Browsed by
Month: October 2023

ETL533: A Reflection on Learning

ETL533: A Reflection on Learning

Literature in Digital Environments (ETL355) has introduced me to new forms of literature that I had not experienced before and has helped me in reclassifying literature that I had engaged with in the past. Reflecting back on my initial understandings at the commencement of this unit, I had already been using digital literature sporadically within my classroom teaching, I just did not realise at the time. In my initial blog post, I mused as to whether the app Scratch Jr (DevTech Research Group & Scratch Foundation), which I had used with my students in the past, was a form of digital literature (Wilson, 2023-a, para. 3). With the information that I have now learned from this unit, I now recognise that the app itself is not digital literature, but it can be used as a platform to create digital literature. Although the primary focus of my lessons was technology and coding, I was inadvertently encouraging my students to create their own pieces of digital literature.

 

In Module 4.1, I shared my concerns around the use of social media as a platform to create digital literature (Wilson, 2023-d, para. 2). Research has shown that users engage with social media on a shallow level, with many sharing articles they have never read or voting in polls attached to articles they have not clicked on (Glenski et al., 2020, p. 40). Personally, I have witnessed this myself on Facebook with news articles containing deceptive headlines and when reading the attached comments, it is clear that many people did not actually read the article. Whilst an author creating a piece of Twitter fiction does not have the intention of spreading false information, users that come across these tweets may not have the engagement level needed to comprehend that what they are reading is fiction and therefore I still hold these concerns at the conclusion of the unit.

 

Creating my own digital story has been an educational and personally meaningful experience. I challenged myself by selecting a platform I had never used before to create my digital story. Through this process I have enhanced my digital technical skills by learning how to embed video, create hotspots within pictures and use programs, such as JuxtaposeJS (Knight Lab, n.d.) to enhance and engage readers with the story. The digital literature piece that I created is not only a valuable piece for use within the classroom, but it has also become a personally meaningful piece of digital literature for my family, serving to preserve our family history and will be treasured for many years to come.

 

The feedback that I received on my digital storytelling proposal encouraged me to think beyond the digital story itself to how I could use my digital story within the classroom. Two pieces of feedback suggested using my digital story as a proforma for students to create their own texts on their grandparents (Forfar, 2023; rachelerinives, 2023). The inclusion of prompts encouraging text-to-self connections throughout the story would give guidance on the kinds of interview questions students could ask an older person who is significant to them. Another piece of feedback encouraged me to consider the reading levels of the students accessing the text (lizfrench77, 2023). This feedback was acted upon through the inclusion of narration to support early-readers in accessing the text. The many different perspectives provided through the feedback on how the digital text could be used in the classroom was encouraging and demonstrates the versatility of the digital story that I have created.

 

As a current classroom teacher, my takeaway from this unit is that digital literature, when embedded authentically, has the power to enhance and support the student learning experience (Sukovic, 2014, p. 206). In Module 2.3 I identified that I could begin to adapt my current pedagogy by embedding quality digital literature in to my guided reading lessons (Wilson, 2023-c, para 1). This small but meaningful step will just be a starting point from which I can further embed digital literature in authentic ways to develop my students’ digital literacy skills and enhance curriculum content.

 

As a future teacher librarian, I hope to cultivate a digital literature collection that goes beyond eBooks. In Module 1.2, I identified three main points when it comes to selecting quality digital literature for a school library (Wilson-b, 2023, para. 1-4). This knowledge, coupled with the experience of critically evaluating three pieces of digital literature in the first assessment, has equipped me to be able to critically evaluate digital literature for the inclusion in my future school library.

 

References

DevTech Research Group & Scratch Foundation. (n.d.) Scratch Jr. https://www.scratchjr.org/

 

Forfar, L. (2023, September 17). Hello Amanda [Comment on blog post “Digital Storytelling Topic Proposal”]. Connect the Dots. https://thinkspace.csu.edu.au/amandawilson/2023/08/27/digital-storytelling-topic-proposal/#comment-15

 

Glenski, M., Volkova, S., & Kumar, S. (2020). User Engagement with Digital Deception. In Shu, K., Wang, S., Lee, D., & Liu, H. (Eds.). Disinformation, Misinformation, and Fake News in Social Media Emerging Research Challenges and Opportunities (1st ed., pp. 39-62). Springer International Publishing. https://doi.org/10.1007/978-3-030-42699-6

 

Knight Lab. (n.d.). JuxtaposeJS. https://juxtapose.knightlab.com/?_gl=1*1c6rflz*_ga*MTAxNTYwNDE2MC4xNjk0NjA3MTQ5*_ga_8F4WPDMPL5*MTY5NDYwNzE0OC4xLjAuMTY5NDYwNzE0OC4wLjAuMA..

 

Lizfrench77. (2023, September 16). Amanda, your proposal sounds fascinating and has the potential to be a memorable and meaningful learning experience. [Comment on blog post “Digital Storytelling Topic Proposal”]. Connect the Dots.

 

Rachelerinives. (2023, September 3). This is such a great idea on a way in which to present a history topic and engage students. [Comment on blog post “Digital Storytelling Topic Proposal”]. Connect the Dots. https://thinkspace.csu.edu.au/amandawilson/2023/08/27/digital-storytelling-topic-proposal/#comment-12

 

Sukovic, S. (2014). iTell: Transliteracy and Digital Storytelling. Australian Academic and Research Libraries45(3), 205–229. https://doi.org/10.1080/00048623.2014.951114

 

Wilson, A. (2023-a, July 9). Prior Knowledge and Pigeons: My Preliminary Understanding of Digital Literature. Connect the Dots. https://thinkspace.csu.edu.au/amandawilson/2023/07/09/prior-knowledge-and-pigeons-my-preliminary-understanding-of-digital-literature/

 

Wilson, A. (2023-b, July 18). Evaluating digital narratives [Online discussion comment]. Interact 2. https://interact2.csu.edu.au/webapps/discussionboard/do/message?action=list_messages&course_id=_68469_1&nav=discussion_board_entry&conf_id=_140370_1&forum_id=_321155_1&message_id=_4517189_1

 

Wilson, A. (2023-c, August 6). One small change in my classroom practice [Online discussion comment]. Interact 2. https://interact2.csu.edu.au/webapps/discussionboard/do/message?action=list_messages&course_id=_68469_1&nav=discussion_board_entry&conf_id=_140370_1&forum_id=_322389_1&message_id=_4547401_1

 

Wilson, A. (2023-d, September 8). Concerns around using social media platforms for digital storytelling [Online discussion comment]. Interact 2. https://interact2.csu.edu.au/webapps/discussionboard/do/message?action=list_messages&course_id=_68469_1&nav=discussion_board_entry&conf_id=_140370_1&forum_id=_323703_1&message_id=_4579869_1

Context for Digital Story Telling Project

Context for Digital Story Telling Project

Growing Up in the 1960s (Wilson, 2023) is a non-fiction digital narrative that centres around a young boy named Frank. Using a first-person perspective to tell the story, Frank shares facts, photos and videos of what life is like for him growing up in the Victorian town of Yarrawonga. Reading about Frank’s family, home, school, and the fun he has, students can gain a glimpse into what life was like for Frank as a child in the 1960s. After interacting with the text, students are then able make connections between Frank’s life and their own life, identifying similarities and differences to their own experience of growing up in the 2020s.

 

This digital story is primarily designed to be utilised by Year One students, aligning with the Year One History content descriptors of AC9HS1K01 (Australian Curriculum, Assessment and Reporting Authority [ACARA], n.d.-b) and AC9HS1K02 (ACARA, n.d.-a). The intended purpose of this digital story is to provide students with a window into life in the past, bringing Frank’s story to life through the combination of text, video, photographs, and audio. Primarily, it is envisioned that this story would be read by Year One students independently or in small groups. After reading the text, students could represent their thinking on a Venn Diagram to identify similarities and differences between themselves and the main character Frank (Fehring, 2019, p. 88).

 

As the intended audience for this digital story is junior primary, digital enhancements have been included to support early readers in accessing the text. An optional “read to me” function is embedded wherever there is text to support early readers in accessing the story. The text can also be read without the narration, giving the reader the option to read at their own pace and not compete with the narration coming from the device (Hoel & Jernes, 2023, p. 11). The narration takes “appropriate advantage of what the digital world allows” (Yokota & Teale, 2014, p. 581) through the use of a text-to-speech generator to create a young boy’s voice telling the story. This gives authenticity to the narration, making it appear as though Frank himself is telling the story directly to the reader.

 

Throughout the story, students are encouraged to make text-to-self connections between their own personal experiences of growing up and Frank’s experience in the 1960s. A yellow tab appears in the bottom left-hand corner which provides questions that prompt the reader to reflect upon the story being told and make connections to their own lives. Using hotspots for questioning is recommended as an effective way to engage students with the text without detracting from the story itself (Xu, et. al., 2021, p. 222). These text-to-self prompts assist students to understand and interpret the information that is being presented to them within the digital narrative (Ewing, 2022, p. 184). Not only does this meet the Year One History outcomes as mentioned previously, but it also simultaneously meets the Year One English outcome of AC9E1LE02 (ACARA, n.d.-c).

 

An example of the questions included to promote text-to-self connections

An example of the questions included to promote text-to-self connections (Wilson, 2023)

 

Further digital enhancements are utilised through the embedding of hotspots into a couple of the pictures to give further context to the photos that are included. For example, a historical arial map of Yarrawonga has been included. On its own, this map may not be of any significance to a student. However, the map is embedded with hotspots that pinpoint places of significance to Frank. These hotspots are aligned with the story to ensure that they support comprehension and engagement (Hoel & Jernes, 2023, p. 12). From developing a more comprehensive understanding of the places significant to Frank, students can then make inferences about his life in Yarrawonga and how he may have moved about the town.

 

An example of how hotspots were embedded to add context and meaning

An example of how hotspots were embedded to add context and meaning (Wilson, 2023)

 

Genially (Genially, n.d.) was selected as the platform for this digital story as it provided the functionalities needed to create a non-linear story, giving students control in how they navigate the story. Exploring digital literature in a non-linear format is beneficial to younger students, as it aligns with how they access information within today’s hyper-connected world (Manresa, 2015, p. 117). Growing Up in the 1960s can be read in any order without it impacting on the story line.

 

Contents pageContents page (Wilson, 2023)

 

This digital story has many applications within the classroom and across year levels. It could also be used as a launch pad for students to create their own on piece of literature on an older person who is significant to them. It’s uses also extend beyond the Year One classroom, as it can be used across all year levels as an example of digital literature or as a proforma for creating biographies.

 

Click here to read the digital story Growing Up in the 1960s (Wilson, 2023)

Cover of digital story, Growing Up in the 1960s

 

References

Australian Curriculum, Assessment and Reporting Authority. (n.d.-a). Continuity and change between aspects of their daily lives and their parents’ and grandparents’ childhoods (AC9HS1K02). Australian Curriculum. https://v9.australiancurriculum.edu.au/f-10-curriculum/learning-areas/hass-f-6/year-1/content-description?subject-identifier=HASHASY1&content-description-code=AC9HS1K02&detailed-content-descriptions=0&hide-ccp=0&hide-gc=0&side-by-side=1&strands-start-index=0&subjects-start-index=0&view=quick

 

Australian Curriculum, Assessment and Reporting Authority. (n.d.-b). Differences in family structures and roles today, and how these have changed or remained the same over time (AC9HS1K01). Australian Curriculum.  https://v9.australiancurriculum.edu.au/f-10-curriculum/learning-areas/hass-f-6/year-1/content-description?subject-identifier=HASHASY1&content-description-code=AC9HS1K01&detailed-content-descriptions=0&hide-ccp=0&hide-gc=0&side-by-side=1&strands-start-index=0&subjects-start-index=0&view=quick

 

Australian Curriculum, Assessment and Reporting Authority. (n.d.-c). Discuss literary texts and share responses by making connections with students’ own experiences (AC9E1LE02). Australian Curriculum. https://v9.australiancurriculum.edu.au/f-10-curriculum.html/learning-areas/english/year-1/content-description?subject-identifier=ENGENGY1&content-description-code=AC9E1LE02&detailed-content-descriptions=0&hide-ccp=0&hide-gc=0&side-by-side=1&strands-start-index=0&subjects-start-index=0&view=quick

 

Ewing, R. (2022). English and literacies : learning how to make meaning in primary classrooms. Cambridge University Press.

 

Fehring, H. (2019). Literacies Assessment: Theory and Practice. In Henderson, R. (Ed.), Teaching Literacies: pedagogies and diversity (2nd ed., pp. 70-98). Oxford University Press.

 

Genially. (n.d.). Geniallyhttps://genial.ly

 

Hoel, T., & Jernes, M. (2023). Quality in children’s digital picture books: seven key strands for educational reflections for shared dialogue-based reading in early childhood settings. Early Yearshttps://doi.org/10.1080/09575146.2023.2172552

 

Manresa, M. (2015). Traditional Readers and Electronic Literature: An Exploration of Perceptions and Readings of Digital Works. In M. Manresa & N. Real Mercadal (Eds.), Digital Literature for Children: Texts, Readers and Educational Practices. P.I.E. Peter Lang.

 

Wilson, A. (2023). Growing Up in the 1960s. https://view.genial.ly/64f46e5725668e00136d4c70/presentation-growing-up-in-the-1960s

 

Xu, Y., Yau, J. C., & Reich, S. M. (2021). Press, swipe and read: Do interactive features facilitate engagement and learning with e‐Books? Journal of Computer Assisted Learning37(1), 212–225. https://doi.org/10.1111/jcal.12480

 

Yokota, J., & Teale, W. H. (2014). Picture Books and The Digital World: Educators Making Informed Choices. The Reading Teacher67(8), 577–585. https://doi.org/10.1002/trtr.1262

Step 1 of 2
Please sign in first
You are on your way to create a site.
Skip to toolbar