we do learn is that it is context and purpose that is important regarding information literacy.  Additionally, a globalized perspective is also necessary.

The Six Frames for Information Literacy Education (Bruce, Edwards, & Lupton, M., 2006) explicitly labels a perspective of information literacy. All frames are interesting and they would be and are of use as an educator and teacher librarian. I could see myself using aspects of most frames. They include: the content frame, competency frame, learning to learn frame, personal relevant frame, social impact frame and relational frame. The authors discussed, in depth was the relational framework which consists of producing a range of ways students can experience learning that are increasingly more complex and powerful. Detailed information was conveyed relating to the Reflective Online Searching Skills (ROSS), again explicitly and comprehensively teaches students about online searching. While this is a beneficial activity and an excellent resource, the reality is that as teacher librarians usually would not have the luxury of spending the large amount of time it may take to teach information literacy in isolation of discipline content. Perhaps select modules on the website could be targeted to complement an activity or unit.

The Situated information literacy in the disciplines presents an interesting  sociocultural theory that requires the librarian to work with the relevant faculty in their disciplines. This, needs to be a part of the teacher librarian’s role. It involves getting to know teaching staff in each school faculty so that these elements can be considered in terms of contributing to information literacy: epistemology, metanarrative and methodology (Farrell and William, 2015).  Each discipline is different and the differences need to be considered. Students will benefit by being “enculturated or socialised” and teacher librarians can help by giving “authentic experiences” to students which will allow them to become members of the community within that discipline.

There are many definitions and approaches to information literacy. The concept and/or practice of it is central to the teacher librarian’s role. It is important to keep apprised of developments in the area. Ultimately, it is the teacher librarian’s aim is to transform students into independent life long learners.

References:

Bruce, C., Edwards, S., & Lupton, M. (2006). Six frames for information literacy education: A conceptual framework for interpreting the relationships between theory and practice. ITALICS, 5(1). doi: 10.11120/ital.2006.05010002

Combes, B. (2016) Information Literacy – competencies, skills, making meaning and thinking -https://interact2.csu.edu.au/bbcswebdav/pid-2633992-dt-content-rid-4430767_1/courses/S-ETL401_201860_W_D/InformationLIteracy.jpg

Farrell ,R. & Badke, W. (2015). Situating information literacy in the disciplines: A practical and systematic approach for academic librarians. Reference Services Review, 43(2). CSU Library.

 

Category: ETL401, Information literacy, Miscellaneous | LEAVE A COMMENT
April 22

An Informed Practice

jarmoluk / Pixabay

The Australian School Library Association’s (ASLA) “Evidence guide for teacher librarians in the highly accomplished career stage” and “Evidence guide for teacher librarians in the proficient career stage” contains helpful information that can be used to further understandings on the role of the teacher librarian and to inform practice. These documents help a teacher “play” the teacher librarian “game”. They can be used to confirm the duties included in the role of teacher librarian and/or extend those duties for new teacher librarians. Just as in a chess game, teacher librarians learn, with practise, how to play the game. That is, which chess pieces should be played how and when.  Each standard is explained with further text and then directly connected with examples of evidence, breaking the standards down into obtainable steps. For teachers who are aspiring to highly accomplished status, the documents provide further information as to what is necessary to gain that qualification. In other words, they give concrete ideas as a path to follow to attain proficient and highly accomplished status. It allows teacher librarians to move the pawns to play a winning game.

Winning encompasses several elements. It can mean that the evidence stated in these documents can be used for accreditation purposes as well as used to support evidence of learning and/or value-adding to students’ learning. Additionally, it can be used to win the principal over as as evidence to supporting the school/principal’s vision and goals.  It can also be used to win parents and colleagues when presenting professional development as evidence of effective teaching .

Therefore, ASLA’s evidence guide can be used for several purposes. These include: accreditation, for career development, professional development, to achieve principal’s vision, gives inspiration for planning, preparation, used to develop the library’s mission statement and used as evidence of legitimate activities to collaborate on. An informed practice is a winning practice.

References:

Australian School Library Association (ASLA)  (2014). Evidence guide for teacher librarians in the highly accomplished career stage.  Retrieved from: http://www.asla.org.au/site/DefaultSite/filesystem/documents/evidence-guide_ha.pdf

Australian School Library Association (2015). Evidence guide for teacher librarians in the proficient career stage. Retrieved from http://www.asla.org.au/site/DefaultSite/filesystem/documents/evidence_guide_prof.pdf

Category: ETL401, Miscellaneous, Uncategorized | LEAVE A COMMENT
March 22

Are School Librarians an Endangered Species?

 

Teacher librarians (TL) must adapt to changing conditions or face extinction. That is the message in Karen Bonanno’s Key Note address titled “A professional at the tipping point: Time to change the game plan” at the ASLA conference (as cited in O’Connell(?), n.d.).  Bonanno conveys that teacher librarians must take the “glass half full” approach, to work within the boundaries, be pro-active, change with developments, be aware of learners and keep current.  In particular, to be successful, TLs should follow what she calls the “Five Finger Approach” which makes them a valuable and relevant asset. Powerfully, Bonanno re-iterates throughout the video that “The rhetoric must engage with the audience”.

 

References

O’Connell, J, (n.d.) 3.2 The Role of Teacher Librarian, 3. The Role of Teacher Librarian (TL), Retrieved from https://interact2.csu.edu.au/webapps/blackboard/content/listContent.jsp?course_id=_42380_1&content_id=_2633957_1&mode=view

Category: ETL401, Technology | LEAVE A COMMENT
March 21

Informed About Information

On the surface, the definition of information should be very simple. How deceptive and naive that thought is!

Simple dictionary definitions do not scrape the surface of all the facets that various types of academic definitions do. The semantic definition where the meaning of information is important as opposed to the more classic definition – almost a dadaist interpretation of information just existing. These seem to be the extremes in the definitions. The data-knowledge continuum tells of chaos and wisdom – which are an extension of the semantic and classic definitions. The classic definition being in incoherent jumble of characters and as the continuum works its way up the sliding scale it becomes more about an information hierarchy about meaning, types of meaning and the types of meaning – a similar concept to Blooms taxonomy. According to Stonier (as cited in O’Connell, n.d.) “information requires no intelligence to interpret it. It does not have to have meaning to exist.”1 However, Gregory Bateson (as cited in O’Connell, n.d.) puts much more emphasis on the meaning of the information as he asserts that it “changes us”2.

It occurs to me that the purpose and the context of the information is important. That is, what the information is being used for, who is using the information, what is  and how it is to be used are all necessary factors. For information to be defined properly, it is necessary to know all these things.

Learning as a Collaborative Process

rawpixel / Pixabay

As a prospective Teacher Librarian, it occurred to me that all this information might exist, it may have context and purpose but it is how the information is used and perceived or processed by the conveyor and the receiver is what matters.  It is interesting that Steve Regur in a Ted Talk video (as cited in the “Create, Curate, Collaborate”, n.d.) presents his talk on how “Learning Networks Could Reconfigure Schools”. He talks about collaboration and instead of there being one teacher teaching to a number of students, he says that there should be a learning team involved in the students’ learning. Students should seek out experts or professionals in a project or field they want to study  and are passionate about, they should pick the learning outcomes, seek out resources, compile their learning teams and direct their learning. I think this is a valuable concept that deserves to be explored. It is an interesting concept that teacher-librarians would be integral in.3  The “General Capabilities” page in an ACARA article (as cited in Lori’s E-musings, 12 March 2019)4 provides much room to expand this concept. However, it also leaves great space for refining and crafting. It would be fascinating to explore it further.

The role of teacher-librarian is constantly growing and developing. Libraries and teacher-librarians have great scope for being managers of information, creators and facilitators and distributors of information.

References

1 and 2 O’Connell, J, n.d., Module 2: The Information Environment, Retrieved from Charles Sturt Universit website at https://interact2.csu.edu.au/webapps/blackboard/content/listContent.jsp?course_id=_42380_1&content_id=_2633951_1&mode=view

3 Create, Curate, Collaborate n.d., Retreived from Teacher-Librarian Learning Network’s blog at https://feedly.com/i/entry/5oT5ifkZN1JBXX3mX4pji4hWD0AUSB04SCT7+1+6tNQ=_1696a74271c:78409:5bce999a

4  Lori (2019), Information. Dissemination. influence. in Lori’s E-Musings Retrieved from https://lorikemusings.wordpress.com/2019/03/12/information-dissemination-influence/

 

Category: Curriculum and Learning, ETL401, Uncategorized | LEAVE A COMMENT