Aboriginal and Torres Strait Islander

ETL402 5.1 Practical Idea and Digital Text to Support Literary Learning

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Explore a strategy, exemplified with a digital text, that will encourage teachers and/or students that would support literary learning.

Spinner, in his 2006 German article (translated into English by Anders, 2019), distinguished between the use of texts to support literacy development and the use of literary texts to support conceptual learning – what he termed literary learning. He argued that 11 aspects define effective literary learning:

  1. Developing the imagination when reading and listening
  2. Using the interaction between subjective involvement and accurate perception
  3. Active awareness of linguistic composition
  4. Understanding the perspectives of characters in literature
  5. Understanding narrative and dramaturgical logic of action
  6. Dealing consciously with fictionality
  7. Understanding metaphorical and symbolic language
  8. Engaging with the inconclusive nature of the process of constructing meaning
  9. Becoming familiar with literary discussion
  10. Understanding genres as prototypes
  11. Developing an awareness of literary history

I found this resource https://www.sbs.com.au/kgari/ on the English Teachers Association NSW Facebook group. It explores the story of Eliza Fraser, who was shipwrecked on K’gari (now more commonly known by its colonial name, Fraser Island). By presenting extracts of her sensationalised account alongside the perspective of the Butchulla people whom she portrays as “savages”, this interactive documentary encourages participants to “erase the myth that influenced history” by literally sweeping Eliza’s damaging lies off the page.

This would be a great resource for secondary students (some of the content may be a bit inappropriate for younger audiences). It presents Eliza Fraser’s story as Australia’s first example of ‘fake news’ and would therefore be a great resource to hook students into a study of news media or philosophical discussions about the nature of truth and representation. The dual perspectives challenge traditional narratives and representations of Australia’s First Nations peoples, which would serve a stage 4-5 English or History class well and develop students’ historiographical understandings, especially when contrasted with other primary and secondary sources. It presents strong links to the HSC Texts and Human Experiences Common Module, and could function as a potent related text. The importance of cross-cultural understanding and the issue of Native Title are also addressed, and at the end of the text it encourages participants to add their voice to the call to recognise the traditional name – K’gari – over the colonial name imposed in honour of a woman who lied about her treatment by the local Butchulla people.

This is a short resource; SBS states that it takes 10 minutes to view. Teacher notes, created by SBS in partnership with Reconciliation Australia, can be found here: https://www.sbs.com.au/sites/sbs.com.au.home/files/kgari_teacher_notes.pdf. In these teacher notes it provides a ‘mock trial’ activity where Eliza’s account is put on trial. Having conducted many of these in my past life as an English/History teacher, I can vouch for their incredible ability to engage even the most reluctant students. By using this interactive, multimodal documentary, teachers and teacher-librarians can explore many of Spinner’s 11 aspects of literary learning and develop their students’ conceptual, curriculum, and multiliteracy understandings.

ETL402 Half-Session Reflections: The Function of Historical Fiction in Secondary Schools

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Throughout history, humankind has been drawn to create and engage with fictional worlds to explore powerful, complex ideas which force us to question our assumptions, to connect with others, and to uncover deeper truths about ourselves and our world. Neil Gaiman (2013) identifies two key functions of fiction: first, fiction acts as “a gateway drug to reading” (para.9) by opening new worlds and possibilities while developing our literacy skills; secondly, fiction builds empathy, a necessary skill for citizens in our global world (para.9-10). Fiction helps expand our knowledge of the lives, thoughts, and feelings of others, and inhabiting the mind of another person helps us recognise our similarities, thus affecting what we think and how we respond to the world (Giles, n.d. para.3; Kidd & Castano, 2013, p.377; Whitten et. al., 2016, p.49; Short, 2018, p.291).

Some popular themes and trends influencing young adult literature include innovation and playfulness with content and form, multiple narrators, verse novels, and series fiction (Barone, 2010, p.15-17; Short, 2018, p.288). New technologies and the rise of social networking have also impacted children’s literature, increasing the accessibility of texts and authors while leading to a push for greater inclusivity and diverse representations by consumers (Barone, 2010, p.15-17). In recent years this intersection of technology and social awareness has seen the development of hashtags such as #WeNeedDiverseBooks and #LoveOzYA which connect readers with relevant content and build communities of like-minded consumers (We Need Diverse Books, 2021; #LoveOzYA, 2021).

Historical fiction is a powerful tool which can transform students’ understanding of the past while vicariously broadening their understanding of themselves, of others, and of the world around them. Recent Australian young adult historical fiction, such as Nanberry: Black Brother White (French, 2011), Crow Country (Constable, 2011), Sister Heart (Morgan, 2015), Freedom Ride (Lawson, 2015), Our Race for Reconciliation (Heiss, 2017), and Benevolence (Janson, 2020), focus on the experiences of Australia’s First Nations peoples. Through their portrayals of past injustices, texts such as these can play a crucial role in undoing prevailing misconceptions while promoting diversity and reconciliation.

Historical fiction novels, despite their focus on real events, ultimately fictionalise these events, and it can be a fine line between constructing an accurate, sensitive representation of the past and oversimplifying or trivialising peoples’ experiences (Wadham et. al., 2019, p.60, 62). Although historical acceptance is a key aspect of Reconciliation (Reconciliation Australia, 2021, 21-23), there is also the potential for First Nations students to be exposed to confronting material detailing their historical trauma. Historical fiction novels attempting to portray Aboriginal and Torres Strait Islander history, cultures, and experiences also run the risk of being didactic and tokenistic. Barone (2010, p.16) notes that didacticism has made a comeback in young adult literature, while McDonald (2013) observes that novels with cross-cultural friendships encouraging non-Indigenous characters to reject racism and embrace tolerance have recently become popular (p.120). Garrison (2019) rightly argues that any representation of Aboriginal and Torres Strait Islander characters should be genuine and sensitive to the realities of these cultures (p.21), while Heiss argues that many readers are turned off by tokenism in literature (as cited in Case, 2014, para.5). For this reason, many non-Indigenous authors now consult with Indigenous groups to ensure accurate, meaningful representation (McDonald, 2013, p.120). Author’s notes are another strategy employed by composers to add credibility and authenticity to their work and are increasingly popular because they provide much-needed contextualisation for readers keen to see how the fictional fits with the historical (Short, 2018, p.295; Wadham et. al., 2019, p.65). Historical fiction therefore provides educators with a rich stimulus for developing students’ skills in critical thinking and information literacy in addition to acting as a powerful tool to increase their interest, cultural literacy, and empathy.

Research repeatedly emphasises the social, personal, and academic value of reading for pleasure (Herbert, 2012, p.86; Earp, 2015, para. 2; Whitten et. al., 2016, p.48, 51). Yet secondary school teacher-librarians wishing to support their school community in this endeavour are faced with a number of challenges leading to a decline in students reading for pleasure in adolescence, such as lack of time allocated to pleasure reading, competing interests vying for student attention, and negative attitudes towards reading due to its perceived lack of value (Barone, 2010, p.2; Dickenson 2014, para.4; Manuel & Carter, 2015, p.116; Whitten et. al, 2016, p.57). Additionally, due to overcrowded curricula, novels are often used to teach literacy skills instead of as a means of understanding the human experience or for fun (Barone, 2010, p.2-3; Short, 2018, p.291). In secondary schools the so-called ‘educational silo’ mentality often impedes efforts at collaborative, cross-curricular planning (Sheninger, 2016, para.2-4), but teacher-librarians, who engage with a range of students, are uniquely placed to draw together the various syllabus strands into meaningful learning activities. Educators should utilise this expertise if they wish to create effective, authentic learning experiences for their students. Teacher-librarians should select quality resources for their collections which serve the interests and needs of our community (NSW DoE, 2017, p.8; Short, 2018, p.296), preferably from diverse publishers like Magabala Books, and build a culture of reading for pleasure which ideally includes staff, students, and parents by collaboratively teaching, promoting books via read-alouds and displays (both physical and digital), and encouraging activities prioritising student choice such as book clubs and literature circles (Clarke & Nolan, 2014, p.11; Manuel & Carter, 2015, p.124; Earp, 2015, para.15-20; Brugar & McMahon Whitlock, 2019, p.85; Victoria Department of Education and Training, 2020).

 

Bibliography:

Barone, D. M. (2010). Engaging teachers and their use of children’s literature. From: Children’s literature in the classroom: Engaging lifelong readers. Guildford Publications.

Brugar, K. A., & McMahon Whitlock, A. (2019). “I like […] different time periods:” elementary teachers’ uses of historical fiction. Social Studies Research and Practice 14(1), 78-97.

Case, J. (2014, November 5). ‘Getting it right’: Anita heiss on indigenous characters. Wheeler Centre: Books Writing Ideas. https://www.wheelercentre.com/notes/221927959a6b

Clarke, R., & Nolan, M. (2014). Book clubs and reconciliation: a pilot study on book clubs reading the ‘fictions of reconciliation’. Australian Humanities Review 56.

Dickenson, D. (2014). Children and reading: literature review. University of Western Sydney, Australian Government, and Australia Council for the Arts.

Earp, J. (2015, March 3). The power of a good book. Teacher Magazine. https://www.teachermagazine.com/au_en/articles/the-power-of-a-good-book

Gaiman, N. (2013, October 16). Why our future depends on libraries, reading and daydreaming. The Guardian. https://www.theguardian.com/books/2013/oct/15/neil-gaiman-future-libraries-reading-daydreaming

Garrison, K. (2019). What’s going on down under? Part 2: portrayals of culture in award-winning australian young adult literature. The Journal of Research on Libraries and Young Adults 10(2), 1- 34.

Giles, E. (n.d.). Navigating the common module. Literary Worlds Blog. https://englishliteraryworlds.weebly.com/literary-worlds.html

Herbert, B. (2012). When english meets history: exploring the faction genre through action learning. Literacy Learning: the Middle Years 20(3), 85-95.

Kidd, D. C., & Castano, E. (2013). Reading literary fiction improves theory of mind. Science 342, 377-380.

Lawson, S. (2015). Freedom ride. Walker Books.

LoveOzYA (2021). About #loveozya. https://loveozya.com.au/about/

Manuel, J., & Carter, D. (2015). Current and historical perspectives on australian teenagers’ reading practices and preferences. Australian Journal of Language and Literacy 38(2), 115-128.

McDonald, L. (2013). A literature companion for teachers. Primary English Teaching Association.

NSW Department of Education [NSW DoE] (2017). Handbook for School Libraries. https://education.nsw.gov.au/teaching-and-learning/curriculum/learning-across-the-curriculum/school-libraries/your-library

Reconciliation Australia. (2021). What is reconciliation? https://www.reconciliation.org.au/reconciliation/what-is-reconciliation/

Sheninger, E. (2016, December 4). The silo effect. A Principal’s Reflections: Reflections on Teaching, Learning, and Leadership. http://esheninger.blogspot.com/2016/12/the-silo-effect.html

Short, K. G. (2018). What’s trending in children’s literature and why it matters. Language Arts 95(5), 287-298.

Victoria Department of Education and Training. (2020, December 24). Literacy teaching kit: literacy circles. https://www.education.vic.gov.au/school/teachers/teachingresources/discipline/english/literacy/readingviewing/Pages/teachingpraccircles.aspx

Wadham, R. L., Garrett, A. P., & Garrett, E. N. (2019). Historical fiction picture books: the tensions between genre and format. The Journal of Culture and Values in Education 2(2), 57-72.

We Need Diverse Books (2021). Programs. https://diversebooks.org/programs/

Whitten, C., Labby, S., & Sullivan, S. L. (2016). The impact of pleasure reading on academic success. The Journal of Multidisciplinary Graduate Research 2(4), 48-64.

 

*This post has drawn on extracts from my ETL402 Assessment 1 response.

 

ETL402 2B.1a: Representing Indigenous Voices in Our School Library Collection

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  • To what extent are indigenous OR multicultural voices represented in your school library or local public library collection?
  • Do you have an unstated or stated selection criteria in the provision of this type of resource?
  • Name children’s texts (2) that you could recommend as important additions to support either:
    • Cross currriculum priority of Aboriginal and Torres Strait Islander Histories and Cultures or Asia and Australia’s Engagement with Asia or another indigenous group relevant to your location or context
    • General capability of Intercultural Understanding

To determine the extent to which Indigenous voices are represented in our school library, I searched through our Oliver catalogue. 

A search using the subject “Aboriginal” received 611 hits while the subject “Indigenous” received 57. There were 28 results for “Torres Strait Islander”. A search for “First Nations” only turned up 3 results. However, the three results for the First Nations search were far more recent (2017-2021), whereas the majority of the results for the others were outdated, perpetuating negative stereotypes or using insensitive terms. For instance, several resources were listed under NON305ABO (if I’m cringing, I can only imagine how our students feel when they see that word!), while the oldest resource was from 1972 and used the term ‘Aborigines’. Results for resources on the local Gundungurra, Dharawal, and Darug peoples were likewise limited. The subject search “Aboriginal peoples – Fiction” produced 35 results dating from 1983-2021.

These searches revealed that our library hosts a mix of fiction, nonfiction, picturebook, and audiovisual resources in both our physical and digital collections. A subject search for “authors, Aboriginal” received only 7 results and confusingly included The Rabbits by John Marsden and Shaun Tan, which suggests that our SCIS records are perhaps not up-to-date. 

Looking at the lists of texts and authors in the above searches, I conclude that our collection is largely outdated and seems to prioritise white representations of Indigenous cultures, histories, and experiences. As far as I have been able to determine, the school library does not have a collection development and management policy, let alone a selection criteria which guides the inclusion of relevant Aboriginal and Torres Strait Islander resources. I am in the process of completing ‘ETL503 Resourcing the Curriculum’ and will hopefully soon be in a more informed position to construct such a policy for the library. 

Some more recent texts which I’ve added to our collection and could support the Australian Curriculum’s cross-curriculum priority of Aboriginal and Torres Strait Islander Histories and Cultures are:

Sally Morgan. Sister Heart. 

  • This short verse novel details the experience of a young Aboriginal girl who is stolen from her family. This would be a fantastic cross-curricular resource for Stage 4 or 5 students. These teacher’s notes differentiate the text for older and younger readers: http://static.booktopia.com.au/pdf/9781925163131-1.pdf 

Anita Heiss. Growing Up Aboriginal in Australia.

Bruce Pascoe. Dark Emu and Young Dark Emu.

  • A controversial reconsideration of pre- and early-colonial Aboriginal Australian culture and farming practices. It would be interesting to consider the historiographical debates presented by contrasting it with Sutton and Walshe’s recent Farmers or Hunter-gatherers? The Dark Emu Debate. There’s a comprehensive teacher’s resource aligned to the Australian Curriculum available here: https://readingaustralia.com.au/lesson/dark-emu/