Understanding Literary Learning (Assessment Item 2: Part B)

In an early forum post about the definition of children’s literature (Clarke, 2018b), I identified basic features, but except for a brief comment about ‘moral lessons’, I didn’t consider the specific educational qualities inherent in texts for young people. After reading about the trends in literature, I did note that there has been an increase in ‘authentic cultural expression’ (Clarke, 2018a. para. 1). However, these minor comments didn’t start to develop into a clear understanding of the benefits of literature in schools until I began to read the professional literature and my peers’ forum posts. A significant moment in my educational journey was my perusal of a post by Huculak (2018) because it focused on literacy and prompted me to scrutinise the simplified arguments many schools employ. I started to see that literary texts can be used to teach curriculum subjects but also important life lessons. I began to contemplate the cultural and social implications of imbedding literature into the curriculum.

My first assignment motivated me to explore a specific literary form (graphic novel) in order to understand how young adult fiction in general provides students with a deeper understanding of society. Diverse texts can help students develop cultural understanding in multiple ways: they learn about the world, become capable of identifying and assuaging prejudicial responses, and underrepresented students can develop a voice in response to seeing themselves in the literature (Chance, 2018, p. 128). Even the stereotypes used in some contemporary texts can be used to prompt important discussions (Watts, 2015), specifically in regard to issues of discrimination and marginalisation. For this reason, I will ensure that my library contains a diverse and up-to-date range of texts so that teachers and students will be able to benefit from new perspectives. I will also engage in meaningful conversations with teachers and students about the issues in our world.

Social development was another aspect of literary learning I found interesting. In particular, I discovered the ways students can develop important skills, such as building relationships and empathy, by connecting with relevant stories within literature. I have discovered that narratives, as discussed by Harper (2016), can help young children learn more about their emotions and the emotional reactions of their peers. Through literary modelling, older students begin to understand how they can respond to situations of increasing complexity. Young adult fiction mimics the issues experienced by teenagers and provides a catalyst for self-identification (Nikolajeva, 2014). Therefore, I hope to help students learn more about themselves by promoting social interactions in response to literature and confronting content.

I identified even more ways of using literature in the classroom in a recent blog post (Clarke, 2019), including the teaching of historical events, developing personal understanding, exploring social issues, forming connections with others and promoting critical thinking skills. It is a good summary of what I have learnt about literary learning, and in the future, I hope to continue researching the benefits of young adult fiction because I know what I have found is just the beginning – more possibilities will eventuate as trends change and more diverse texts become available.

References

Chance, Rosemary. (2014). Young Adult Literature in Action: A Librarian’s Guide, 2nd Edition [Libraries unlimited]. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1197828&site=ehost-live&ebv=EB&ppid=pp_142

Clarke, J. (2018a, November 14). The future of children’s literature {blog post]. Retrieved from https://thinkspace.csu.edu.au/conanthelibrarian/2018/11/14/the-future-of-childrens-literature/

Clarke, J. (2018b, November 19). Defining children’s literature [forum thread]. Retrieved from https://interact2.csu.edu.au/webapps/discussionboard/do/message?action=list_messages&course_id=_35350_1&nav=discussion_board_entry&conf_id=_61731_1&forum_id=_143056_1&message_id=_2053345_1

Clarke, J. (2019, January 21). Learning through literature [blog post]. Retrieved from https://thinkspace.csu.edu.au/conanthelibrarian/2019/01/21/learning-through-literature/

Harper, L. (2016). Using picture books to promote social-emotional literacy. YC Young Children, 71(3), 80-86. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ehh&AN=116991190&site=ehost-live

Huculak, S. (2018, November 18). Why read? [forum thread]. Retrieved from https://interact2.csu.edu.au/webapps/discussionboard/do/message?action=list_messages&course_id=_35350_1&nav=discussion_board_entry&conf_id=_61731_1&forum_id=_143057_1&message_id=_2051198_1

Nikolajeva, M. (2014). Memory of the present: empathy and identity in young adult fiction. Narrative Works, 4(2), 86-107. Retrieved from https://journals.lib.unb.ca/index.php/NW/article/view/22784/26462

Watts, P. (2015). Graphic novels offer diverse perspectives, narratives. The Education Digest, 81(2), 38-41. Retrieved from http://ezproxy.csu.edu.au/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=ehh&AN=109031695&site=ehost-live

Learning through literature

I have begun to understand the myriad ways young adult fiction can be used to develop students’ knowledge of their world and associated curriculum concepts. Initially I saw reading as a literacy development activity and didn’t think about the broader implications. The following list includes some of the lessons and ideas incorporated into children’s literature.

From readings and course material:

• Critical thinking skills and cultural understanding (Pear Tree Education, 2012)
• Hagar (2013):
– Drama
– Biographical information
– Understanding of Shakespeare
– Understanding and using historical sources
– Politics
– War, including the Holocaust
– Mathematics and Science
– Themes and issues

My own thoughts:
• Artistic expression and appreciation
• Emotional and empathetic development
• Personal understanding/identity
• Coping mechanisms in response to change and tragedy
• Knowledge of historical events
• Exploration of social issues
• Social skills
• Connecting with others through universal experiences

References

Hagar, R. (2013, April 14). Using picture books in the middle school [Slide presentation]. Retrieved from http://www.slideshare.net/abseconmedia/using-picture-books-in-the-middle-school

Pear Tree Education. (2012, May 12). Critical literacy: Using picture books to read the world [Video file]. Retrieved from https://youtu.be/Ireo-cdQO48

The Future of Children’s Literature

Children’s literature has always reflected broader societal and cultural concerns (Broomhall, McEwan & Tarbin, 2017) and contemporary texts are no exception. Modern commentary emphasises the impact of our digitised world, describing a distinct increase in multimodal and visual texts (Short, 2018). As such, I believe children’s literature will continue to adhere to contextual demands. For example, Short (2018) notes a distinct lack of authentic cultural expression within books but some of the texts and diverse views she mentions weren’t even present ten years ago. Therefore, demand for further diversity and the changes within our world will drive the future of literature and variety will become a distinct aspect of texts aimed at younger readers.

However, nostalgia is also an inherent aspect of society. Consider some of the children’s films that were produced this year: Christopher Robin (Burr, 2018) and Peter Rabbit (Gluck, 2018). These stories were memorable parts of childhoods and their appeal hasn’t waned. I think parents will still expose their children to the positive aspects of their earlier lives. The form these stories take may change but the new formats will encourage young people to explore the original texts.

References
Broomhall, S., McEwan, J. & Tarbin, S. (2017, March 30). Once upon a time: A brief history of children’s literature. In The Conversation.

Burr, K. (Producer), & Forster, M. (Director). (2018). Christopher Robin [Motion picture]. USA: Walt Disney Pictures.

Gluck, W. (Producer and director). (2018). Peter Rabbit [Motion picture]. Australia and USA: 2.0 Entertainment.

Short, K. (2018). What’s trending in children’s literature and why it matters. Language Arts, 95(5), 287-298.