ETL533 Assessment 4 Part A: Context for Digital Storytelling Project

Image by sandid from Pixabay

Exploring: Ballad of the Totems by Oodgeroo Noonuccal

An enhanced poetry e-book

https://1drv.ms/p/s!AhVielyavm3UgTjQCZmq7v7aadiO?e=RLdmx6

The purpose of this enhanced poetry ebook is to support the updated Australian Curriculum Version 9.0 (ACv9), specifically the Years 5-6 English Learning area topic of poetry, while integrating the Digital Literacy general capability. The third purpose of this digital text is to celebrate and provide access to a literary work by a significant, Indigenous female author, while embedding the Aboriginal and Torres Strait Islander Histories and Cultures cross-curriculum priority. Students and teachers of upper primary, particularly those in state Education Queensland (EQ) schools in and around Brisbane, are the intended audience. PowerPoint has been selected as a familiar, free to use tool which works across operating systems and devices, including iPads and laptops. EQ students and teachers are already familiar with Microsoft systems and PowerPoint, which is easily shared across school and home contexts, including for home learning situations if required.

The strand of Literature, from the ACv9 English Learning area, includes content descriptions that emphasize literary texts written by First Nations Australians (ACARA, 2022-a). Oodgeroo’s amusing and thought-provoking Ballad of the Totems (1970/2008) was selected for the enhanced ebook, as a poem with rich language and local relevance for South-East Queensland schools, and to address the lack of texts by Indigenous authors in primary school settings. With respect for Indigenous Cultural and Intellectual Property Rights, (National Copyright Unit, n.d.), this enhanced ebook is awaiting permission to be shared for educational purposes. An advisory note regarding culturally sensitive material has been included on the homepage.

Oodgeroo’s ballad has the potential to support the Literature sub-strands, which involve examining, engaging with and responding to literature (ACARA, 2022-a). Exploring: Ballad of the Totems is designed for classroom and/or school library learning experiences, to be implemented across multiple lessons, including whole class, small group, buddy and individual reading tasks. The original poem has been enhanced with multimodal features, to create a digital text which supports minds-on active learning, student engagement, meaningful content, and a socially interactive experience. These components are described as the four pillars of learning and are considered key for digital texts to enhance educational outcomes (Hirsh-Pasek et al., 2015; Hassinger-Das et al., 2020).

Minds-on active learning

Exploring: Ballad of the Totems includes interactive features that foster user control, exploration and meaning making, such as navigational and discussion hotspot hyperlinks, and click to reveal sections. Hotspots on the poem pages reveal questions that align with one of four Question-Answer Relationship (QAR) strategies: Right There, Think and Search, Author and You, and On My Own (Fisher et al., 2017, p.111). This feature aims to promote dialogic reading – conversations about texts – which should be central to any shared reading experience (Hassinger-Das et al., 2020, p.74; Kucirkova, 2018, p.54). To support accessibility for diverse learners, including those with dyslexia, the poem has been sectioned into smaller parts (two stanzas per page), with a read-to-me audio option on each page.

Student engagement

Student engagement involves gaining and maintaining student interest and participation in a topic or text (Kucirkova, 2018, p.53). Multimodal features to enhance student engagement include colour photographs of animals featured in the poem, including the close-up of a carpet snake on the homepage, and a bright Slidesgo template with simple, earthy graphics, selected for visual appeal and to ‘hook’ students in. Interactive content is related to the text, to avoid the potential for distraction, and to increase comprehension (Furenes et al., 2021, p. 507; Hassinger-Das et al., 2020, p.76). For example, the ebook embeds discussion hotspots about the text, hyperlinks to define target words from the poem, text narration, and click to reveal features to encourage student participation. Hyperlinks to external websites occur on pages separate to the poem, to avoid distraction from the ballad.

Meaningful content

Content can be made meaningful by connecting information to prior knowledge, and by learning about new topics that are personally relevant (Fisher et al. 2017; Hassinger-Das et al. 2020; Kucirkova 2018). Exploring: Ballad of the Totems includes interactive features that enhance the poem’s meaning, with discussion hotspots designed for student exploration and reflection, as well as to prompt teachers to engage in the personalising process. The discussion hotspot on the homepage includes questions to activate students’ prior knowledge, and on pages about cultural information, students are asked about their personal experiences.

Socially interactive

Exploring: Ballad of the Totems supports the concept of social contingency, which is the importance of learning from and with others (Fisher et al., 2017; Hassinger-Das et al., 2020). A link to a discussion Padlet is included, which provides students with the opportunity to share their ideas while practising their online communication skills in a safe and monitored space. The Padlet includes the discussion questions from the ebook, and asks students to comment on a classmate’s post, and to create their own QAR question. Teachers could create a link to their own class Padlet, to embed aspects of the Digital Literacy general capability, specifically in relation to digital communication tools and formats (ACARA, 2022-b).

References

Australian Curriculum, Assessment and Reporting Authority. (2022-a). English. Australian Curriculum. https://v9.australiancurriculum.edu.au/f-10-curriculum/learning-areas/english/year-5_year-6?view=quick&detailed-content-descriptions=0&hide-ccp=0&hide-gc=0&side-by-side=1&strands-start-index=0&subjects-start-index=0

Australian Curriculum, Assessment and Reporting Authority. (2022-b). Digital Literacy. Australian Curriculum. https://v9.australiancurriculum.edu.au/f-10-curriculum/general-capabilities/digital-literacy?element=2&sub-element=0

Fisher, D., Frey, N., & Hattie, J. (2017). Teaching literacy in the visible learning classroom, grades k-5. Corwin Press.

Furenes, M. I., Kucirkova, N., & Bus, A. G. (2021). A Comparison of Children’s Reading on Paper Versus Screen: A Meta-Analysis. Review of Educational Research91(4), 483–517. https://doi.org/10.3102/0034654321998074

Hassinger-Das, B., Brennan, S., Dore, R.A., Golinkoff, R.M., & Hirsh-Pasek, K. (2020). Children and Screens. Annual Review of Developmental Psychology, 2(1), 69-92.

Hirsh-Pasek, K., Zosh, J.M., Golinkoff, R.M., Gray, J.H., Robb, M.B., & Kaufman, J. (2015). Putting education in ‘educational’ apps: Lessons from the science of learning. Psychological Science in the Public Interest, 16(1), 3–34.

Kucirkova, N. (2018). How and Why to Read and Create Children’s Digital Books: A Guide for Primary Practitioners. UCL Press.

National Copyright Unit. (n.d.). Copyright basics. SmartCopying. https://smartcopying.edu.au/guidelines/copyright-basics/indigenous-cultural-and-intellectual-property-rights/

Oodgeroo, N. (2008). My People (4th ed.). John Wiley & Sons Australia, Ltd. (Original work published 1970)

ETL533 Assessment 4 Part D: Critical Reflection

Image by Joe from Pixabay

Living within the digital woods…

My first blog post for ETL533 used the subheading: Into the digital woods (Kimball, 2022, July 25), to refer to the current digital landscape with its hidden treasures and traps. My views, knowledge and understanding of digital environments and texts have certainly expanded throughout this subject. I’ve consolidated my view that the plethora of technological tools in our educational settings today have created a paradoxical scenario; where teaching and learning can be ‘easier’, yet also more complicated (Kimball, 2022, August 10). Consequently, my perspective that educators and teacher-librarians (TLs) have vital roles to play, as selectors and mediators of digital literature, has also been strengthened.

Quality and content of digital texts is paramount, regardless of format, given the fluidity and rapidly evolving nature of digital media (Groth, 2018). Educators must apply our own critical literacy skills; by using relevant criteria to select appropriate, quality resources for school contexts (Kimball, 2022, July 24). Yokota & Teale’s (2014) selection criteria was a useful springboard for considering digital literature for students. For Assessment 2, I decided on eight criteria: literary merit, aesthetic quality, representation, digital enhancements and extras, access, navigation, security and advertising, and authorship (Kimball, 2022, August 22). Adapted from Kluver (as cited in Kucirkova, 2018), the University of Stavanger (2019), and Walsh (2013), I applied these to my own digital text for our final assessment.

Throughout ETL533, I have re-worked my definition of digital literature.  After engaging with a variety of innovative texts for Assessment 2, I questioned the suitability of non-linear texts for younger students, as well as the novelty factor of others, which can be engaging yet distracting from storylines. Recent research emphasizes that quality digital texts embed multimedia aligned to the story, rather than novel features that distract from meaning-making (Furenes et al., 2021, p. 507; McGeehan et al., 2018, p.64). Content is clearly key to the quality of a digital text. Thus, my shifting definition of digital literature now includes print-born texts such as enhanced ebooks, which include rich language and supportive interactive content (Kimball, 2022, August 22).

The creation of my own enhanced ebook enabled me to apply digital literacy skills, and my professional views on digital literature for students. It was fun to dabble in a range of tools, as I experimented with Canva, Microsoft Sway and Google systems, as recommended by students in comments posted on the Assessment 3 Padlet. I ended up working with PowerPoint and Google Slides, and while I had to abandon my initial choice of Canva, due to limitations with audio, I was quite pleased with the final product. However, I was unable to create truly synchronised text and audio – text highlighted as the poem is narrated – an enhancement known to support readers with developing literacy skills (Kucirkova, 2018, p.19; Roskos et al., 2014, p.5).

Feedback on Assessment 3 – from Louise, Jacob and Rebecca – included positive comments about incorporating Indigenous perspectives and poetry into a digital resource. Unfortunately, I ran into a barrier with regards to Indigenous Cultural and Intellectual Property Rights (ICIPR). I understood that I could use Oodgeroo’s Ballad of the Totems (1970/2008), her drawing of a carpet snake, and a photograph of Oodgeroo, if appropriately attributed and for educational purposes, under Fair Dealing (National Copyright Unit, n.d.-a) and the Statutory Text and Artistic Works Licence s 113P (National Copyright Unit, n.d.-b.). However, consultation with relevant First Nations groups is the ethical approach for incorporating Indigenous content, even though there is no specific legislation in Australia that recognises ICIPR (National Copyright Unit, n.d.-c). I’m still waiting to hear from Oodgeroo’s family, as to whether I have their permission to use her work and image.

Prompted by Louise’s feedback for my project (2022, September 8), I intended to use Canva classes to share my ebook, while I was still working with Canva. While PowerPoint may not be as sophisticated as other tools, it is easy to share within my Education Queensland context. It was also the medium through which my school shared learning from home resources during the COVID-19 lockdowns, as not all classes have BYO devices. I decided to use a Padlet Wall to encourage social interaction, after feedback from Krystal, as a new communication format for my students to try, in a supported and safe online context.

Quality digital literature has the potential to support and extend children’s digital and traditional literacy skills. Implementing new digital mediums, however, requires significant support for educators, given the various associated challenges. Financial and physical support from governments – digital infrastructure and human resources – are essential to address the substantial investment of time and money required for educators and TLs to properly embed innovative tools and learning. We are already living and working within the ‘digital woods’; by strengthening advocacy for state school and library settings, and increasing collaboration with educational professionals, educators and TLs can continue to source treasures, reveal traps, and provide directions on how to make meaning from new digital texts.

References

Furenes, M. I., Kucirkova, N., & Bus, A. G. (2021). A Comparison of Children’s Reading on Paper Versus Screen: A Meta-Analysis. Review of Educational Research91(4), 483–517. https://doi.org/10.3102/0034654321998074

Groth, S. (2018). Still defining digital literature. The Writing Platform. https://thewritingplatform.com/2018/05/still-defining-digital-literature/

Kucirkova, N. (2018). How and Why to Read and Create Children’s Digital Books: A Guide for Primary Practitioners. UCL Press.

McGeehan, C., Chambers, S., & Nowakowski, J. (2018). Just because it’s digital, doesn’t mean it’s good: Evaluating digital picture books.  Journal of Digital Learning in Teacher Education, 34(2), 58-70.

National Copyright Unit. (n.d.-a). Copyright basics. SmartCopying. https://smartcopying.edu.au/guidelines/copyright-basics/copyright-exceptions/

National Copyright Unit. (n.d.-b). Educational licences. SmartCopying. https://smartcopying.edu.au/educational-licences/

National Copyright Unit. (n.d.-c). Copyright basics. SmartCopying. https://smartcopying.edu.au/guidelines/copyright-basics/indigenous-cultural-and-intellectual-property-rights/

Oodgeroo, N. (2008). My People (4th ed.). John Wiley & Sons Australia, Ltd. (Original work published 1970)

Roskos, K., Burstein, K., Shang, Y., & Gray, E. (2014). Young children’s engagement with e-books at school: Does device matter? SAGE Open.

University of Stavanger. (2019). Best practice design. Children’s Digital Books. https://www.childrensdigitalbooks.com/design/

Walsh, M. (2013).  Literature in a digital environment. In L. McDonald, A literature companion for teachers (pp. 181-185). Primary English Teaching Association.

Yokota, J. & Teale, W. H. (2014). Picture books and the digital world: educators making informed choices.  The Reading Teacher, 34(6).