ETL533 3.2: Exploring Digital Forms

Explore innovative digital literature sites. What did you enjoy most? How could you incorporate social networking sites for literature organisation and access, such as Inside a Dog, GoodReads or LibraryThing into your practice?

 

This week I explored a few of the immersive multimedia journalism resources such as K’gari and My Grandmother’s Lingo, and thought that they could be an interesting way to engage students with non-fiction texts and current affairs (typically perceived as ‘boring’ by many teens). I personally found that the multimodal, immersive nature of these resources helped me remember the key points and allowed me to connect the information in the articles to my prior knowledge and experiences very effectively.

I also looked into Beowulf in 100 Tweets, which I thought was a fantastic resource that I could easily incorporate into my Year 11 English Extension program where we look at the relationship between texts, cultures and values. I think that my students would respond well to a similar learning activity where they could take one of the texts we study and recontextualise it as a tweet or social media post to explore the ways that context affects response over time. Beowulf in 100 Tweets also linked really nicely to one that my students showed me this week: Dracula Daily, where the epistolary form of the original novel is harnessed by networking technologies such as email, Tumblr and Twitter. While anecdotal, the conversations in my classroom suggest that these types of recontextualised literary texts can be powerful and engaging learning tools.

There were some resources that I enjoyed less, however. War Horse (the app for the iPad) had a timeline along with some interesting links, videos, and interviews to help readers understand the context, but the text itself was just a digitised version of the print novel (with an accompanying audio version). I didn’t feel that this app utilised the immersive, interactive possibilities afforded by the format to enhance reader experience or support the function of the text as effectively as it could have. Likewise, Alice for the iPad seemed rather gimmicky and its ‘interactive’ elements were distracting rather than elevating my understanding and enjoyment.

I like the idea of incorporating social networking sites into my practice, since it expands my students’ sense of connection to the world of the text and allows them to feel a sense of belonging with other readers. I personally have experimented with tracking my reading journey this year via Instagram, GoodReads and The Storygraph App. While I like the way these resources use my data to help me reflect on my reading preferences and connect me with similar books and readers, I am concerned about the privacy implications of encouraging their use in my classrooms by my students, though it would be a great opportunity to discuss digital citizenship. They also take a lot of time to keep up to date, and you can see from my Instagram experiment that it has fallen by the wayside.

ETL505 Assessment 3 Part C: Genrefication Essay

The literature provides good arguments for arranging primary school library collections by genres. Is this also the case for high school library collections? Choose two of the advantages and disadvantages mentioned in the literature and critically discuss these in relation to arranging a high school library collection by genres.

When deciding to genrefy a high-school library’s collection, teacher-librarians should consider the multiple roles a library performs within a school community, the specific needs of their adolescent users, and which aspects of genrefication (if any) best suit these purposes and user needs. While genrefication has gained popularity amongst practitioners for its ability to increase circulation and promote lifelong reading habits, issues around logistics and lack of standardised organisation remain.

Genrefication is a relatively new topic in information sciences (Outhouse, 2017, p.43). Broadly speaking, genrefication constitutes organising resources by a system other than the traditional Dewey Decimal Classification (DDC) (Outhouse, 2017, p.44). Organisation can be based on resources’ formats, literacy levels, subject headings (such as those assigned by SCIS), or literary genres (Wall, 2019, p.11). Genrefication exists on a spectrum, from labelling books in their original DDC location, to separating ‘mini-collections’ in distinct displays, to completely reorganising the layout and position of resources (National Library of New Zealand, n.d., para.33-36; Gray, 2019, p.25; Wall, 2019, p.11). There is also an imbalance in the treatment of fiction and non-fiction collections in genrefication discussions, with greater emphasis on its benefits to fiction collections (Wall, 2019, p.11).

School librarians espouse numerous benefits to genrefying their collections. Increased circulation statistics are cited as one crucial benefit (Gray, 2019, p.18-22). Many practitioners claim that genrefication has made their collections more accessible and more appealing (Davenport, 2017, p.7; Dawson, 2019, p.23; Mathur, 2019, p.6; Wall, 2019, p.14; Davenport, 2021, p.12). Hider (2018, p.24) argues that effective information resource description should help users obtain information, and librarians should therefore understand their users’ specific needs. In high-schools, when student pleasure-reading declines (Dickenson, 2014, p.10), genrefying fiction can be a game-changer. Many teenagers prefer to browse to find interesting and relevant resources (Bessman Taylor et. al., 2019, p.862); therefore, organising fiction according to similar subjects or themes is a useful way to promote positive reading habits in adolescents. Pleasure-reading has numerous academic and social benefits which overcome socio-economic disadvantage (Krashen, 2011, p.1-9), and research shows that access to reading materials increases adolescents’ reading motivation (Manuel and Carter, 2015, p.126). Therefore, genrefication supports adolescent information behaviours, encouraging browsing and selection of resources relevant to their needs, interests, and abilities.

While reading promotion is one aspect of high-school librarianship, promoting information literacy is also crucial. Forsaking standardised methods of organisation like the DDC is a frequent objection to genrefication (Gray, 2019, p.23; Wall, 2019, p.13) since students require the skills to navigate standardised systems utilised by most libraries worldwide. Greater emphasis is placed on genrefication’s benefits to fiction than on non-fiction collections, possibly because the DDC already groups similar resources by discipline to facilitate browsing (Hider, 2017, p.193). However, Outhouse (2017, p.36) argues the DDC is not a browsable system for today’s students due to its technical nature. The DDC has been described as a ‘secret code’ that students today do not understand (LaGarde, 2018, para.10). Outhouse (2017, p.41-42) argues that one of the DDC’s faults is that it is difficult for young children to search effectively due to its reliance on mathematical knowledge and seemingly unrelated subject order; high-school students with poor numeracy or pre-existing negative perceptions about the library would likewise be frustrated by its complicated numerical classification system. Some high-school teacher-librarians have therefore partially genrefied their non-fiction resources to support specific subject areas such as English, or to support specific groups of students, such as senior students (Dawson, 2019, p.23).

One frequently cited disadvantage of genrefication relates to the logistics of such reorganisation. Rearranging sections of a collection, let alone the entire library, takes time, effort, money, and training to ensure effective organisation and cataloguing of the changes (Gray, 2019, p.24; Mathur, 2019, p.6; Wall, 2019, p.14). However, LaGarde argues that if we value improving our users’ reading experiences and volume, then genrefication is worth prioritising (2018, para.26). Yet it must be stated that by replacing the ‘secret code’ of the DDC with genre classifications such as those assigned by SCIS, teacher-librarians might just be replacing one code with another, and replacing the standardised DDC subject groupings with another, non-standardised genre grouping (such as SCIS categories) might not suit all texts and users (Hamm, 2019, para.1; Wall, 2019, p.14), especially considering recent trends towards genre-blending (Barone, 2010, p.15-17). The ongoing flexibility needed to maintain a genrefied collection and keep it up-to-date with teen reading needs and expectations might be more than some teacher-librarians are willing or capable of providing.

Teacher-librarians considering genrefying their own collections should thus weigh the benefits to their specific clientele against the logistical realities of such an undertaking. They may choose to genrefy ‘mini-collections’ or to label resources in their current DDC position, using SCIS categories and user input as a guide. Ultimately teacher-librarians must use their technical expertise alongside their knowledge of their specific users’ needs, abilities, and interests to make the right decision for their context.

 

Reference List

Barone, D. M. (2010). Children’s literature in the classroom: Engaging lifelong readers. Guildford Publications.

Bessman Taylor, J., Hora, A., Steege Krueger, K. (2019). Self-selecting books in a children’s fiction collection arranged by genre. Journal of Librarianship and Information Science, 51(3), 852-865. https://doi.org/10.1177/0961000617743088

Davenport, S. (2017). Genrefying the fiction collection. Connections, 102(3), 6-7. https://www.scisdata.com/media/1511/connections102.pdf

Davenport, S. (2021). Genrefication 3.5 years later: Reflections. Connections, 117(2), 12-13. https://www.scisdata.com/media/2283/scis_connections_117_web.pdf

Dawson, T. (2019). Genrefying nonfiction at Parkes High School. Scan, 38(2). https://education.nsw.gov.au/teaching-and-learning/professional-learning/scan/past-issues/vol-38–2019/make-a-difference-mad-spotlight-on-teacher-librarians#tabs1

Dickenson, D. (2014). Children and reading: literature review. University of Western Sydney, Australian Government, and Australia Council for the Arts.

Gray, M. (2019). Genre fiction collections in Australian school libraries. Scan, 38(10). https://education.nsw.gov.au/teaching-and-learning/professional-learning/scan/past-issues/vol-38–2019/genre-fiction-collections-in-australian-school-libraries

Hamm, S. (August 5, 2019). Why I chose not to genrify the fiction section. Teen Services Underground [blog]. https://www.teenservicesunderground.com/why-i-chose-not-to-genrify-the-fiction-section/

Hider, P. (2018). Information resource description: Creating and managing metadata (2nd ed.). London: Facet.

Krashen, S. D. (2011). Free voluntary reading. ABC-CLIO, LLC.

LaGarde, J. (October 24, 2018). Genrefying your collection without changing call numbers. The Adventures of Library Girl [blog]. https://www.librarygirl.net/post/genrefying-your-collection-without-changing-call-numbers

Manuel, J., & Carter, D. (2015). Current and historical perspectives on Australian teenagers’ reading practices and preferences. Australian Journal of Language and Literacy 38(2), 115-128.

Mathur, P. (2019). Genrefication @ The Kings’ School Senior Library. Scan, 38(9). https://education.nsw.gov.au/teaching-and-learning/professional-learning/scan/past-issues/vol-38–2019/genrefication—the-kings-school-senior-library

National Library of New Zealand (n.d.). Arranging library fiction by genre. https://natlib.govt.nz/schools/reading-engagement/libraries-supporting-readers/arranging-library-fiction-by-genre

Outhouse, A. R. K. (2017). Genrefication: Introducing and explaining the exponential trend in public and school libraries. https://cdr.lib.unc.edu/concern/masters_papers/kk91fq479

Wall, J. (2019). Genrefication in NSW public school libraries: A discussion paper. Scan, 38(10). https://education.nsw.gov.au/teaching-and-learning/professional-learning/scan/past-issues/vol-38–2019/genrefication-in-nsw-public-school-libraries